Article Per Year (5 Year)
p-Index From 2021 - 2026
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This Author published in this journals
All Journal Journal of Urban Society´s Arts Humaniora Business Economic, Communication, and Social Sciences Journal (BECOSS)
Ferric Limano
Bina Nusantara University
Arts Humanities Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Industrial & Manufacturing Engineering Social Sciences

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 1 
Human and Technology in the Animation Industry Ferric Limano
Business Economic, Communication, and Social Sciences (BECOSS) Journal Vol. 3 No. 1 (2021): BECOSS
Publisher : Bina Nusantara University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21512/becossjournal.v3i1.6748

Abstract

Humanism is a term in intellectual history that is often used in the fields of philosophy, education and literature. In classical greek times, this humanism manifested itself in paideia, a classical greek education system that was intended to translate the vision of the ideal human being. However, this classical Greek perspective departs from a purely natural view of humans. So, humans and education are like two sides of a coin that cannot be divorced. Technology is also the result of educated human beings, technology holds many beautiful promises, but in the experience and history of technology also contains threats and dangers contained in it. In this study, how to discuss the history and development of the Indonesian animation industry, from a human and technological perspective. The result of this research is to provide a viewpoint of thinking in the animation industry that humans and technology can coordinate together, resulting in many animation actors who maximize potential in animation technology.
Increasing the Selling Value of Indonesian Cultural Products to the Global (Case study of Batik as Indonesian Cultural Identity): Meningkatkan Nilai Jual Produk Budaya Indonesia kepada Global (Studi Kasus Batik sebagai Identitas Budaya Indonesia) Ferric Limano
Business Economic, Communication, and Social Sciences (BECOSS) Journal Vol. 3 No. 2 (2021): BECOSS
Publisher : Bina Nusantara University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21512/becossjournal.v3i2.7374

Abstract

Culture consists of practices, objects, and values ​​in one society. This culture occurs as a result of the emergence of transactions and agreements between certain communities so as to agree on these existing values ​​into the daily life. Even this culture itself is passed down from generation to generation, the identity of this culture demands uniqueness, boundaries, and originality. But the big problem is the strong current of globalization which makes the mingled interactions between one and another culture. Indonesia is rich in culture, which in the past also experienced a lot of acculturation with one another. The uniqueness of Indonesian culture is displayed in many forms, both objects and habits, including performing arts in Bali, phinisi ships, and also batik. Through this research the authors again raise how to increase the selling value of cultural products in Indonesia, by looking at the case studies of traditional batik which innovated into a global approach. This case is discussed from the point of view of Komaruddin Kudiya's success in introducing batik to the global market. The research method was carried out qualitatively, with a cultural and business design approach. The data obtained is based on workshops and seminars, as well as literature obtained online. Furthermore, the data will be studied and analyzed descriptively to produce explanations related to the factors that increase the selling value of batik as a result of Indonesian culture.
The Principle of Asymmetry Aesthetic in Cinematography Ferric Limano
Humaniora Vol. 9 No. 1 (2018): Humaniora
Publisher : Bina Nusantara University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21512/humaniora.v9i1.4267

Abstract

The research showed the principle of asymmetry having a grasp of aesthetic in cinematography. It was needed the understanding of conceptual tools in filming, not only the physical tools. With this principle, the research presented the recommendations in practice that could be applied better in visual for the audience.Methods used in this research was qualitative descriptive. There was a connection of the principle asymmetry with object research (conceptual tools in cinematography) included; frame, light and color, lens, movement, texture, establishing, and point of view with comparison with symmetry principle, then simulate with 3D (three dimensional) editor. The result of this research is people can apply this principle to experience the constant that added the aesthetic in the film with hope to give advantages to the Indonesian movie industry.
Nusantara Animation Reconstruction Based on the Shakyamuni Archery Relief from Borobudur Ferric Limano; Lintang Widyokusumo
Journal of Urban Society's Arts Vol 13, No 1 (2026): April 2026
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/jousa.v13i1.16750

Abstract

This research aims to develop an animation concept (moving image) inspired by Nusantara, which can serve as a source of inspiration for Indonesian animation and offer a unique value in the global market. The object of study used to derive this concept is the Lalitavistara relief depicting Shakyamuni drawing a bow at Borobudur. This particular relief was chosen because the depiction of Shakyamuni’s pose conveys a sense of movement. The method employed to generate this Nusantara animation concept is Design-Based Research (DBR) in animation. The character’s motion was reconstructed from the relief poses using a biped rigging system in 3DS Max. To accurately interpret Shakyamuni’s pose, the researcher utilized 3D photogrammetry to capture clear and detailed visuals of the character’s posture. The motion reconstruction process involved creating a sequence of character poses, starting from key poses to blocking poses, ultimately resulting in a reconstructed animation inspired by Nusantara. The findings of this research reveal that the main archery movement is not portrayed directly; instead, it incorporates additional movements that enhance the aesthetic value—specifically, dance-like gestures embedded within the primary action. Furthermore, some of these choreographed poses carry implicit meanings within their motions. Therefore, the resulting Nusantara animation concept can serve as a valuable reference for future Indonesian animated film productions, offering a distinctive and culturally rich identity in the global animation market.
Co-Authors Lintang Widyokusumo