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All Journal Dewa Ruci : Jurnal Pengkajian dan Penciptaan Seni Jurnal Onoma: Pendidikan, Bahasa, dan Sastra Jumantara: Jurnal Manuskrip Nusantara Heritage of Nusantara: International Journal of Religious Literature and Heritage Kultura: Jurnal Ilmu Sosial dan Humaniora MANUSKRIPTA
., I MADE SUPARTA
Department Of Literature, Faculty Of Humanities, Universitas Indonesia
Religion Arts Humanities Civil Engineering, Building, Construction & Architecture Education Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Social Sciences Other

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Ungkapan Sejarah-Simbolik Prabu Airlangga dalam Kakawin Lambang Pralambang Naufal Anggito Yudhistira; I Made Suparta
Jumantara: Jurnal Manuskrip Nusantara Vol 13, No 1 (2022): Juni
Publisher : Perpustakaan Nasional RI

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (711.543 KB) | DOI: 10.37014/jumantara.v13i1.1512

Abstract

Kakawin Lambaᶇ Pralambaᶇ is an Old Javanese poet in the bhāṣa genre written in Lombok and contained in a manuscript coded CP.25 LT-223, in FSUI collection. This work contains lyrics with erotic-romantic themes, although there is a symbolic story of King Airlangga. The purpose of this study is to reveal the content of the text through philological work and identify the symbolic elements of King Airlangga in it. This research is qualitative research using a philological method based on one manuscript or codex unicus. This study also uses a reception approach. After doing philological work on the text, it can be seen that KLP is framed in the kakawin meter, has 8 chapters, has a romantic-erotic theme, and has a uniqueness in the form of a symbolic story of King Airlangga. The symbolism related to King Airlangga can be seen from the mention of his name, his majesty, to the sraddha ceremony being discussed. The element is seen as a collective memory stored in the text. The conclusion of this research is that the symbolic image of King Airlangga in the Kakawin Lambaᶇ Pralambaᶇ text is a form of collective memory in Old Javanese literature in Lombok.
Fenomena Bencana Alam dalam Teks Mantra Pangujanan Muhammad Heno Wijayanto; I Made Suparta
Jumantara: Jurnal Manuskrip Nusantara Vol 13, No 1 (2022): Juni
Publisher : Perpustakaan Nasional RI

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (923.753 KB) | DOI: 10.37014/jumantara.v13i1.2890

Abstract

Natural disasters as natural phenomena are unavoidable in human’s life. The phenomena of natural disasters can be found in the Pangujanan text. The purpose of this study is to describe the types of natural disasters represented in the Pangujanan text and to reveal the signs or symbols of the disasters. Qualitative descriptive research method is used to reveal the types and signs of a natural disaster phenomenon. In interpreting the sign, semiotic theory is needed to present it systematically. The results of this study indicate that (1) the natural disasters depicted in the Pangujanan text are earthquakes, heavy rains, thunderbolt, hurricanes, and flash floods which are narrated based on Balinese local wisdom, (2) natural disasters in the Pangujanan text as signs have given a rise to some interpretations, namely (a) some natural disasters as results of the practice of reducing rain as narrated in the Pangujanan text, and in this case, disaster mitigation is needed, and (b) some natural disasters as forces of the practice of making rain narrated in the Pangujanan text. The conclusion that can be drawn from the results of this study is that in the past, knowledge about natural disaster phenomena was narrated in a text, and in this study, we look at natural disaster phenomena narrated through the Pangujanan text. The benefit that we can take from this study is as disaster knowledge contained in ancient manuscripts.
NAME CHANGE IN THE JAVANESE CULTURAL SYSTEM IN SERAT TATA CARA NIPUN TIYANG NGLUWARI PUNAGI Hari Pamungkas; I Made Suparta
Kultura: Jurnal Ilmu Hukum, Sosial, dan Humaniora Vol. 1 No. 1 (2023): Kultura: Jurnal Ilmu Hukum, Sosial, dan Humaniora
Publisher : Kultura: Jurnal Ilmu Hukum, Sosial, dan Humaniora

