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All Journal Cinelook: Journal of Film, Television, and New Media Panggung
maisaratun najmi
institut seni indonesia padang panjang
Arts Humanities Education Languange, Linguistic, Communication & Media Social Sciences

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ANALISIS EKRANISASI NOVEL KE FILM SURAT KECIL UNTUK TUHAN Nurul Aini; Maisaratun Najmi; Yatno Karyadi
Cinelook: Journal of Film, Television, and New Media Vol 1, No 01 (2023): Cinelook: Journal of Film, Television, and New Media
Publisher : Institut Seni Indonesia Padang Panjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/cl.v1i01.3459

Abstract

This study discusses the process of ecranizing the novel into a film form Surat Kecil Untuk Tuhan directed by Harris Nizam. The purpose of this study is to describe the changes and find out the motives for the differences between the novel and the film after the ecranization process takes place based on the aspects of additions, subtractions, and deletions. The method used in this study is a qualitative method which is presented descriptively using George Bluestone's ecranization theory approach to present data accompanied by a description of the research results.The results of identifying the story elements of novels and films are used as comparative data on the changes that occur from the ecranization of novels to films. Each element of the story is related to one another. Changes in one element of the story from the ecranization of the novel to the film cause changes in other story elements. Based on the research that has been done, it is concluded that the ecranization of the novel Surat Kecil Untuk Tuhan has undergone several changes, including shrinking, adding and varying changes. These changes occur in the elements of the theme, story characters, setting, and plot. The most significant change is the shrinking of the plot, this occurs because the ecranization film is actually a summary of the story from the novel.
Tradisi Bakaba Dalam Rabab Pasisia: Sebuah Adaptasi Menjadi Film Desmawardi Desmawardi; Hanefi Hanefi; maisaratun najmi
PANGGUNG Vol 30 No 3 (2020): Pewarisan Seni Budaya: Konsepsi dan Ekspresi
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v30i3.961

Abstract

Tulisan ini berisi tentang ruang ekspresi penuturan kaba dan aspek musikal rabab Pasisia, pada bagian pasambahan kaba Gadih Basanai. Secara musikal pergerakan melodi rabab dan melodi dendang, cendrung mengisi introduction lagu, interlude, “antaran” dari satu suasana ke suasana lain, memperdalam kesan musikal kesedihan  yang disampaikan melalui teks atau syair; melodi dendang adalah melodi dari tuturan tukang rabab menyampaikan cerita. Metode yang digunakan dalam penelitian ini meliputi :1) pencatatan teks kaba Gadih Basanai; 2) Observasi penampilan kaba dan kultur masyarakat ; 3) Wawancara dengan penutur kaba dan masyarakat; 4) Studi Pustaka mengenai tulisan maupun format lain yang berhubungan dengan kaba Gadih Basanai. Bentuk garis melodi (contour) kaba Gadih Basanai dalam hal ini gerak melodi yang mengarah pada nada orientasi (nor) menjadi penting, karena kehadiran pergerakan melodi frase-frase melodis berorientasi pada nada-nada tertentu sebagai batas wilayah nada terpakai yang menuju pada nada orientasinya. Penelitian ini juga memperlihatkan kaba Gadih Basanai mengalami perbedaan atau perubahan sesuai dengan pengalaman hidup dan era hidup penuturnya. Hasil penelitian ini diharapkan menjadi bahan pemikiran mengenai pengembangan tradisi bakaba serta pengembangan film Indonesia. Key Woord: Tradisi Bakaba, Adaptasi, Film
Co-Authors Desmawardi Desmawardi FRANSISKUS XAVERIUS YATNO KARYADI Hanefi Hanefi Nurul Aini