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All Journal Budapest International Research and Critics in Linguistics and Education Journal (Birle Journal) Budapest International Research and Critics Institute-Journal (BIRCI-Journal): Humanities and Social Sciences
Octaviana Tobing
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Religion Arts Humanities Economics, Econometrics & Finance Education Languange, Linguistic, Communication & Media Social Sciences Other

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Function of Traditional Music Karo Gendang Lima Sedalanen in Implementation of Erpangir Kulau Ceremony Octaviana Tobing
Budapest International Research and Critics in Linguistics and Education (BirLE) Journal Vol 3, No 2 (2020): Budapest International Research and Critics in Linguistics and Education, May
Publisher : BIRCU

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33258/birle.v3i2.902

Abstract

Erpangir kulau is a term or name created by the Karo community to express a tradition of religious ceremonies or self-cleansing rituals in the Karo community, which uses Karo traditional music, ensemble Gendang Lima Sedalanen, as a supporting element of its implementation. The purpose of this study was to determine the Function of Traditional Music Karo Gendang Lima Sedalanen in Implementation of the Erpangir Kulau Ceremony. The results showed that the five functions according to the Kustap theory were fulfilled by the use of the ensemble Gendang Lima Sedalanen. In its function as an emotional expression, it can be seen from how the ensemble has a strong energy to bring out the emotions of all the actors involved in carrying out the religious ceremonial activities, so that various attitudes of the ceremonial participants appear. Whereas in its function as a communication is realized during the ongoing communication between guru sibaso  who act as a medium between the spirit that is believed to be present, and the people who carry out pangir. Furthermore, the function of Gendang Lima Sedalanen as a social response arises from how the entire Karo community with various temperaments, but can unite to carry out this ceremony. When it functions as a cultural preservation fulfilled through its use in the ritual Erpangir Kulau ritual, it is a form of appreciation and love for their culture. Finally, in its function as a symbol representation is realized through guru sibaso who is a symbol of someone who has his own expertise or prestige.
Reinterpretation of the Legend of Lake Toba into the Batak Opera Janji Putri Ikan Octaviana Tobing; Russel Akbar Fauzi; Try Wahyu Purnomo
Budapest International Research and Critics Institute (BIRCI-Journal): Humanities and Social Sciences Vol 4, No 3 (2021): Budapest International Research and Critics Institute August
Publisher : Budapest International Research and Critics University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33258/birci.v4i3.2372

Abstract

The creation of the Janji Putri Ikan Batak Opera is an effort to design the Art of Batak Opera which is based on the Batak folklore of the legend of Lake Toba. The design effort is the result of the re-interpretation of the legend of Lake Toba folklore through the transfer approach. The results of the transfer of the vehicle were initially manifested in a new drama play entitled Janji Putri Ikan. The drama play of the Janji Putri Ikan was designed by retaining the plot as found in the folklore of the legend of Lake Toba but changing it from a folklore format to a drama play format with a formulation or play style adapted for the purposes of designing the Batak Opera. The designer of the play is done by making changes to the structural aspects of folklore which are interpreted deconstructively in the meaning of the structure. The placement of the opposite meaning of the structure ultimately has an impact on significant changes in the characterization aspect, the dramatic aspect and also the story setting aspect as contained in the structure of the legend of Lake Toba folklore. Thus, the design of the Janji Putri Ikan Batak Opera is more than just an adaptation work but is a complete application of the concept of transfer from the regional literary genre (folklore) to the creation of the Batak Opera. This means that the final embodiment of this creation is the Batak Opera performance with the play Janji Putri Ikan. This work is supported by 15 players consisting of actors, dancers, and musicians, which will be performed at the local or national level. The product of this research is a work of theater art, as an appreciation material for students and the community. This work is made in Brechtian form in a realist concept.
Co-Authors Russel Akbar Fauzi Try Wahyu Purnomo