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.572349/kultura.v1i1.109

Abstract

This paper discusses the text of Serat Tatacaranipun Tiyang Ngluwari Punagi PBC 17 collection of Library Museum Sonobudoyo Yogyakarta. Mambahas customary law practice in villages in Karaton Surakarta. This study aims to reveal the mystical side of the text of Fiber Tatacaranipun Tiyang Ngluwari Punagi. This manuscript tells Rara Suparti who later renamed RadenRaraSuparmi for being sicks. This research uses interpretative and qualitative method with shortlist objective. The theoretical benefit of this research is to become an information booster for further studies. The practical benefit of this research is in the form of knowledge for the general public to know the mystical events of renaming the Javanese environment. The name renaming is one of the mystical events in the Java environment of the manuscript Serat Tatacaranipun Tiyang Ngluwari Punagi.
Seni Berperang pada Masa Jawa Kuno: Pola Astrologis-Simbolik dalam Naskah Yoga Catur Dewata Adhi Pradipta, Galang; Made Suparta, I
Jumantara: Jurnal Manuskrip Nusantara Vol. 15 No. 2 (2024): Desember
Publisher : Perpustakaan Nasional RI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37014/jumantara.v15i2.5049

Abstract

Lontar Yoga Catur Dewata (YCD) is a literature in Old Javanese that discusses yoga for starting a war. The art of war is mostly concerned only with war strategy (Griffith 2005; Suryohadiprojo 2008). This study found that the art of war that developed in ancient Java used yoga practices with astrological patterns. YCD manuscripts as research objects are recorded in the FS UI collection with the code AH.58 LT-142 and are now stored in the UI's Library. The text of YCD describes the strategy of war to defeat the enemy personally with astrological-symbolic aspects. It deals with counting days, mantras, yogic practices of the existence of deities in sthana, svaravyanjana-nyasa 'syllabic applause', and animal symbolism. The main formulation of this research problem is how to reveal the narrative of astrological-symbolic patterns and the exposure of the relationship with astrological patterns by the art of war in ancient Java. Research requires philological work to produce text editions from YCD manuscripts. The methods used for data analysis are qualitative descriptive and Pierce's semiotic theory to analyze interpretive signs. The results of this study show that the astrological narrative found in the YCD text is related to warfare strategies in ancient Java. It is a local genius and folk science that developed in the community and is recorded in the YCD text.
Aspek Tauhid dalam Naskah La Galigo Episode Taggilinna Sinapatié Abdi Mahesa; I Made Suparta
Jurnal Onoma: Pendidikan, Bahasa, dan Sastra Vol. 11 No. 2 (2025)
Publisher : Universitas Cokroaminoto Palopo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30605/onoma.v11i2.5608

Abstract

Penelitian ini bertujuan untuk mengungkap aspek teologi Islam dalam teks La Galigo termasuk pada strategi yang dibangun ulama dalam memperkenalkan Islam melalui teks sastra. Penelitian ini membahas teks La Galigo episode Taggilinna Sinapatié sebagai objek kajian. Penelitian ini menggunakan pendekatan filologi yang memposisikan naskah menjadi basis data, kemudian di dukung dengan berbagai referensi yang relevan. Penelitian ini menggunakan metode tekstual dengan menggunakan pendekatan filologi. Pendekatan filologi yang dipilih berupa inventarisasi koleksi naskah. Naskah yang ditemukan kemudian dideskripsikan lalu dibandingkan dan ditentukan satu naskah yang mengandung konsep dan unsur Tauhid di dalamnya. Langkah kerja selanjutnya yaitu melakukan edisi teks berupa transliterasi dan terjemahan untuk dapat diidentifikasi dan diungkap aspek-aspek Tauhid Islam yang terkandung pada tiga naskah yang diperkirakan memiliki kandungan isi cerita yang sama. Hasil penelitian ini menunjukkan bahwa naskah dengan kode Roll 12. No. 18 merupakan naskah yang memiliki unsur tauhid dan konsep Islam dari tiga naskah yang berisi teks episode Taggilinna Sinapatié. Berdasarkan hasil edisi teks dari naskah tersebut, ditemukan beberapa muatan Islam berupa konsep Tauhid di dalam teks Taggilinna Sinapatié berupa penggalang kalimat syahadat yang diserukan oleh dewa-dewa. Selain itu, terdapat pula frasa yang menyinggung tentang dua puluh sifat wajib Allah yang mendefenisikan konsep Allah agar dapat menguatkan aqidah pembaca sebagai seorang muslim yang bertaqwa. Muatan Islam yang terakhir yaitu dengan adanya kata Purakani yang berarti Surah Al-Furqan. Muatan isi surah dalam Al-Qur’an ini dijadikan ssebagai pembeda antara perkara benar dan salah atau antara yang haq dan batil. Pada bagain penutup terdapat sebuah keterangan yang menjabarkan makna dari kata Taggilinna Sinapatié yang merupakan ungkapan peristiwa yang menandai babak perubahan baru pada pandangan keberimanan orang Bugis yang meyakini eksistensi teologi dari Allah SWT.
From Mahābhārata Warrior to Sacred Ontological Figure: The Deification of Bhīma in the Late Majapahit Merapi-Merbabu Scriptorium Muhammad Heno Wijayanto; Sofwan Noerwidi; Putu Eka Guna Yasa; Turita Indah Setyani; I Made Suparta
Heritage of Nusantara: International Journal of Religious Literature and Heritage Vol. 15 No. 1 (2026): HERITAGE OF NUSANTARA
Publisher : Center for Research and Development of Religious Literature and Heritage

