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All Journal Panggung International Journal of Business, Economics, and Social Development Panggung
GR Lono Lastoro Simatupang
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Arts Humanities Economics, Econometrics & Finance Education Languange, Linguistic, Communication & Media Social Sciences

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Pertunjukan Liong dan Barongsai di Yogyakarta: Redefinisi Identitas Tionghoa Sudono -; Suhartono -; GR Lono Lastoro Simatupang
PANGGUNG Vol 23, No 2 (2013): Eksplorasi Gagasan, Identitas, dam Keberdayaan Seni
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (203.254 KB) | DOI: 10.26742/panggung.v23i2.99

Abstract

ABSTRACT Since the reformation era, the Indonesian Chinese get their rights as citizens of the nation of Indo­ nesia. They earn the right to live as citizens as the other nations in Indonesia, including the practice of their religion and belief, as well as their culture. Nevertheless, political discrimination of the New Order government for three decades had created blockage impact on cultural transfer from one gene­ ration to the next. Today, when they get their freedom, the process of commodification of culture also played a role in redefining their identity. This study aims at determining how they define their identity. This study used a qualitative descriptive approach. The technique of collecting data used literature study, observations and in­depth interviews. The result of the study shows that commo­ dification of Chinese culture does not make the vanishment of their identity and culture, but it has strengthened the Chineseness and created the emergence of the new texts on Liong and Barongsai culture. Keywords: Liong, Barongsai, redefinition of Chinese identity  ABSTRAK Sejak lahirnya reformasi, orang Tionghoa Indonesia memperoleh hak mereka sebagai war- ga bangsa Indonesia. Hak hidup sebagaimana warga bangsa lainnya di Indonesia telah mereka peroleh kembali, termasuk menjalankan agama dan kepercayaan, serta budaya mereka. Namun demikian, kebijakan diskriminatif pemerintah Orde Baru selama tiga da- sawarsa berdampak pada tersumbatnya transfer budaya dari generasi ke generasi beri- kutnya. Kini, ketika kebebasan tersebut didapat, proses komodifikasi budaya juga ikut berperan dalam mendefinisikan identitas mereka kembali. Penelitian ini bertujuan untuk mengetahui bagaimana mereka mendefinisikan identitas mereka. Penelitian ini meng- gunakan pendekatan kualitatif deskriptif. Teknik pengambilan data menggunakan studi literatur, pengamatan dan wawancara mendalam. Hasil penelitian menunjukkan bahwa komodifikasi atas budaya Tionghoa tidak bermuara pada matinya identitas dan hilangnya kebudayaan Tionghoa, tetapi justru telah memperkuat ke-Tionghoaan dan juga muncul- nya teks-teks baru pada produk budaya Liong dan Barongsai. Kata kunci: Liong, Barongsai, redifinisi identitas Tionghoa
Pertunjukan Liong dan Barongsai di Yogyakarta: Redefinisi Identitas Tionghoa Sudono -; Suhartono -; GR Lono Lastoro Simatupang
PANGGUNG Vol 23 No 2 (2013): Eksplorasi Gagasan, Identitas, dam Keberdayaan Seni
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v23i2.99

Abstract

ABSTRACT Since the reformation era, the Indonesian Chinese get their rights as citizens of the nation of Indo­ nesia. They earn the right to live as citizens as the other nations in Indonesia, including the practice of their religion and belief, as well as their culture. Nevertheless, political discrimination of the New Order government for three decades had created blockage impact on cultural transfer from one gene­ ration to the next. Today, when they get their freedom, the process of commodification of culture also played a role in redefining their identity. This study aims at determining how they define their identity. This study used a qualitative descriptive approach. The technique of collecting data used literature study, observations and in­depth interviews. The result of the study shows that commo­ dification of Chinese culture does not make the vanishment of their identity and culture, but it has strengthened the Chineseness and created the emergence of the new texts on Liong and Barongsai culture. Keywords: Liong, Barongsai, redefinition of Chinese identity  ABSTRAK Sejak lahirnya reformasi, orang Tionghoa Indonesia memperoleh hak mereka sebagai war- ga bangsa Indonesia. Hak hidup sebagaimana warga bangsa lainnya di Indonesia telah mereka peroleh kembali, termasuk menjalankan agama dan kepercayaan, serta budaya mereka. Namun demikian, kebijakan diskriminatif pemerintah Orde Baru selama tiga da- sawarsa berdampak pada tersumbatnya transfer budaya dari generasi ke generasi beri- kutnya. Kini, ketika kebebasan tersebut didapat, proses komodifikasi budaya juga ikut berperan dalam mendefinisikan identitas mereka kembali. Penelitian ini bertujuan untuk mengetahui bagaimana mereka mendefinisikan identitas mereka. Penelitian ini meng- gunakan pendekatan kualitatif deskriptif. Teknik pengambilan data menggunakan studi literatur, pengamatan dan wawancara mendalam. Hasil penelitian menunjukkan bahwa komodifikasi atas budaya Tionghoa tidak bermuara pada matinya identitas dan hilangnya kebudayaan Tionghoa, tetapi justru telah memperkuat ke-Tionghoaan dan juga muncul- nya teks-teks baru pada produk budaya Liong dan Barongsai. Kata kunci: Liong, Barongsai, redifinisi identitas Tionghoa
Rethinking Participatory Culture through the Case in Mulyana’s “Sea Remembers” Wan Ridwan Husen; Budi Irawanto; GR Lono Lastoro Simatupang
International Journal of Business, Economics, and Social Development Vol. 6 No. 3 (2025): International Journal of Business, Economics, and Social Development (IJBESD)
Publisher : Rescollacom (Research Collaborations Community)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.46336/ijbesd.v6i3.963

Abstract

This study discusses the production process carried out in collaboration with the community (especially women's knitting groups) in the field of visual arts, seen through the lens of participatory culture. Using a case study approach, this study re-examines how artists engage with communities to create spaces for communication, build relationships, explore creative processes, exchange ideas, and collectively shape identities. This study examines the collaborative methods applied in Mulyana's artwork 'Sea Remembers', focusing on two main aspects: the collaborative work process and the community empowerment process. The method used is qualitative with a case study approach to a collaborative process. The findings reveal that during its production, 'Sea Remembers' illustrates that the artistic process carried out with many people can be a medium for empowering communities, can positively foster innovation in art making, and increase appreciation for those involved. This study emphasizes the potential of collaboration with a participatory approach in redefining the artistic production process in building social relationships.
Co-Authors Budi Irawanto Sudono - suhartono - Wan Ridwan Husen