Article Per Year (5 Year)
p-Index From 2021 - 2026
0.882
P-Index
This Author published in this journals
All Journal Jejak digital: Jurnal Ilmiah Multidisiplin Aksara
Nofi Rahmanita
Institut Seni Indonesia Padang Panjang
Humanities Economics, Econometrics & Finance Education Languange, Linguistic, Communication & Media Social Sciences Other

Published : 5 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 5 Documents
Search

 1 
Loempo Batik Motifs: Visuals Semiotics, Cultural Identity, an Heritage Innovation Dini Yanuarmi; Rias Wita Suryani; Nofi Rahmanita; Selvi Kasman
Aksara Vol 37, No 2 (2025): AKSARA, EDISI DESEMBER 2025
Publisher : Balai Bahasa Provinsi Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29255/aksara.v37i2.4914.463-475

Abstract

This study aims to analyze Loempo Batik motifs as cultural texts that reflect the intersection of Minangkabau tradition, local identity, and global visual culture. The research employs a qualitative case study approach with a triangulation technique combining interviews, visual documentation, and archival analysis. Data were collected through in-depth interviews with artisans, designers, community leaders, and consumers to obtain comprehensive perspectives. The data were then analyzed using semiotic and multimodal discourse analysis supported by Peirce’s sign theory and visual grammar. The results show that the Rumah Gadang motif serves as a cultural anchor symbolizing Minangkabau heritage; guardian figures such as dragons and Garuda illustrate curated hybridity; while exclusive motifs like Malereng represent forms of cultural resistance. The use of color also carries polysemous meanings that link adat, ecological awareness, and Islamic values. The study concludes that Loempo Batik embodies a model of heritage-based design innovation that balances identity preservation with creative economic development. AbstrakPenelitian ini bertujuan untuk menganalisis motif Loempo Batik sebagai teks budaya yang merepresentasikan persinggungan antara tradisi Minangkabau, identitas lokal, dan budaya visual global. Penelitian ini menggunakan pendekatan kualitatif dengan metode studi kasus dan teknik triangulasi yang memadukan wawancara, dokumentasi visual, serta analisis arsip. Data diperoleh melalui wawancara mendalam dengan perajin batik, desainer, tokoh masyarakat, dan konsumen untuk menggali persepsi dan makna budaya yang terkandung dalam motif Loempo Batik. Analisis data dilakukan dengan menggunakan pendekatan semiotika dan analisis wacana multimodal yang didukung oleh teori tanda Peirce dan tata bahasa visual. Hasil penelitian menunjukkan bahwa motif Rumah Gadang berfungsi sebagai jangkar budaya yang menegaskan identitas Minangkabau; figur penjaga seperti naga dan Garuda menggambarkan hibriditas terkurasi; sedangkan motif eksklusif seperti Malereng mencerminkan bentuk resistensi budaya. Simbolisme warna juga mengandung makna polisemi yang menghubungkan nilai-nilai adat, ekologi, dan Islam. Penelitian ini menyimpulkan bahwa Loempo Batik merupakan model inovasi desain berbasis warisan budaya yang mampu menyeimbangkan pelestarian identitas dengan pengembangan ekonomi kreatif.
Smock Jepang pada Busana Exotic Dramatic Style Yusuf Pahreza; Fadri Rahmat; Nofi Rahmanita; Dini Yanuarmi
Jejak digital: Jurnal Ilmiah Multidisiplin Vol. 2 No. 4 (2026): JUNI-JULI
Publisher : INDO PUBLISHING

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.63822/avpccs17

Abstract

This article is entitled " Japanese Smock Sewing Decorative Techniques on Exotic Dramatic Style Clothing". The creation of this work was inspired by an exotic dramatic style that displays a more expressive impression and elevates elements of local culture and wisdom. The artist embodies this concept into clothing by using Lurik Woven Fabric and Silungkang Songket combined with Satin material. The clothing created consists of three levels of clothing, namely Ready to Wear, Ready to Wear Deluxe, and Haute Couture. In the creation of this work, the artist uses the Japanese smock technique which will produce a raised texture in the form of waves arranged regularly to create decorative flowers. The choice of the Japanese smock technique is also based on the artist's experience in learning the technique through fabric manipulation during college so that the artist understands the character and visual potential that will be produced. The materials used in the creation of the work are Donatello satin fabric, Lurik woven fabric, Silungkang songket. The creation method starts from searching for sources of ideas and references, making designs, selecting materials, to changing the work. The results of the work show that the application of Japanese smocking techniques to Exotic Dramatic Style clothing is able to produce a unique clothing appearance through the Fabric Manipulation Technique.
Cupang Halfmoon sebagai Inspirasi Penciptaan Feminine Romantic Style Fadhila Febriani; Novina Yeni Fatrina; Nofi Rahmanita; Fendi Nofrian
Jejak digital: Jurnal Ilmiah Multidisiplin Vol. 2 No. 4 (2026): JUNI-JULI
Publisher : INDO PUBLISHING