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31291/hn.v15i1.885

Abstract

This article addresses an unresolved problem in Javanese cultural heritage, namely the persistence of interpretive fragmentation between archaeological data and philological analysis. Focusing on Bhīma’s transformation from an epic warrior in the Mahābhārata to a sacred spiritual entity during the late Majapahit era, the study examines how the Merapi-Merbabu scriptorium reconstructed his identity through a convergence of material sculptural evidence and esoteric textual formulas. Methodologically, the study adopts an interdisciplinary qualitative design combining philological text editing, iconographic analysis, and cross-media interpretation. Two primary corpora are analyzed: a visual-material corpus consisting of the regional Sukuh-Lawu Mountain-style Bhīma statue, and a textual corpus consisting of the Bhīma Swarga manuscripts from the Merapi-Merbabu scriptorium (specifically codices 1 L 234, 1 L 333, 5 L 5, and 9 L 156), alongside the Nawaruci text. The findings show that material survival alone does not restore cultural coherence, as sacred heritage remains fragmented across media. However, cross-media comparison successfully reconstructs recurring iconographic features, such as the pañcanakha (five-clawed nails) and poleṅ (chequered) cloth, and reconnects sculptural evidence with textual memory. This process uncovers a systematic somatic ontology where Bhīma is reinterpreted as the absolute source of breath (ambĕkan), life (urip), and consciousness (pramāṇa). The article argues that the preservation of sacred heritage becomes most meaningful when it moves beyond object visibility toward cultural legibility, allowing the late Majapahit religious identity to remain interpretable across material statues and textual abstractions.
From Vedic Rite to Javanese Power: The Rājasūya as Political Allegory in the Sabhāparwa Merapi–Merbabu Manuscript Tradition Galang Adhi Pradipta; I Made Suparta; Rindu Parulian Simanjuntak
Heritage of Nusantara: International Journal of Religious Literature and Heritage Vol. 14 No. 2 (2025): HERITAGE OF NUSANTARA
Publisher : Center for Research and Development of Religious Literature and Heritage

