Article Per Year (5 Year)
p-Index From 2021 - 2026
1.066
P-Index
This Author published in this journals
All Journal Parafrase: Jurnal Kajian Kebahasaan dan Kesastraan TANDA: Jurnal Kajian Budaya, Bahasa dan Sastra Jurnal Gramaswara: Jurnal Pengabdian kepada Masyarakat Proceeding of Undergraduate Conference on Literature, Linguistic, and Cultural Studies
Anik Cahyaning Rahayu
Dosen Prodi Sastra Inggris, Fakultas Sastra, Universitas 17 Agustus 1945 Surabaya
Arts Humanities Education Languange, Linguistic, Communication & Media Social Sciences Other

Published : 6 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 6 Documents
Search

 1 
Love in Sir Charles George Douglas Roberts' Selected Poems Ade, Ari; Rahayu, Anik Cahyaning
Proceeding of Undergraduate Conference on Literature, Linguistic, and Cultural Studies Vol. 3 No. 1 (2024): UNCOLLCS: PROCEEDING RESEARCH ON LITERARY, LINGUISTIC, AND CULTURAL STUDIES
Publisher : Fakultas Ilmu Budaya Universitas 17 Agustus 1945 Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30996/uncollcs.v3i1.4620

Abstract

This thesis explores love in five selected poems by Sir Charles George Douglas Roberts: Moonlight, The Fear of Love, Love's Translator, Presence, and The Footpath. The research aims to find the types of love and identify and analyze the figurative language exposing the theme. The intrinsic approach is used for this research. An extrinsic approach, the psychological approach from John Lee’s theory is also used to analyze the types of love because love relates to psychology. The data source used in this research consists of the five poems. A descriptive qualitative method is used in this research. Each poem demonstrates different types of love as defined by John Lee’s theory, including Eros, Mania, and Storge, using figurative language to express deeper emotions and meanings. Moonlight shows Eros love through imagery, metaphors, personification, apostrophe, and hyperbole, capturing intense longing and desire. The Fear of Love shows Mania love, characterized by obsession and anxiety, through imagery, metaphor, and hyperbole. Love's Translator uses symbols of nature and imagery to reflect the physical attraction and emotional depth of Eros love. In Presence, Eros love is shown through imagery, personification, and hyperbole showing how the lover’s presence transforms the speaker's perception of the world. Lately, The Footpath shows Storge love, emphasizing deep friendship and shared memories, with imagery, metaphors, and apostrophe, shows the bond between the speaker and his beloved. In conclusion, this research shows how figurative language is used to portray the kinds of love theme of the five poems.
Kohesi Leksikal Ekspresi Pemberontakan pada Circe karya Madeline Miller Garnida, Susie Chrismalia; Sudarwati, Sudarwati; Rahayu, Anik Cahyaning; Bay Kurniawan, Adelt Fricilia
PARAFRASE : Jurnal Kajian Kebahasaan & Kesastraan Vol 24 No 2 (2024): Parafrase Vol. 24 No. 2 Oktober, 2024
Publisher : Universitas 17 Agustus 1945 Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30996/parafrase.v24i2.11635

