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All Journal E-Journal Of Cultural Studies Jurnal Kajian Bali Ngayah: Majalah Aplikasi IPTEKS MUDRA Jurnal Seni Budaya RETORIKA: Jurnal Bahasa, Sastra, dan Pengajarannya Pustaka : Jurnal Ilmu-Ilmu Budaya Wacana : Majalah Ilmiah Tentang Bahasa, Sastra dan Pembelajarannya Suluh Pendidikan: Jurnal Ilmu-ilmu Pendidikan Wacana Saraswati Majalah Ilmiah Tentang Bahasa Sastra Dan Pembelajarannya PROSIDING SEMINAR NASIONAL DAN INTERNASIONAL HIMPUNAN SARJANA-KESUSASTRAAN INDONESIA Global Art Creativity Conference Open Access DRIVERset
I Nyoman Suaka
IKIP Saraswati
Religion Arts Humanities Computer Science & IT Education Languange, Linguistic, Communication & Media Social Sciences Other

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Puppet Show as Popular Culture in Bali: The Revitalization of Puppet Performing Arts through the Rhetoric Originality of Wayang Cenk Blonk I Nyoman Suaka; I Made Budiasa
Jurnal Kajian Bali (Journal of Bali Studies) Vol. 14 No. 1 (2024): Articulating Identity
Publisher : Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/JKB.2024.v14.i01.p03

Abstract

The contemporary history of Balinese performing arts is characterized by the inception of the renowned puppeteer Wayan Nardayana’s monumental puppet show, popularly known as puppet or wayang Cenk Blonk, derived from the name of their punakawan characters (servants to the main hero) who are comical, intelligent, critical, and possessed of a broad range of social knowledge. The emergence of the Cenk Blonk puppeteer since the early 1990s has led to a significant expansion of the wayang performance in Bali, from rural older adult to urban youth audiences. This article examines the popularity of puppeteer Nardayana, focusing on his ability to incorporate rhetoric into his performances. The data was taken from the dialogue texts of his performances and examined with rhetoric theory. The study demonstrates that puppeteer Nardayana’s popularity is attributed to his ability to present stories in a refreshing, original, critical, and entertaining style without sacrificing the traditional puppetry principles. This study contributes to appreciating the revitalization of traditional art in a globalized era.
Refleksi Kekerasan dalam Rumah Tangga dalam Cerita Rakyat Bali Tuwung Kuning: Analisis Feminisme I Nyoman Suaka
Jurnal Kajian Bali (Journal of Bali Studies) Vol. 8 No. 2 (2018): PENGOBATAN DAN TUTUR DALAM TEKS BALI
Publisher : Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/JKB.2018.v08.i02.p05

Abstract

The purpose of this article is to examine Tuwung Kuning (Yellow Egg Plant) folklore based on the feminist approach. The object of the study is the drama script and performance Tuwung Kuning recording. Data were analysed with hermeneutic method, namely the interpretation of text both written and audiovisual texts. The results of the study show that the manuscripts and theater express the theme of domestic violence. The female character of the story, Tuwung Kuning, is very weak and in an oppressed conditions. The bullying was carried out by the husband and by environmental conditions of a gambler family. The female character was powerless and oppressed by male-based power of patriarchy, even though in a state of old pregnancy, when giving birth and caring for the child. She was threatened, terrorized and killed. This condition is very contrary to the spirit of feminism that fights for gender equality so that the position of women is equal to men. The change in the fate of this female character is not by herself, but by an angel, as a fortune.
Co-Authors Fitri Tista Wahyuni, Ni Made I Gede Bagus Wisnu Bayu Temaja I Made Budiasa I Wayan Soper Ni Nyoman Karmini Nurhidayah Nurhidayah Nurhidayah Nurhidayah Soper, I Wayan Tia Wisma Adinda, Kadek