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All Journal English Review: Journal of English Education JITTER (Jurnal Ilmiah Teknologi Informasi Terapan) JUMANJI (Jurnal Masyarakat Informatika Unjani) Journal Sampurasun : Interdisciplinary Studies for Cultural Heritage Budapest International Research and Critics Institute-Journal (BIRCI-Journal): Humanities and Social Sciences Jurnalistrendi: Jurnal Linguistik, Sastra dan Pendidikan
Heri Heryono
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Religion Arts Humanities Civil Engineering, Building, Construction & Architecture Computer Science & IT Control & Systems Engineering Economics, Econometrics & Finance Education Electrical & Electronics Engineering Engineering Industrial & Manufacturing Engineering Languange, Linguistic, Communication & Media Mechanical Engineering Social Sciences

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Reference in Lyric "Beautiful Girl" by Jose Marichan: Pragmatics Study Ardian Maha Putra; Heri Heryono
Budapest International Research and Critics Institute-Journal (BIRCI-Journal) Vol 5, No 3 (2022): Budapest International Research and Critics Institute August
Publisher : Budapest International Research and Critics University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33258/birci.v5i3.5813

Abstract

The subject of this study is a reference found in Jose Marichan's song "Beautiful girl." The study's goals are to identify the function of reference, find the different types of referencing expressions in the lyrics and to explain how they are used. This study is based on descriptive data. Jose Marichan's song "Beautiful girl" was used as a data source for this study. The researcher discovered pronouns, proper names, definite noun phrase and indefinite noun phrase while collecting information. The researcher next analyzes the data and explains why it is classified as satisfying referring expression. According to the findings indefinite noun phrase with two data (13%), pronoun with twelve data (80%), and definite noun phrase with one data (7%), the function of reference is to allow the listener or reader to identify something, while referring expression is to identify the types.
Grammatical Cohesion Found In ‘This Christmas’ Novel by Nora Roberts: Discourse Analysis Alita Gumati Raftinia; Heri Heryono
Budapest International Research and Critics Institute-Journal (BIRCI-Journal) Vol 5, No 3 (2022): Budapest International Research and Critics Institute August
Publisher : Budapest International Research and Critics University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33258/birci.v5i3.5838

Abstract

This purpose of this study is to analyze and investigate the function and the various types of Grammatical Cohesion in the novel This Christmas by Nora Roberts. The research discusses about written text (novel) which more easily to be observed. A discourse is the unit of language formed from a series of sentences that are cohesive and coherent either written or speech. This research also observed the function and what types of grammatical cohesion in This Chirstmas novel. In grammatical cohesion there are four types such as subtitution, ellipsis, reference and conjunction. Result of the research are 10 references detected in the novel (34.4%), 6 subtitution found in the text (21%), 3 ellipsis (10,2%) and 10 conjunctions (34,4%).
NEW-WORD FORMATION AND SOCIAL DISRUPTION ON METAVERSE Ervina CM Simatupang; Heri Heryono
English Review: Journal of English Education Vol 10 No 3 (2022)
Publisher : University of Kuningan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25134/erjee.v10i3.6722

Abstract

The virtual environments have provided users with varied degrees of digital transformation, despite the fact that users are non-permanent and unconnected. To further assist the digital transition in every element of physical life, the term Metaverse has been coined. It cannot be avoided that language, furthermore linguistics, has involvement to the word framing and word creation within Metaverse. This research is purposed to determine some typical new-word formations or neologisms that impact to the establishment of terminologies within Metaverse. On the other hand, cultural aspect also becomes the concern towards this new universe; since people need to be well-informed in the term of consequence and benefits. The method of the research applied qualitative method and distributional method by Segmenting Immediate Constituents Techniques; which means the technique of dividing a construction of direct elements which form the construction. Three main theories used in this paper are neologism by Kilmer (2020), social disruption by Kumbara et al. (2020) and Metaverse by Mystakidis (2019). The paper puts three different terminologies that are analyzed using linguistic and cultural perspective. Those three words are Persistent Virtual World (PVW), blockchain and NFT that massively arise in the Metaverse terminologies. Based on the analysis, it can be inferred that those terminologies are categorized to morphological and semantic neologism; which also includes abbreviation and broadening. The notion of an immersive Internet as a massive, unified, persistent, and shared realm is at the core of Metaverse.
The Use Of Code-mixing by Nathalie Kezia in Indonesia’s Next Top model cycle 3 Annisa Amalia; Heri Heryono
Jurnalistrendi : Jurnal Linguistik, Sastra dan Pendidikan Vol 9 No 1 (2024): Edisi April 2024
Publisher : Universitas Nahdlatul Wathan Mataram

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.51673/jurnalistrendi.v9i1.2103

Abstract

This research aims to categorize the types and functions of code mixing used by one of the contestants in Indonesia’s Next Top Model Cycle 3, Nathalie Kezia. This research used a descriptive-qualitative method to analyze the conversation. The data source was taken from a YouTube channel entitled “Indonesia’s Next Top Model Cycle 3”. The result showed there are three types of code mixing found in the total 43 data; 35 of insertion (82%), 4 of alternation (9%), and 4 of congruent lexicalizations (9%). In the data analyzed, the most dominant type of code mixing is insertion, which indicates that Nathalie frequently inserts one language into another in her utterances. Moreover, it is clear from the findings that Nathalie Kezia used code mixing with several functions, which are 30 data of ‘talking about a particular topic’ (70%), 3 data of ‘being emphatic about something’ (7%), 8 data of ‘interjection’ (18%), and 2 data of ‘intention of clarifying the speech content for the interlocutor’ (5%).
CULTURAL RELATION ON DISCOURSE MARKERS IN PUNCHLINES ON RICKY GERVAIS’ SUPERNATURE STAND-UP COMEDY SHOW Azzahra Amalia; Heri Heryono
SAMPURASUN Vol 10 No 1 (2024): Sampurasun Vol. 10 No. 1 - 2024
Publisher : Lembaga Penelitian Universitas Pasundan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.23969/sampurasun.v10i1.13700

Abstract

This research investigates the intricate functions of discourse markers (DMs) in Ricky Gervais' stand-up comedy, exploring their alignment with humour theories and their impact on punchline delivery. The purpose of this research is (1) to define the categories and functions of DMs utilised by Ricky Gervais in formulating punchlines and (2) to define the application of DMs in the punchlines within the framework of three theories of humour. The data was obtained from Ricky Gervais’ Stand-up Comedy Show entitled “SuperNature” on Netflix. A qualitative descriptive was applied. The theoretical basis of this research is Brinton’s theory which entails the category and function of DMs and Raskin’s theory regarding the creation of humour. Through examination, the research reveals that Gervais employs a diverse set of DM functions to navigate and enrich his comedic narratives, including the textual and interpersonal categories. The textual category, specifically on DM as an information indicator, indicates the highest overall outcome, with 18%. Moreover, their appearance showcases the dynamic role of DMs in appealing to humour theories. It can be shown that DM commonly appeared in the punchlines on the show, reaching a significant number of 46% in the incongruity category, aiding and amplifying punchlines.
Co-Authors AA Sudharmawan, AA Alita Gumati Raftinia Ardian Maha Putra Ari Purno W Ari Purno Wahyu Wibowo Azzahra Amalia Daffa Muhammad Ivandharu Damayanti, Elok Dani Hamdani Daniela Putri Tetenaung Ervina CM Simatupang Gusti Putri Qadriah Hevira Normayanti Muhammad Benny Chaniago Suckma Azani Tiara Salsabila Fadhilah Vanny Annisa Putri Hendarto Zulfa Rahmadita Rachman