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All Journal Ultimart: Jurnal Komunikasi Visual IMAGIONARY : Jurnal Seni, Desain dan Multimedia
Imamul Masyhudi
Unknown Affiliation
Arts Humanities Languange, Linguistic, Communication & Media Social Sciences

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Perancangan Motif Khas Tasikmalaya Pada Decoupage Untuk Produk Dari Anyaman Pandan Imamul Masyhudi; Kresnawan Budiargo
ULTIMART Jurnal Komunikasi Visual Vol 14 No 2 (2021): Ultimart: Jurnal Komunikasi Visual
Publisher : Universitas Multimedia Nusantara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31937/ultimart.v14i2.2215

Abstract

Tasikmalaya woven is able to penetrate the export market in three countries; Japan, Italy and Spain. In the midst of the rapid development of this product, there are problems, the development of image motifs that are less varied. The decoupage drawing technique is more attractive to consumers than the manual hand drawing technique. The design of this decoupage motif uses a three-step methodology; exploration, design and embodiment. In the design, it was found that many distinctive motifs could be extracted from Tasikmalaya, for example flora, fauna, nature and culture motifs. The purpose of this design is to give a distinctive motif to the woven product so that it has the uniqueness and identity of Tasikmalaya. Keywords: woven; decoupage; distinctive motifs; export product
Visual Aesthetics Semiotics Roland Barthes Photography Journalistic Works Phenomenal World Prasetyo, Martinus Eko; Imamul Masyhudi
IMAGIONARY Vol 3 No 1 (2024): OKTOBER
Publisher : Lembaga Penelitian dan Pengabdian Masyarakat Universitas Paramadina

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.51353/jim.v3i1.961

Abstract

Documentary photography as a medium of conveying information and documentation can document reality and tell important stories with integrity and honesty. Where journalistic photography will continue to be a powerful tool in reporting the truth and influencing social change, giving us a window into a wider and more diverse world. This research visually analyzes the phenomenal works of world photography from the aesthetic side with Roland Barthes' semiotic approach. It tells that aesthetically the photograph is an embodiment of visual beauty immortalized by the photographer not only by chance in capturing a moment that once existed. This research is conducted qualitatively descriptively according to Bogdan and Guba and proves that the science of photography does not only rely on luck but needs to understand how to photograph, the concept of visual framing in one frame that can be accepted by the general public as a conveyance of messages, information, and impressions from a photograph itself based on photographic theories.
Co-Authors Kresnawan Budiargo Prasetyo, Martinus Eko