Lilis Sumiati
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Journal : Panggung

Tari Wayang Karakter Satria Ladak Lilis Sumiati
PANGGUNG Vol 22 No 1 (2012): Menggali KEkayaan Bentuk dan Makna Seni
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v22i1.35

Abstract

Wayang dance is a dance expressing events in the stories of wayang. The events here among oth- ers are dances revealing the background of the story, theme, the name of the dance, characters, and philosophical elements. Of those various elements, the scope in this study is limited into matters of satria ladak character.Wayang dance satria ladak character living in several areas contains some significant differences in several aspects. The term differing the specialty of wayang dance is called sejak. The scope of se- jak is more for one’s style in dancing dance genre from the same ethnic. Therefore, the term sejak is firstly come out when seeing one’s performance in dancing, either referred to her/his choreography or to her/his specialty in performing the dance. Then, sejak owned by the individual is spread among his/her surrounding, so that it can be an icon in respective areas.The quantity of Wayang dance satria ladak is varied in each areas, such as sejak Sumedang is Dipati Karna dance. While Sejak Garut is Bambang Somantri dance, and sejak Bandung is Arayana dance. These materials are chosen as samples for comparative and interpretative study.Keywords: Wayang Dance, Satria Ladak, Sejak, comparative, interpretative.  
Kreativitas Tari Yudawiyata Lilis Sumiati
PANGGUNG Vol 30 No 1 (2020): Polisemi dalam Interpretasi Tradisi Kreatif
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v30i1.1137

Abstract

ABSTRACTThe Yuda Wiyata dance is an object of the research in the realm of artwork inspired by the SumedangWayang war dance. The motivation to do this is based on the reality that Sumedang Wayang dance is stillable to survive but experiences a stagnant life. This relity is a problem that must be broken down how tomake the repertoire survive and develop according to the times. As a solution by making dance modelsbased on these traditions. To carry an original dance work, the ability of creativity becomes a majormilestone. Thus, the theory of creativity was chosen as a surgical knife in explaining the problem. Tomaintain the typical characteristics of the case, the methods used lead to reconstruction, transformation,and innovation. These three methods are efforts to protect, utilize and develop that lead to conservation.The manifestation of Yuda Wiyata’s dance is in the form of a group presentation performed by sevenmale dancers. The structure of the dance is expressed through the form and content that illustrates thegallantry of the wadyabalad practicing war.Keywords: Creativity, Reconstruction, Transformation, Innovation, Yuda Wiyata DanceABSTRAKTari Yuda Wiyata merupakan objek penelitian dalam ranah karya seni yang terinspirasi dari tariperang wayang gaya Sumedang. Pendorong untuk melakukan hal tersebut, didasari oleh realitasbahwa tari Wayang gaya Sumedang masih mampu bertahan namun mengalami kehidupanyang stagnan. Realitas tersebut merupakan permasalahan yang mesti diurai bagaimana agarrepertoar tersebut dapat bertahan dan berkembang sesuai zaman. Sebagai solusinya dengancara membuat model karya tari yang berbasis pada tradisi tersebut. Untuk mengusung suatukarya tari yang original, kemampuan kreativitas menjadi tonggak utama. Dengan demikian,teori kreativitas dipilih sebagai pisau pembedah dalam mengeksplanasi permasalahan.Untuk mempertahankan ciri khas kasumedangan maka metode yang digunakan mengarahpada rekonstruksi, transformasi, dan inovasi. Ketiga metode ini sebagai upaya pelindungan,pemanfaatan, dan pengembangan yang mengarah pada ranah pelestarian. Perwujudan tariYuda Wiyata berupa penyajian secara kelompok yang dibawakan oleh tujuh orang penari pria.Struktur tarian diungkapkan melalui bentuk dan isi yang menggambarkan kegagahan para wadyabalad sedang berlatih perang.Kata Kunci: Kreativitas, Rekonstruksi, Transformasi, Inovasi, Tari Yuda Wiyata