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All Journal Jejak digital: Jurnal Ilmiah Multidisiplin
Novina Yeni Fatrina
Institut Seni Indonesia Padang Panjang
Economics, Econometrics & Finance Education Languange, Linguistic, Communication & Media Social Sciences Other

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Cupang Halfmoon sebagai Inspirasi Penciptaan Feminine Romantic Style Fadhila Febriani; Novina Yeni Fatrina; Nofi Rahmanita; Fendi Nofrian
Jejak digital: Jurnal Ilmiah Multidisiplin Vol. 2 No. 4 (2026): JUNI-JULI
Publisher : INDO PUBLISHING

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.63822/0s7gsn15

Abstract

This work is entitled "Halfmoon Betta as an Inspiration for Feminine Romantic Style Fashion" which is inspired by the halfmoon betta in the form of feminine clothing. The creation of this final project aims to create a feminine romantic style fashion with the source of the halfmoon betta. The beauty of the fin shape and the variety of pastel colors in the halfmoon betta are used as inspiration in processing the design, silhouette, decorative details, and color selection of the clothing. The creation method is carried out through several stages, namely exploration of the source of ideas, design planning, material selection, and the process of changing the clothing. In the creation process, the artist applies decorative techniques in the form of ruffles, borders, sequin embroidery, and the use of lace to strengthen the character of the feminine romantic style. The material used is a typical Jepara baron woven fabric that has a texture in the form of fish scales so that it supports the concept of creation. The colors used consist of light purple, light blue, light pink, and Broken White. The results of the creation are three levels of clothing, namely ready to wear, ready to wear deluxe, and haute couture. This creation is expected to be an innovation in the development of romantic feminine fashion, utilizing the visual beauty of the halfmoon betta as a source of inspiration for fashion creations.  
Penciptaan Busana Feminine Romantic Style  Terinspirasi dari Bunga Celosia Cristata Annisa Rizki; Desi Trisnawati; Novina Yeni Fatrina; Fadri Rahmat
Jejak digital: Jurnal Ilmiah Multidisiplin Vol. 2 No. 4 (2026): JUNI-JULI
Publisher : INDO PUBLISHING

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.63822/2cw3ct78

Abstract

designers in creating clothing that has a strong aesthetic value and character. One of the fashion styles that remains in demand today is the Feminine romantic style. This style displays a soft, graceful impression, through silhouettes, decorative, and soft color choices. The work entitled "Feminine romantic style inspired by the celosia cristata flower" the creation of this clothing has the aim of designing and realizing feminine clothing inspired by the wavy celosia cristata flower. The method of creating this work uses three stages, the first is exploration, namely the process of finding ideas in creating clothing, the second is designing, namely the stage of making sketches and designs, and the third is realization, namely the process of creating works that begin with pattern making, sewing, and ending with finishing. The color selection is a derivative of the pink color of the celosia cristata flower. The materials used are yamaha silk, kawasaki silk, maxmara, tile sugar candy, organza, satin bridal, and Songket Silungkang. The sewing realization process uses ruffle techniques and sequin embroidery techniques. This work is realized in three levels of ready to wear clothing, ready to wear deluxe, and haute couture. This outfit can be worn at fashion shows. It is hoped that this work will inspire innovation in future creations
Penerapan Korsase Bunga Mawar Putih  pada Busana Pengantin Modern Alya Musanny Nst; Nofi Rahmanita; Mega Kencana; Novina Yeni Fatrina
Jejak digital: Jurnal Ilmiah Multidisiplin Vol. 2 No. 5 (2026): AGUSTUS-SEPTEMBER
Publisher : INDO PUBLISHING

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.63822/jkhnae64

Abstract

The creation of this work was motivated by the artist's interest in white roses which were then realized through corsages. Corsage is a decorative technique in the form of a flower arrangement or decorative ornament used to beautify clothing. White roses were chosen because they have the meaning of purity, holiness. In addition, the development of modern bridal fashion that is increasingly flexible and follows today's needs has become an inspiration in creating elegant, feminine, and timeless designs. The purpose of creating this work is to realize a modern bridal fashion design with the application of a white rose corsage as the main concept. The creation method is carried out through the stages of idea exploration, design design, material selection, and the clothing production process with standard boutique sewing techniques. The work is realized in three levels of clothing, namely ready to wear, ready to wear deluxe, and haute couture. The clothing uses bridal satin material combined with Tille candy sugar, organza, and Palembang songket. The results of the creation of this work show that the application of a white rose corsage can provide an elegant, luxurious, and romantic aesthetic value to modern bridal clothing. Each design has distinct characteristics depending on the level of the garment, ranging from slim dress silhouettes with simple details in ready-to-wear, to more structured details in deluxe ready-to-wear, to the majestic ballgown shapes in haute couture. This work is expected to inspire the development of modern bridal wear designs with decorative touches of white rose corsages.
Co-Authors Alya Musanny Nst Annisa Rizki Desi Trisnawati Fadhila Febriani Fadri Rahmat Fendi Nofrian Mega Kencana Nofi Rahmanita