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All Journal MUDRA Jurnal Seni Budaya Proceeding of International Conference on Art, Language, and Culture Dewa Ruci : Jurnal Pengkajian dan Penciptaan Seni Kompetensi: Jurnal Bahasa Dan Seni SoCul: International Journal of Research in Social Cultural Issues
Ronald Marthen Pieter Kolibu
Universitas Negeri Manado
Religion Arts Humanities Computer Science & IT Decision Sciences, Operations Research & Management Education Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Social Sciences Other

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Ornamen Waruga Pada Rumah Minahasa Sebagai Pencitraan Budaya Ronald Marthen Pieter Kolibu
Dewa Ruci: Jurnal Pengkajian dan Penciptaan Seni Vol 7, No 2 (2011)
Publisher : Pascasarjana Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (3969.532 KB) | DOI: 10.33153/dewaruci.v7i2.1011

Abstract

Waruga dan rumah hunian Minahasa merupakan artefak budaya yang masih dapat dinikmati sampai saat ini. Rumah Minahasa dengan bentuknya yang khas, menjadi penanda eksistensi budaya Minahasa. Masuknya rumah Minahasa sebagai bagian dari komoditi budaya berdampak pada mulai kaburnya identitas Minahasa dalam produk arsitektur tradisional ini. Waruga sebagai produk kebudayaan Minahasa sarat akan simbol-simbol yang dapat diangkat sebagai ornamen khas Minahasa. Bagaimana keberadaan ornamen waruga sebagai produk budaya Minahasa, bagaimana keberadaan rumah Minahasa dapat menjadi citra budaya Minahasa dan bagaimana aplikasi alternatif ornamen waruga mampu berfungsi sebagai citra budaya Minahasa merupakan tiga rumusan masalah yang dapat dijawab dengan mengaplikasikan ornamen pada waruga menjadi ornamen rumah hunian Minahasa. Hal tersebut dapat menjadi penegas ciri/citra rumah Minahasa sebagai produk budaya  Minahasa. Representasi merupakan sebuah pendekatan dalam menjawab permasalah identitas ini. Alternatif desain adalah langkah awal dalam mencapai identitas tersebut, sedangkan pencitraan adalah strategi membentuk identitas budaya baru. Sebuah produk budaya lama dengan kemasan baru yang memberi identitas baru dalam sebuah kebudayaan. Kata kunci: Rumah hunian Minahasa, ornamen, aplikasi desain, citra budaya.
ORNAMENT VARIETY OF ANIMALSON STONE COFFIN GRAVE (WARUGA); TRACES OF MINAHASA CULTURAL ACCULTURATION Ronald Marthen Pieter Kolibu; Agus Sachari; Pindi Setiawan
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Publisher : Universitas Sebelas Maret

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (921.161 KB)

Abstract

Examining the traces of cultural development in a community means also seeing how cultural acculturation plays a role in the formation of the cultural identity. Minahasa as a cultural community also cannot avoid the penetration of other cultural influences in the formation of Minahasa cultural identity. Megalithic cultural traces that are manifested in the tradition of burying corpses in stone coffin graves are cultural products that exist in Minahasa cultural community. From the beginning as a product of megalithic culture which tended to be plain without ornament variety, in its development the stone coffin graves of Minahasa people later developed into a cultural product that was rich in ornament variety. Knowledge of ornament variety, in the beginning, presented as an expression of Minahasa people. As the penetration of the cultural influences from other culture, the ornament variety on the stone coffin graves of Minahasa people, then more developed and varied. The ornament variety of animals is one of the many ornament types that was found in Minahasa stone coffin grave. The article is the result of a study that inventories various forms of animal ornament in Minahasa stone coffin grave, which then with qualitative research methods and an interpretive approach interpreting the ornament variety of animals in Minahasa stone coffin grave. The focus of the study results is to reveal the meaning that is to be conveyed with the presence of this animal ornament. Interpretation of meaning is obtained through interviews and literature studies that are conducted in this study. The difference in interpretation is one of the challenges in this study. So that the meaning disclosure by the researchers is not absolute, but it still provides a different interpretation space along with the process that are carried out in this study.
Minahasan Vernacular House; Values, Meanings, And Forms Ronald M P Kolibu; Agus Sachari; Pindi Setiawan
Mudra Jurnal Seni Budaya Vol 35 No 1 (2020): Februari
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/mudra.v35i1.998

