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All Journal Jurnal Rupa Rumoh: Journal of Architecture Serat Rupa: Journal of Design
Gregorius Prasetyo Adhitama
Fakultas Seni Rupa dan Desain, Institut Teknologi Bandung
Arts Humanities Civil Engineering, Building, Construction & Architecture Environmental Science Languange, Linguistic, Communication & Media Social Sciences

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Studi Preferensi Masyarakat Jakarta Terhadap Genderless Fashion Nadiah Salsabila Hakim Pambudi; Achmad Haldani; Gregorius Prasetyo Adhitama
JURNAL RUPA Vol 4 No 1 (2019): Open Issue
Publisher : Telkom University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25124/rupa.v4i1.2249

Abstract

The evolution of clothing style always repetitive, one of them is genderless fashion. In Indonesia, especially in Jakarta, genderless clothing is not exposed too much to the public. This research aims to find the meaning of genderless fashion which often indentify as androgyne fashion and people’s preference for genderless fashion. This research collects data through a literature review as well as using questionnaires to find out the preferences of the Jakarta people towards genderless fashion. According to data analysis, it can be interpreted that genderless fashion is a designing process for clothing without any specific gender orientation. The difference lies in one’s physical character, the concept of androgyne fashion is for individuals who has male and female characteristic. The results of questionnaires regarding the preferences are most people know the meaning of genderless fashion and this phenomenon can be accepted in society. However, there are limits that cannot be accepted yet, such as clothes with feminine silhouette and very bright colors. This research intended to be able to rectify public confusion over understanding genderless fashion and androgyne fashion as well as a source of knowledge for designer who wants to know the limitation and acceptence rate for genderless fashion in Jakarta.
SENSE OF PLACE PADA RUANG PERPUSTAKAAN PUSAT UNIVERSITAS INDONESIA: Sense of Place in the University of Indonesia Library Nisa Putri Rachmadani; Gregorius Prasetyo Adhitama; Agus Sachari
Rumoh Vol. 12 No. 1 (2022): Juni
Publisher : Department of Architecture, Faculty of Engineering, University of Muhammadiyah Aceh

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (342.976 KB) | DOI: 10.37598/rumoh.v12i1.192

Abstract

Tren desain perpustakaan di era modern kini telah menggeser perubahan fungsi dan makna perpustakaan dan penerapan teori sense of place pada desain interior. Perpustakaan akademik sebagai sebuah tempat sosial bagi mahasiswa dimaknai sebagai sebuah tempat yang sunyi dan tenang. Tetapi konsep library as a place membawa perpustakaan menjadi sebuah tempat beraktivitas sosial baik akademik maupun non-akademik. Perpustakaan Pusat Universitas Indonesia merupakan salah satu perpustakaan akademik di Indonesia yang mengusung konsep library as a social place. Dengan konsep library as a place, Perpustakaan Pusat Universitas Indonesia diharapkan akan meningkatkan tingkat kenyamanan pengguna perpustakaan. Fenomena library as a place yang tercipta antara keseimbangan aktivitas akademik dan non-akademik menjadi fokus utama dalam penelitian ini. Melalui teori Place milik Hashemnezhad, maka dikaji pengaruh aspek fisik, emosi dan perilaku terhadap makna yang terbentuk pada ruang perpustakaan sebagai ruang publik. Dalam mengkaji penelitian inisecara komprehensif, metode yang digunakan adalah pendekatan campuran dengan strategi eksploratori sekuensial. Sampel dalam penelitian ini adalah pengunjung yang Perpustakaan Pusat Universitas Indonesia, baik warga Universitas Indonesia maupn non-UI, yang dipilih dengan metode purposive sampling. Dari hasil analisis dapat disimpulkan bahwa (1) aspek fisik area perpustakaan yang paling mempengaruhi kepuasan pengunjung perpustakaan adalah suhu ruang; (2) suasana nyaman yang tercipta dari aktivitas sosial yang terjadi menambah kenyamanan pengunjung perpustakaan untuk dapat bersantai dan menghabiskan waktu luang; dan (3) pengunjung perpustakaan memaknai ruang perpustakaan sebagai tempat mencari ide/gagasan/inspirasi. Makna tempat (place) pada perpustakaan akademik terbentuk oleh perannya sebagai ruang sosial. Kehadiran ruang sosial pada Perpustakaan Pusat Universitas Indonesia menjadikan identitas baru bagi perpustakaan akademik, sehingga Perpustakaan Pusat Universitas Indonesia memiliki ciri khas dan ketertarikan untuk dikunjungi.
RUMAH GADANG : RUANG DAN BUDAYA MAKAN DALAM SIKLUS HIDUP MASYARAKAT MINANGKABAU Vania Dwi Amanda Surya; Gregorius Prasetyo Adhitama
Serat Rupa: Journal of Design Vol 5 No 1 (2021): SRJD - JANUARY
Publisher : Faculty of Humanities and Creative Industries, Maranatha Christian University (formerly Faculty of Fine Arts and Design)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.28932/srjd.v5i1.2984