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31291/hn.v14i2.866

Abstract

This study examines how the Rājasūyarambha section of the Sabhāparwa Merapi–Merbabu (SP MM) manuscript reconfigures the Indian Rājasūya consecration rite into a political allegory for Javanese royal legitimation. Although previous scholarship has addressed the Vedic origins of the Rājasūya or its later cultural reception, the specific textual mechanisms through which the Old Javanese parwa tradition transforms this ritual into a model of political authority remain insufficiently explored. This research fills that gap by analyzing how the SP MM adapts ritual structure, narrative sequencing, and symbolic motifs to articulate a distinctly Javanese conception of kingship. The study employed qualitative descriptive analysis based on primary manuscript data from three SP MM witnesses (lontar and paper codices). Data were examined through comparative textual analysis, juxtaposing Javanese narrative elements with Vedic ritual sources and Javanese inscriptional terminology. The findings reveal three key mechanisms of allegorization: (1) the transformation of ritual violence into a metaphor for military conquest and territorial unification; (2) the elevation of spiritual recognition as a source of charismatic authority; and (3) the consolidation of social hierarchy through the cakravartin ideal. These mechanisms demonstrate how the SP MM functions as an ideological blueprint that shaped Javanese political thought. The study concludes that the SP MM not only legitimized rulers in its original context but also evolved into a repository of political memory, influencing later Javanese courts and sustaining long-term models of authority.
Reinterpret Panji Roman in bedhaya gandrungmanis lost choreography Naufal Anggito Yudhistira; I Made Suparta; Mamlahatun Buduroh; Turita Indah Setyani
Dewa Ruci: Jurnal Pengkajian dan Penciptaan Seni Vol. 20 No. 2 (2025)
Publisher : Pascasarjana Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/dewaruci.v20i2.7684

Abstract

Bedhaya Gandrungmanis is one of the Bedhaya dance which was created in the 19th century during Pakubuwana VIII's reign in Keraton Surakarta. This dance narrates Panji Jayakusuma's text, which symbolizes political chaos in 19th century Keraton Surakarta. The dance itself could represent how Panji roman used by Keraton Surakarta to construct the idea of Javanese kingship. This research tries to put forward an understanding of Bedhaya Gandrungmanis, which had been fragmented and lost, based on manuscripts and oral tradition. This research uses an ethno-philological method, which integrates philological research in anthropological perspectives. Data collecting technique includes collecting philological data on manuscript research in Keraton Surakarta Library, Universitas Indonesia Library, and Pura Mangkunegaran Library, and also collecting ethnographic data by interview, field research, and observation. The earliest version of Bedhaya Gandrungmanis was interpreted as a symbol of royal succession. In the last version of the 20th century, Bedhaya Gandrungmanis was re-interpreted in more romantic terms and lost its political resonance. The Panji story in this dance comes from the Panji Jayakusuma story that formed by Pakubuwana VIII to symbolize cultural change in the 19th century during the Dutch Colonial era. Its meaning had been shifted and fragmented as a result of these cultural changes.
Kekerasan Seksual dalam Naskah Sabhaparwa Merapi-Merbabu: Analisis Wacana Kritis terhadap Narasi Patriarkal Galang Adhi Pradipta; I Made Suparta
Manuskripta Vol 15 No 1 (2025): Manuskripta
Publisher : Masyarakat Pernaskahan Nusantara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33656/manuskripta.v15i1.131

Abstract

Sexual violence is a persistent historical issue recorded in the Sabhaparwa manuscript (31 L 92) from the Merapi-Merbabu scriptorium. Using Fairclough’s critical discourse analysis, Foucault’s power relations, and Butler’s gender performativity, this study investigates Draupadi’s violation as a critique of state law (Rajadharma). Micro-analysis reveals a tiered construction of violence exposing the perpetrators' "fragile masculinity." Meso-analysis highlights a functional shift where the scriptorium reinterprets trauma as motivation for ascetic practice. Macro-analysis uncovers Dharmasunya (a legal void), where institutional failure is met with the supremacy of mandala morality. The study concludes that Sabhaparwa serves as a radical counter-discourse, asserting that state legitimacy collapses when it fails to protect women’s dignity. Ultimately, the text positions spiritual integrity as the final bastion of humanity against systemic political and patriarchal failure. === Kekerasan seksual merupakan isu persisten yang terekam dalam naskah kuno Sabhaparwa koleksi Merapi-Merbabu (31 L 92). Penelitian kualitatif ini menggunakan analisis wacana kritis Fairclough, teori relasi kuasa Foucault, dan performativitas gender Butler untuk membedah narasi pelecehan Dropadi. Tujuannya adalah menunjukkan bahwa teks tersebut mengkritik kegagalan hukum negara (Rajadharma), bukan menormalisasi patriarki. Secara mikro, analisis mengungkap konstruksi kekerasan yang justru menelanjangi "maskulinitas rapuh" para pelaku. Secara meso, terjadi pergeseran fungsi teks menjadi materi didaktis-asketis, di mana trauma diolah menjadi motivasi spiritual. Pada level makro, teks merepresentasikan kondisi Dharmasunya (kekosongan hukum) yang dijawab dengan supremasi moralitas mandala. Studi ini menyimpulkan bahwa Sabhaparwa adalah wacana tandingan radikal; legitimasi kekuasaan dianggap runtuh saat gagal melindungi martabat perempuan, menjadikan integritas spiritual sebagai benteng terakhir kemanusiaan dalam menghadapi kegagalan sistemik.
Yoga-Estetis dalam Kakawin Lambaᶇ Pralambaᶇ sebagai Ikhtiar Mencapai Kemanunggalan dengan Tuhan Naufal Anggito Yudhistira; I Made Suparta
Manuskripta Vol 11 No 2 (2021): Manuskripta
Publisher : Masyarakat Pernaskahan Nusantara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33656/manuskripta.v11i2.124