Abstract

Lexical cohesion refers to the way in which words in a text relate to each other through their meanings. This topic is important due to the fact that words in texts have relations among them based on the keywords. The relation could be in synonymy, antonymy, and hyponymy, which sometimes some readers lack of this matter. The subject of this study is the literary work of the novel Circe by Madeline Miller. The focus of this study is how lexical cohesion supports themes of rebellion in this novel and demonstrates how vocabulary forms a network. This study answers the gap in existing research, which mostly explores lexical cohesion in educational contexts and journal articles, but not in literary works with certain themes such as rebellion. This study aims to identify and analyze the lexical cohesions used to convey the theme of rebellion in the novel Circe and, with existing data, investigate how lexical cohesion forms vocabulary networks. This study used Halliday and Matthiessen's (2014) theory of lexical cohesion. This analysis reveals how lexical choices increase narrative coherence and thematic depth. The methodology used is qualitative research. The source of this study is Madeline Miller's Circe. The findings show that lexical cohesion in Circe is 50 data achieved through various devices such as synonymy (five nouns, four verbs, four adjectives), antonymy (seven nouns, five verbs, four adjectives), and hyponymy (nine nouns, twelve verbs, zero adjectives). This lexical cohesion demonstrates how vocabulary forms a network that enhances understanding and vocabulary by forming a network of related words such as synonyms, antonyms, and hyponyms that help readers or listeners connect ideas, identify relationships between terms, and interpret texts more coherently, ultimately enriching comprehension and enabling the acquisition of diverse and nuanced word meanings.
AMNESIA IN BEFORE I GO TO SLEEP NOVEL BY S. J. WATSON At Taba', Wildan Baihaqi Yusuf; Rahayu, Anik Cahyaning
TANDA Vol 4 No 04 (2024): BAHASA DAN SASTRA
Publisher : COMMUNITY OF RESEARCH LABORATORY SURABAYA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.69957/tanda.v4i04.1987

Abstract

This study explores the symptoms, causes, and impacts of Christine Lucas's amnesia as depicted in Before I Go to Sleep novel by S. J. Watson, using a psychological approach and descriptive qualitative method. Employing Rajesh Kumar’s theory of amnesia, the study focuses on amnesia linked to psychological problems. Christine exhibits four key symptoms: anterograde symptom, where she cannot form new memories and wakes up daily with no recollection of recent events; retrograde symptom, where she forgets her adult life and retains only childhood memories; confabulation symptom, where she fills memory gaps with imagined or false memories; and disorientation symptom, where she is confused about her identity and surroundings each morning. Her condition results from head injuries and oxygen deprivation caused by a violent assault and subsequent coma. The impacts of her amnesia are profound, including a loss of identity, as she struggles with her roles as a wife and mother; strained relationships, culminating in her husband divorcing her despite his love; and difficulty distinguishing between reality and fantasy, particularly during episodes of confabulation. The findings highlight how Christine’s memory loss fundamentally shapes her life and identity, underscoring the deep psychological and relational consequences of her condition.
PATRIARCHAL PRACTICE AGAINST WOMAN CHARACTER’S IN PAT BARKER’S THE SILENCE OF THE GIRLS Firdausiyah, Fira; Rahayu, Anik Cahyaning
TANDA Vol 5 No 01 (2025): SASTRA DAN BUDAYA
Publisher : COMMUNITY OF RESEARCH LABORATORY SURABAYA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.69957/tanda.v5i01.2026

Abstract

Various cultural problems have existed from the past to the present life of society. One of them is patriarchal culture or patriarchal practice. Patriarchal practice can be known through various writings on social media and literary works. This article deals with patriarchal practice happening in a literary work, in this case, in a novel entitled The Silence of The Girls written by Pat Barker. The aims of the research are to describe the patriarchal practice portrayed in the novel and the women’s struggle to face the patriarchal practice done by the men. This novel tells about Briseis, the main character, and the other two woman characters, who experience domination and oppression from man characters. In conducting the research, Sylvia Walby's theory of patriarchy is employed. In addition, this study is designed by using a qualitative descriptive method that focuses on presenting data directly through observation. Besides, feminist literary criticism is applied because this study focuses on the issue of women's equality. The results of the study shows that men dominate by abusing their power. The men are more powerful than the women by controlling, oppressing mercilessly with violence and sexuality such as rape, without considering their throne as women. Therefore, the women cannot voice what they want to convey because their voices are rejected, and they do not have the right to speak out, which can result in losing their identity as women. However, Brises and the other women build a community and solidarity to strengthen them, so that they can survive in facing patriarchal practices by strengthening each other and giving the best support. Moreover, they can strengthen self-awareness to achieve prosperity and freedom. Those are women’s manner to be able to survive during the war and to face men’s domination.
Symbolism in Sherwood Anderson's Hands , James Joice's Clay, and Ernest Hemingway's Cat In The Rain Rahayu, Anik Cahyaning; Garnida, Susie Chrismalia; Sudarwati, Sudarwati
PARAFRASE : Jurnal Kajian Kebahasaan & Kesastraan Vol 25 No 1 (2025): Parafrase Vol. 25 No. 1 Mei, 2025
Publisher : Universitas 17 Agustus 1945 Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30996/parafrase.v25i1.131836