Abstract

Padang restaurants with specialty food rendang represent the Minangkabau's eating culture. The effect of modernization and media social in the eating culture has indistinct the origin of Minangkabau's eating culture and leads to the uniformity of design, mostly its space and physical elements in the traditional building. Whereas in the roots, eating activities according to the Minangkabau custom still carried out, such as Makan Bajamba. It is essential to study the origin of Minangkabau space and eating culture before learning design development. The main problem is how the relationship between space and eating culture in the life cycle of Minangkabau society carried out at Rumah Gadang. By using a mix-method, a qualitative approach is a case study at Rumah Gadang Istana Rajo Alam Tuanku Disambah and quantitative approaches using space syntax analysis on the dimensions of connectivity and integrity. Data were from literature studies, interviews, and direct observations on how Rumah Gadang facilitated eating activities. The result shows that Rumah Gadang effectively assisted the eating culture in the life cycle of its people. The space configuration in the process of eating activities is following the roles of women and men based on a matrilineal kinship system. The seat position rules for Minangkabau men from the matrilineal kinship system divided Ruang Lepas into smaller areas, marked by walls, columns, and seprah clothes. All space of eating activities is a social space where interactions took place as a reflection of Minangkabau customs. The space syntax analysis clarifies the relationship between space and eating activities based on the matrilineal kinship system and the social interactions that occur with the space used. For future research, the space syntax analysis is useful as a perspective to learn the relationship between space and culture.
IMPLEMENTASI INTERIOR NARATIF DALAM UPAYA MEMBANGUN NARASI ETNISITAS PADA MUSEUM NEGERI PROVINSI SUMATRA UTARA Minadiah Purba; Gregorius Prasetyo Adhitama
Serat Rupa: Journal of Design Vol 5 No 2 (2021): SRJD - JULY
Publisher : Faculty of Humanities and Creative Industries, Maranatha Christian University (formerly Faculty of Fine Arts and Design)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.28932/srjd.v5i2.2985

Abstract

Spanning eight ethnic cultures with different histories, the Province of North Sumatra keeps an abundance of historical stories, so it is significant to be able to build the narrative of ethnicity in the museum. The existence of the exhibition space that is still in the concept of a traditional museum makes the narrative in the cultural exhibition space in the museum has not yet developed. Narratives can build communication in creating understanding between humans and collections with story ideas conveyed. So that the narrative spatial approach is considered ideal to build a story. The purpose of this research is to be able to apply the interior of the narrative space through the context, content, scenarios, messages, and experiences of visitors. The method used in this study is a qualitative method summarized by the Design Thinking approach. The research data were obtained from literature studies, interviews, and direct observation of the exhibition room of the State Museum of North Sumatra. The result of this research is to create a maximum narrative in the exhibition space that will not be separated from the determination of Plot and Pace, arranged of Dramatic Arc, and the application of its presentation. The composition of the ethnic plot is divided into several life-to-death phases. Then determine the storyline includes a beginning, a muddle, and an end. And the last is the application of narrative elements, both the concept of content presentation to the setting of narrative media. So, by applying the narrative space approach in the North Sumatra State Museum, the presentation of ethnic narratives is more optimal and creates a different experience by playing with the emotions of visitors in each exhibition scenario.
Co-Authors Achmad Haldani Destiarmand Agus Sachari Minadiah Purba Nadiah Salsabila Hakim Pambudi Nisa Putri Rachmadani Vania Dwi Amanda Surya