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All Journal MUDRA Jurnal Seni Budaya Jurnal Citrakara Catharsis
Tjetjep Rohendi Rohidi
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Religion Arts Humanities Education Languange, Linguistic, Communication & Media Social Sciences

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KAJIAN ESTETIKA ANARKISME PADA SAMPUL ALBUM-ALBUM AK//47 Bageate Tendi Munte; Tjetjep Rohendi Rohidi
CITRAKARA Vol 3, No 2 (2021): September 2021
Publisher : CITRAKARA

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1957.648 KB)

Abstract

AK//47 merupakan band beraliran grindcore berasal dari Semarang, Indonesia, yang telah memulai karir bermusik pada tahun 1999. Skena grindcore tidak jauh dari ideologi anarkisme yang melekat pada setiap lirik hingga tampilan visual mereka yang diaplikasikan kedalam bentuk sampul album atau kaus. Kajian ini  membahas seberapa estetik ketiga sampul album AK//47; ‘Barricades Close The Street But Open The Way’, ‘Verba Volant Sripta Manent’, dan ‘Loncati Pagar Berduri’ dari sudut pandang anarkisme. Hasil akhir dari kajian ini adalah menemukan salah satu sampul album AK//47 yang memiliki nilai estetika anarkisme paling tinggi dari album AK//47 lainya. Kesimpulan dari kajian ini dari ketiga sampul album AK//47 memiliki tingkat nilai estetika anarkisme yang berbeda. Sampul album ‘Loncati Pagar Berduri’ memiliki nilai estetika anarkisme lebih daripada kedua sampul album lainya, karena album ketiga terdapat kesan pemberontakan dan kekacauan.
The Ceramics of Singkawang: Dayak Kanayatn’s Cultural Perceptions in Kalimantan Barat Iwan Pranoto; Vitta Diana Siahaan; Triyanto Triyanto; Tjetjep Rohendi Rohidi
Mudra Jurnal Seni Budaya Vol 35 No 1 (2020): Februari
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/mudra.v35i1.1006

Abstract

This study examines the cultural perceptions of Dayak Kanayatn community on Singkawang ceramics. The scope of the problem includes, aesthetic, community perception, and ceramics function based on cultural perception. The research location was in Sebetuk, Antan Rayan Village, Ngabang District, Landak Regency, Kalimantan Barat. A qualitative design in the form of case studies was used. Data were gathered using observation, interviews, and documents. The findings of this study overall proved that Singkawang ceramics owned by Dayak Kanayatn community influenced by Chinese culture as seen on boko’o, siam, jampa, tajau, karokot, siton, twakag ba’butuh, banyanyi, karere, balangkas, oncok tabu, plate variants, tetek ijo. Dayak Kanayatn community believe on ceramics as an incarnation of the ancestors and referred as a tangah symbolized by the variety of decoration and form. The ceramics are used by the community as media for several activities as well on law regulations and are considered as a link between humans and ancestral spirits of the Dayak Kanayatn tribe.
Visually Spreading the Message: Da'wah Through Illustration in Peduli Jilbab Community Septiana, Wilujeng Eky; Rahina Nugrahani; Tjetjep Rohendi Rohidi
Catharsis Vol. 13 No. 1 (2024): June 2024
Publisher : Universitas Negeri Semarang

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This study explores the role of Muslim women in spreading Da'wah through visual illustrations within the Peduli Jilbab Community on social media. The research addresses the need to understand how religious values and visual arts intersect to promote Islamic teachings. Employing a qualitative approach guided by Rohidi (2011), the study aims to systematically describe and analyze the involvement of Muslim women in religious outreach via digital illustrations. Data were collected through participant observation, interviews, documentation, case studies, and Focus Group Discussions (FGDs). The interdisciplinary methodology integrates virtual ethnography, aesthetics, and Islamic values, examining digital illustrations when online interactions became crucial. The study involved 129 members selected through social media outreach and community gatherings. Results indicate that visual illustrations effectively convey religious messages, enhance personal faith, and engage a broader audience. The findings highlight the potential of combining art and Da'wah, offering insights into innovative methods of religious outreach in the digital age. These implications underscore the importance of supporting creative expressions of faith and fostering inclusive, virtual communities for religious education.
Co-Authors Bageate Tendi Munte Iwan Pranoto Rahina Nugrahani Septiana, Wilujeng Eky Triyanto Triyanto Vitta Diana Siahaan