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All Journal Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya Litera Kultura
Anindya Kusuma Wardani
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Arts Humanities Education Languange, Linguistic, Communication & Media Social Sciences

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Ketidakadilan Gender pada Pernikahan dalam “Perempuan Patah Hati yang Kembali Menemukan Cinta Melalui Mimpi” Karya Eka Kurniawan Anindya Kusuma Wardani; Maria Benga Geleuk
Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya Vol 3 No 3 (2020)
Publisher : Magister Pendidikan Bahasa dan Sastra Indonesia, Fakultas Keguruan dan Ilmu Pendidikan, Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (819.302 KB) | DOI: 10.30872/diglosia.v3i3.52

Abstract

Marriage is a sacred, religious, and has long-term purposes activity. Marriage is assumed as making a legal relationship between a couple within opposite sex. Rather than being a simple activity, marriage is a complex activity which has various aims that are teaching and taking care children, working together with the couple, and other happiness purposes. However, this picture of marriage seems missing in the work of Eka Kurniawan in the book of Perempuan Patah Hati yang Kembali Menemukan Cinta Melalui Mimpi. Through this book, the readers can see the opposite condition of marriage compared to marriage’s stereotypes within the society. It also shows there are gender inequality practices throughout the story. Using Critical Feminism theory and descriptive-qualitative method, this research purpose is to analyze three short stories by Eka Kurniawan entitle (1) Gincu ini Merah, Sayang, (2) Cerita Batu, and (3) Pelajaran Memeliharan Burung Beo, to find how gender inequality depicted and the portrait of marriage which in the short stories. These three short stories show similar problem in a marriage which resulted in divorce. Through the process, this study found two main portraits of marriage in the works of Eka Kurniawan, that are (1) in marriage there are gender inequality practices which makes women suffer in various areas. (2) The relationship between male and female characters shows an unhealthy relationship in which women always suffers. Both result shows that marriage is not always about happiness, but its face has been changed due to unhealthy relationship. In all unhealthy marriage, woman always captures as the victims which legitimizing woman position as a submissive in a relationship even in the modern society.
Metrosexual Masculinity Performance in Jordan Belfort’s The Wolf of Wall Street ANINDYA KUSUMA WARDANI
LITERA KULTURA : Journal of Literary and Cultural Studies Vol 5 No 3 (2017)
Publisher : The English Department, Faculty of Languages and Arts, Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/lk.v5i3.20589

Abstract

Abstrak Berdiskusi mengenai gender akan selalu menemukan topik menarik, baik mengenai pria maupun wanita. Topik yang tak terbatas ini dikarenakan isu mengenai gender selalu berkembang dari waktu ke waktu. Seperti yang didiskusikan pada penelitian dengan judul Metrosexual Masculinity Performance in Jordan Belfort’s The Wolf of Wall Street, maskuliniti pria juga berkembang dari waktu ke waktu. Dari awal bab pada penelitian ini, topik yang diangkat ialah mengenai maskuliniti pria pada abad ke-20 yang disebut metroseksualiti. Tipe maskuliniti yang ditemukan merupakan hasil dari perkembangan maskuliniti. Isu lainnya yang ditemukan dan dibahas pada novel ini ialah perilaku maskulinitas dari pria metroseks. Tujuan utama dari penelitian ini adalah untuk menunjukkan bagaimana pria metroseksual menunjukkan perilaku metroseksual dan maskuliniti mereka. Mengambil teori dari studi gender dan dekonstruksi, penelitian ini memilih menggunakan teori metroseksualiti dan maskuliniti. Sebagai hasil dari penggunaan kedua teori diatas, penelitian ini menemukan hasil jika pria pada abad ke-20 atau pada tahun 90-an berperilaku selayaknya pria metroseksual. Hal ini dipraktikkan melalui sikap sehari-hari pada diri sendiri maupun orang lain, seperti memperhatikan penampilan, mengetahui dunia fashion dengan baik, dan memiliki sisi feminim. Selain itu, ia juga menikmati kebersamaannya dengan pria dan memiliki kekuatan sebagai bentuk dari sisi maskulinitasnya. Kata Kunci: metroseksualiti, maskuliniti, studi gender. Abstract Discussing about gender will lead finding interesting topics, whether it is about man or women. The never ending topics about gender are mainly because of the gender’s issues always developed from time to time. Similar to what is discussed in this study entitled Metrosexual Masculinity Performance in Jordan Belfort’s The Wolf of Wall Street, man’s masculinity also develops from time to time. From the very beginning of the chapter, this study is bringing the issue about man’s masculinity in the 20th century is called Metrosexuality. This type is the product of masculinity development. While discussing about metrosexuality, there is another issue which is found and discussed in this study, that is the Metrosexual man’s masculinity performance. The purpose of this study is mainly to reveal how metrosexual man performs his metrosexuality and masculinity. Taking the product of gender studies and deconstruction, this study takes metrosexuality and masculinity theory as its theory. As the result, through combining these two methods and theories, this study found that the 20th century or 90s men perform the newest type of masculinity through his daily behavior towards himself and others, such as paying attention to his appearance, knowing fashion better, and having feminine sense, that is called metrosexual masculinity. Besides that, the character also enjoying man company and having power as his action to show his masculinity. Keywords: metrosexuality, masculinity, gender studies.
Co-Authors Maria Benga Geleuk