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Imam Firmansyah
Universitas Mercu Buana
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ANALISA GAYA LAGU KLASIK GAMBANG KROMONG “POBIN KONG JI LOK’ Imam Firmansyah
Narada : Jurnal Desain dan Seni Vol 6, No 3 (2019)
Publisher : Universitas Mercu Buana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22441/narada.2019.v6.i3.010

Abstract

Nowadays, the existing repertoire of the classic songs of gambang kromong is very apprehensive. Dozens of gambang kromong's classical songs developed comprehensively at the end of the 18th century, but in the present, there is only one song that is still possible to play, namely "Pobin Kong Ji Lok". Even, as a matter of fact, this song can only be played by an old music player. Based on the aforementioned problems, it is necessary to conduct documentation of "Pobin Kong Ji Lok" song, associated with an analysis of its musical style. "Pobin Kong Ji Lok" will be documented in the form of audiovisual, transcribed in the form of notation, then analyzed its style of music through the most prominent musical elements, including the musical scale, harmony, tuning system, rhythm, and the timbre of musical instruments.
TINJAUAN PROSES PEMBUATAN ALAT MUSIK GESEK BETAWI KONGAHYAN Imam Firmansyah; Faisal Ibrahim; Irgi Maulana Alfahrezy
Narada : Jurnal Desain dan Seni Vol 7, No 3 (2020)
Publisher : Universitas Mercu Buana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22441/narada.2020.v7.i3.006

Abstract

Kongahyan is a Betawi stringed instrument that has an important function in the gambang kromong ensemble, as a bearer of melody. This musical instruments are made of wood and coconut shells. It’s made by craftsmen who are also players of the gambang kromong. But the existence of kongahyan craftsmen is very rare. There are only two persons in Jakarta and one in Tangerang. This condition is very alarming because it does not rule out the possibility of this musical instrument will become extinct due to the limitations of the maker. The research method used is a qualitative research method with a descriptive approach that is to present data by observing, studying, and documenting the process of making a kongahyan. This research found that kongahyan consisted of three major parts, namely stem, coconut shell, and bow. The three major parts are then assembled into one unit. The results of this research can be used as a reference both theoretically and practically regarding the process of making kongahyan musical instruments. In addition, this research paper is also complemented with a comprehensive documentation of the manufacturing process.
TINJAUAN GAYA VOKAL IBU SAINI PADA LAGU SAYUR GAMBANG KROMONG "AKANG HAJI" Imam Firmansyah; Faisal Ibrahim; Irgi Maulana Alfahrezy
Narada : Jurnal Desain dan Seni Vol 8, No 2 (2021)
Publisher : Universitas Mercu Buana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22441/narada.2021.v8.i2.002

Abstract

Gambang Kromong singers who can sing Lagu Sayur Gambang Kromong nowadays are very hard to find. Most singers in the Gambang Kromong are dangdut singers who singing the Gambang Kromong song. This caused the number of Gambang Kromong Singers to decrease in number. One that still exists is Mrs. Saini, a singer of the Sinar Baru group from Gunung Sindur, Bogor. He has a distinctive singing style especially when singing lagu sayur. He can sing some lagu sayur that are quite rare, one of which is the song "Akang Haji". The song is quite rare, even the gambang Kromong groups in Jakarta have never played it again. This song is still often found in Udik (Bogor) and Wetan (Tangerang and surrounding areas). This study describes the vocal style of Ibu Saini in the Sayur Gambang Kromong song using audio-visual recording methods, and interviews. In terms of several elements, the vocal style is posture, breathing techniques, articulation, and resonance. 
Co-Authors Faisal Ibrahim Irgi Maulana Alfahrezy