Abstract

Kakawin Lambaᶇ Pralambaᶇ is one of the lyric poetry texts contained in the palm leaf manuscript coded CP.25 LT-223 which is stored in the manuscript collection of Universitas Indonesia. The manuscript was written in 1799 AD in Lombok using Balinese script. This study aims to reveal the form of yoga sastra and the relationship of religious expression in Kakawin Lambaᶇ Pralambaᶇ with other Old Javanese and Balinese literature. This research is qualitative research using a reception approach. To prepare the object of research, a philological work step was used to extract the Kakawin Lambaᶇ Pralambaᶇ text from the manuscript. The codex unicus method was used because only one witness manuscript is known to contain this text. The Kakawin Lambaᶇ Pralambaᶇ shows the wandering of the poet to do literary yoga (aesthetics-yoga). In addition, there is also the concept of worship in the form of caṇḍi pustaka as a kind of metaphorical expression of the writer to pay homage to the God. This Kakawin also contains an overview of religious concepts related to the love of men and women. In addition, this text is also related to efforts to achieve the unity between human and God. === Kakawin Lambaᶇ Pralambaᶇ merupakan salah satu teks puisi lirik yang terdapat dalam naskah lontar berkode CP.25 LT-223 yang disimpan dalam koleksi naskah Universitas Indonesia. Naskah tersebut ditulis pada tahun 1799 Masehi di Lombok menggunakan aksara Bali. Penelitian ini bertujuan untuk mengungkap bentuk yoga sastra dan kaitan espresi religius dalam Kakawin Lambaᶇ Pralambaᶇ dengan karya sastra Jawa Kuna dan Bali lainnya. Penelitian ini merupakan penelitian kualitatif menggunakan pendekatan resepsi. Untuk mempersiapkan objek penelitian digunakan Langkah kerja filologi untuk mengekstrak teks Kakawin Lambaᶇ Pralambaᶇ dari naskah. Metode naskah tunggal digunakan sebab hanya ada satu naskah saksi yang diketahui mengandung teks ini. Dalam teks Kakawin Lambaᶇ Pralambaᶇ memperlihatkan pengelanaan pujangga dalam usaha melakukan yoga sastra (yoga-estetis). Selain itu, terdapat pula konsep pemujaan dalam bentuk caṇḍi pustaka sebagai suatu ekspresi metaforis sang pujangga untuk menyembah (manembah) Tuhan. Kakawin ini juga memuat gambaran konsep religius terkait percintaan laki-laki dan perempuan. Selain itu, teks ini juga terkait dengan upaya untuk mencapai penyatuan manusia dengan Tuhan.
Co-Authors Abdi Mahesa Adhi Pradipta, Galang Galang Adhi Pradipta Galang Adhi Pradipta Hari Pamungkas M.Pd. ., PROF. DR. I MADE YUDANA, M.Pd. M.Pd. ., PROF.DR.A.A. GEDE AGUNG, M.Pd. Mamlahatun Buduroh Muhammad Heno Wijayanto Muhammad Heno Wijayanto Muhammad Heno Wijayanto Naufal Anggito Yudhistira Naufal Anggito Yudhistira Naufal Anggito Yudhistira Naufal Anggito Yudhistira Putu Eka Guna Yasa Rindu Parulian Simanjuntak Sofwan Noerwidi Turita Indah Setyani Turita Indah Setyani