Abstract

Symbolism, as a key literary device, allows authors to convey deeper meanings through objects, characters, and events, enriching the narrative and engaging readers on an emotional and intellectual level. This article explores the use of symbolism in three modernist short stories: Sherwood Anderson’s “Hands”, James Joyce’s “Clay”, and Ernest Hemingway’s “Cat in the Rain”. The research employs a qualitative descriptive design with a focus on textual analysis. The analysis is guided by theories of symbolism, psychoanalysis, and postcolonial criticism, supported by scholarly sources. Through close reading and thematic categorization, the study identifies symbols found in three short stories. Hands’ symbolisms are emotional expression, social misunderstanding and condemnation, and connection and isolation. Clay has the symbolisms of death and stagnation, disappointment and invisibility, and forgotten dreams. Cat in the Rain, on the other hand, contains symbolisms such as unfulfilled desire and emotional need, confinement and disconnection, and femininity and identity. The findings of this study show that symbolism in the three short stories not only functions as an aesthetic element, but also as a means to reveal the characters' inner conflicts and subtle social criticism. The symbols enrich the reader's understanding of the themes of loneliness, identity search, and social injustice at the core of modernist narratives. In conclusion, the use of symbolism in these works is effective in conveying complex messages that transcend the boundaries of the text, and demonstrates how modernist literature responds to social change and individual psychological conditions in a profound and meaningful way.
Peningkatan Kapasitas Pertunjukan Seni Berbasis Ketersediaan Kostum Seni sebagai Bentuk Penguatan Desa Wisata Jenisgelaran Kabupaten Jombang Novi Andari; Sudarwati; Rahayu, Anik Cahyaning
Jurnal Gramaswara: Jurnal Pengabdian kepada Masyarakat Vol. 5 No. 3 (2025): Jurnal Gramaswara: Jurnal Pengabdian kepada Masyarakat
Publisher : Faculty of Cultural Studies, Universitas Brawijaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21776/ub.gramaswara.2025.005.03.05

Abstract

Salah satu unsur penting dalam pagelaran seni yang estetis ada pada kostum yang dikenakan oleh pelaku seninya. Kostum merupakan hal pendukung yang sangat urgent dalam setiap penyajiannya karena kostum memiliki fungsi representasi estetis yang dijadikan media implementasi identitas kecirian setiap daerah. Kostum dalam pagelaran seni berfungsi untuk menciptakan keindahan penampilan, membedakan satu dengan yang lainnya, menggambarkan karakter tokoh, memberi ruang gerak, dan memberikan efek dramatik. Dengan demikian, kostum seni merupakan unsur terpenting setelah gerakan seni dan alat musik dalam sebuah pagelaran seni. dengan mempertimbangkan keterbatasan ketersediaan wardrobe seni, ketertinggalan kekinian, dan kostum yang belum berciri-khas. Maka penyelesaian terhadap permasalahan yang dihadapi para komunitas seni di Desa Jenisgelaran perlu diberikan dalam bentuk penyediaan dana berupa kostum seni yang sesuai dengan kebutuhan karakter jenis keseniannya dan usia pelaku seninya. Kepemilikan kostum yang mandiri merupakan salah satu unsur penting dalam manajemen usaha bagi kelompok seni, sehingga dapat menstabilisir perekonomian individu dan kelompoknya. Hasil pengabdian pada masyarakat Hibah Perguruan Tinggi Untag Surabaya ini diharapkan dapat membantu kemandirian perekonomian pelaku seni yang ada di Kampung Seninman Desa Jenisgelaran Kabupaten Jombang.
Co-Authors Ade, Ari At Taba', Wildan Baihaqi Yusuf Bay Kurniawan, Adelt Fricilia Firdausiyah, Fira Novi Andari NOVI ANDARI Sudarwati Sudarwati Sudarwati Susie Chrismalia Garnida