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All Journal Ranah Seni: Jurnal Seni dan Desain IKONIK : Jurnal Seni dan Desain
Awerman Awerman
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Arts Education

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UMAH LAHIEK KERINCI SEBAGAI IDE DALAM PENCIPTAAN KARYA SENI LUKIS Acel Alfatomi; Awerman Awerman; Dharsono soni kartika
Ranah Seni Vol 11 No 02 (2018): RANAH SENI
Publisher : Jurusan Seni Rupa, Fakultas Bahasa dan Seni, Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/ranahseni.v11i02.16

Abstract

Abstrac The creation of a painting with the theme "umah lahiek kerinci as a painting art idea" is a painting inspired by a traditional house of kerinci district, commonly called kerinci tribe house. Umah lahiek is a traditional residential house of kerinci tribe society which has a long lined pattern of connecting between one house and the house beside it. The pattern of umah lahiek as a long house is divided into several plots inhabited by one batih family (batik in the sense of husband and wife and their children), the order of this batik family according to the belly system, kelebu, tumbi. It means that in the social life of their families and their rabbits together, they have lived together in harmony, peace, mutual peace, mutual trust and respect between them, the rabid community has a strong sense of religion and kinship and fanaticism of customs, kerinci can also survive with the nature of his instincts, namely honest, obedient, helpful help, a very prominent sense of brotherhood and kinship, which can be seen when they work on rice fields and build homes. The interest in kerinci's home is to express ideas of aspiration to work in painting using the concept of reinterprestation and also to apply important social values in the daily life of kerinci community. And also the legacy that should be preserved and developed. The social life of the people who inhabited the house was touching the artist's heart to create a work of art. Because, this work of art not only to convey the message but to apply the values of humanity in the past through artwork.
ORNAMENTASI SURAU TUO NAGARI LUBUAK BAUAK YANG DIPENGARUHI SIMBOL KEBUDAYAAN LAIN Aditya Armin; Awerman Awerman; Akmal Akmal
IKONIK : Jurnal Seni dan Desain Vol 3, No 1 (2021): JANUARI 2021
Publisher : LPPM Universitas Maarif Hasyim Latif

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.51804/ijsd.v3i1.864

Abstract

Surau tuo nagari Lubuak Bauak Kecamatan Batipuah memiliki struktur bangunan yang menyerupai Rumah Gadang karena memiliki atap Bergonjong. Surau tuo nagari Lubuak Bauak banyak terdapat ukiran, Dari sekian banyak motif ukiran yang terpasang pada arsitektur bangunan surau, ada dua yang unik, karena berada diluar aspek dan tatanan ukiran tradisional Minangkabau, yaitu ukiran mangkuto dan ukiran limpapeh yang mengandung bentuk tanda seperti salib lorraine, penamaan dan bentuk ukiran mangkuto tidak termasuk ke dalam bentuk ukiran tradisional Minangkabau, sedangkan ukiran limpapeh merupakan motif asli ukiran tradisional Minangkabau yang dipengaruhi bentuknya oleh tanda lain yang menyerupai bentuk salib lorraine kristen. Tujuan penelitian ini adalah untuk mengungkap symbol dan makna yang terkandung pada ukiran mangkuto dan limpapeh.  Metode penelitian yang digunakan adalah penelitian kualitatif dengan pendekatan deskriptif. Penelitian dilakukan dengan cara pengamatan kelapangan, wawancara, dan pengumpulan dokumentasi. Untuk analisis dan pengumpulan data, dilakukan dengan cara mereduksi data, penyajian data dan penarikan kesimpulan. Untuk menguji keabsahan data dilakukan dengan triangulasi data.Surau tuo nagari Lubuak Bauak Batipuah Subdistrict has a structure that resembles Rumah Gadang because it has a girdle roof. Surau Tuo Lubuak Bauak has many carvings. Of the many carving motif instaled in the building architecture of surau, there are two unique, bacause it has cultural elements outsides the Minangkabau culture, namely carved limpapeh which cintains building shaped like crosses and mangkuto which are not included in the  tradisional Minangkabau carving forms. The purpose of this research is to reveal the symbols and meanings contained in the carving of mangkuto and limpapeh. The research method used is a qualitative research with a descriptive approach. The study was conducted by observing space, interviewing and cillecting documentation. For analysis and data collection, it is done reducing data, presenting data and drawing conclusions. To test the validity of the data is done by data triangulation.  
Co-Authors Acel Alfatomi Aditya Armin Akmal Akmal Dharsono soni kartika