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.63822/0s7gsn15

Abstract

This work is entitled "Halfmoon Betta as an Inspiration for Feminine Romantic Style Fashion" which is inspired by the halfmoon betta in the form of feminine clothing. The creation of this final project aims to create a feminine romantic style fashion with the source of the halfmoon betta. The beauty of the fin shape and the variety of pastel colors in the halfmoon betta are used as inspiration in processing the design, silhouette, decorative details, and color selection of the clothing. The creation method is carried out through several stages, namely exploration of the source of ideas, design planning, material selection, and the process of changing the clothing. In the creation process, the artist applies decorative techniques in the form of ruffles, borders, sequin embroidery, and the use of lace to strengthen the character of the feminine romantic style. The material used is a typical Jepara baron woven fabric that has a texture in the form of fish scales so that it supports the concept of creation. The colors used consist of light purple, light blue, light pink, and Broken White. The results of the creation are three levels of clothing, namely ready to wear, ready to wear deluxe, and haute couture. This creation is expected to be an innovation in the development of romantic feminine fashion, utilizing the visual beauty of the halfmoon betta as a source of inspiration for fashion creations.  
Aplikasi Warna Marawa pada Busana Kontemporer Azka Haniyah Putri; Mirda Aryadi; Nofi Rahmanita; Dini Yanuarmi
Jejak digital: Jurnal Ilmiah Multidisiplin Vol. 2 No. 4 (2026): JUNI-JULI
Publisher : INDO PUBLISHING

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.63822/y7h0qw39

Abstract

The work entitled "Application of Marawa Colors in Contemporary Fashion" is inspired by the colors of the Marawa, a traditional cultural symbol of the Minangkabau community. The contemporary garments feature asymmetric silhouettes designed with a simple yet elegant appearance. The arrangement of the Marawa colors is visually represented through the composition of fringes made from yarn, creating a distinctive decorative element. The designs incorporate layered contemporary garments combined with Silungkang woven songket fabric. The color palette follows the traditional Marawa colors black, red, and yellow using cotton drill, premium cotton, Ima cotton, and Silungkang songket as the primary materials. The creative process began with collecting references related to the design concept, followed by concept development, field observation, and the formulation of the creative idea. This collection was developed based on the Trend Forecasting 2026/2027 theme "Fringe", which emphasizes garments featuring fringe details. The use of materials such as strands of yarn, cords, tassels, and similar decorative elements characterizes this trend. In this collection, fringe is interpreted through the application of fringes and tassel embellishments combined with dangling beads, and further enriched with sashiko embroidery and bead embroidery techniques
Penerapan Korsase Bunga Mawar Putih  pada Busana Pengantin Modern Alya Musanny Nst; Nofi Rahmanita; Mega Kencana; Novina Yeni Fatrina
Jejak digital: Jurnal Ilmiah Multidisiplin Vol. 2 No. 5 (2026): AGUSTUS-SEPTEMBER
Publisher : INDO PUBLISHING

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.63822/jkhnae64

Abstract

The creation of this work was motivated by the artist's interest in white roses which were then realized through corsages. Corsage is a decorative technique in the form of a flower arrangement or decorative ornament used to beautify clothing. White roses were chosen because they have the meaning of purity, holiness. In addition, the development of modern bridal fashion that is increasingly flexible and follows today's needs has become an inspiration in creating elegant, feminine, and timeless designs. The purpose of creating this work is to realize a modern bridal fashion design with the application of a white rose corsage as the main concept. The creation method is carried out through the stages of idea exploration, design design, material selection, and the clothing production process with standard boutique sewing techniques. The work is realized in three levels of clothing, namely ready to wear, ready to wear deluxe, and haute couture. The clothing uses bridal satin material combined with Tille candy sugar, organza, and Palembang songket. The results of the creation of this work show that the application of a white rose corsage can provide an elegant, luxurious, and romantic aesthetic value to modern bridal clothing. Each design has distinct characteristics depending on the level of the garment, ranging from slim dress silhouettes with simple details in ready-to-wear, to more structured details in deluxe ready-to-wear, to the majestic ballgown shapes in haute couture. This work is expected to inspire the development of modern bridal wear designs with decorative touches of white rose corsages.
Co-Authors Alya Musanny Nst Azka Haniyah Putri Dini Yanuarmi Fadhila Febriani Fadri Rahmat Fendi Nofrian Mega Kencana Mirda Aryadi Novina Yeni Fatrina Rias Wita Suryani Selvi Kasman Yusuf Pahreza