Abstract

House is one of human’s three primary needs. It is developed alongside human civilization. Minahasa as a part of that civilization developed vernacular architecture based on their culture’s unique values, meanings, and forms. This article is a part of research concerned in answering the questions of (1) how are the knowledge and technology used by Minahasan to build their vernacular house, (2) how are the shape and form of Minahasan vernacular house in Minahasa’s cultural development, and (3) what are the value and meaning of Minahasan vernacular house for its people. These three questions were being addressed in this research by using qualitative method with ethnographic approach, where every steps and results will be described by interpretation of several patterns from the values, meanings, and forms found in the research process. Ethnography was utilized to see phenomena in this research. The results are identification of values, meaning, and forms development in Minahasan vernacular house.
KAJIAN ESTETIS ORNAMEN PADA SOUVENIR KOTEKA SUKU DANI DI KABUPATEN JAYAWIJAYA WAMENA, PROVINSI PAPUA PEGUNUNGAN Maria Makdalena Tamengkel; Arie Tulus; Ronald M. P. Kolibu
KOMPETENSI Vol. 4 No. 1 (2024): KOMPETENSI : Jurnal Ilmiah Bahasa dan Seni
Publisher : Fakultas Bahasa dan Seni, Universitas Negeri Manado

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Abstract

Penelitian ini bertujuan untuk mengidentifikasi ornamen yang terdapat pada souvenir koteka Suku Dani, serta untuk memahami makna dan nilai estetika dari ornamen tersebut. Pendekatan yang digunakan dalam penelitian ini adalah kualitatif dengan metode analisis deskriptif. Penelitian ini dilakukan dengan cara mengamati dan mewawancarai penduduk Suku Dani di Kabupaten Jayawijaya, Kota Wamena, Provinsi Papua Pegunungan. Selain itu, peneliti juga mencari data tambahan dari berbagai sumber, seperti referensi internet dan buku. Hasil penelitian menunjukkan bahwa ornamen pada souvenir koteka Suku Dani terdiri dari dua jenis utama, yaitu motif geometris dan motif khayalan. Ornamen tersebut memiliki nilai estetika yang terlihat dalam bentuk fisik, isi, dan cara penyajiannya. Ornamen ini digunakan semata-mata sebagai elemen dekoratif untuk memperindah souvenir koteka Suku Dani. Beberapa contoh ornamen mencakup stilisasi dari bentuk geometris seperti garis lurus, garis lengkung, dan lingkaran. Motif-motif ini sering kali diciptakan berdasarkan imajinasi dan kreativitas para seniman yang membuat souvenir tersebut. Penyajian ornamen pun beragam dalam hal tata letak dan distribusi, tetapi cenderung seimbang dalam penempatannya.
THE ANALYSIS ON THE DEVELOPMENT OF THE KABELA AS A SYMBOL OF TRADITIONAL HONOUR FOR THE PEOPLE OF BOLAANG MONGONDOW Sumardiko; Ronald M. P. Kolibu; Ferdinand Pangkey
SoCul: International Journal of Research in Social Cultural Issues Vol. 3 No. 6 (2023): SoCul: International Journal of Research in Social Cultural Issues
Publisher : Faculty of Language and Arts (Fakultas Bahasa dan Seni) Universitas Negeri Manado

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53682/soculijrccsscli.v3i6.8393

Abstract

This research aims to explain the development of Kabela in Bolaang Mongondow culture and its philosophical meaning. Kabela is a container for placing betel (obuyu'), areca nut (mama'an), whiting and tobacco (tabaku') as a banquet for guests. The type of research used in this study is qualitative using a descriptive approach. Data collection techniques through observation, interviews, and documentation. Data sources in this study are divided into two, namely primary data from interviews and secondary data from written records. Data analysis in this study uses data reduction, data review and conclusion drawing. The results of this study show that there are several developments in the form of Kabela from simple forms to having decorations. There are past motifs such as pata' lumandai, pata' malasai, and current motifs such as coconut, flower and geometric motifs. The colours used in the past were red, white and black while today additional colours such as green, yellow, blue, purple and others are used. Each creation of Kabela used to have various philosophical meanings while the current Kabela emphasises more on aesthetic value. It is hoped that the community, especially Bolaang Mongondow, can continue to preserve this historical art object so that it is not lost or forgotten by future generations.
Co-Authors Agus Sachari Agus Sachari Arie Tulus Ferdinand Pangkey Maria Makdalena Tamengkel Pindi Setiawan Pindi Setiawan Sumardiko