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All Journal Gondang: Jurnal Seni dan Budaya
Muhammad Yusuf
Program Studi Magister Penciptaan dan Pengkajian Seni Fakultas Ilmu Budaya, Universitas Sumatera Utara
Arts Humanities

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Perubahan, Kontinuitas, Struktur Musik, Dan Teks Realisasi Nyanyian Buku Ende dan Kidung Jemaat Yamuger Muhammad Yusuf
Gondang: Jurnal Seni dan Budaya Vol 1, No 1 (2017): Gondang: Jurnal Seni dan Budaya, Juni 2017
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (728.159 KB) | DOI: 10.24114/gondang.v1i1.7920

Abstract

This study used qualitative methods with participant observer to study Continuity and change of Ende Book and Yamuger's Song of the Church is an integral part of church music. Continuity and change by using synchronic and historical diachronic theory. To study the structure of music used the theory of weighted scale, rhythm, and the relationship of music with text. To study the text used semiotic theory. The origins of song and melody texts are from the German Protestant congregation, which is then translated into Batak (Ende's Book) and Indonesian (Yamunger's Song of the Church). On the other hand, there are also direct translations that give rise to differences of etymological and semantic meaning between these three types of chanting. In the context of sosioreligious, Batak language has been very fulfilled into a language of religious choice in worship, to strengthen the social sentiments that cause the emergence of religious emotions and the attainment of the inner atmosphere of the congregation. Among young people the phenomenon above is true, but not in all places or locations of the support community, so the doubt about its loyalty to Ende's Book is undoubtedly not a latent danger. Social sentiment that causes the emergence of religious emotion is still considered strong, but it is expected that there will be a system that will be a benchmark to be able to stay awake.
Spectacle of Music: Critical Essay on the Evolution of Music in North Sumatra Merdy Roy Sunarya Togatorop; Muhammad Yusuf
Gondang: Jurnal Seni dan Budaya Vol 7, No 2 (2023): GONDANG: JURNAL SENI DAN BUDAYA, DECEMBER 2023
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v7i2.53878

Abstract

Music, as part of culture, is often seen as something that only plays a complementary role in life. In fact, if explored in depth, there are many things stored in the music, which are worthy of in-depth study. Music has deposits that describe the natural state of mind, environment, culture and existence of the owner of the music. In general, the essence of music is a sound engineering event. If it is related to sound, then it is enjoyed by hearing. However, in the archipelago in general, and Sumatra in particular, music has become something that is enjoyed by "watching". This is the impact of an evolution from a situation that we have slowly, but have come quite far from, experienced. This article will try to explain the evolution experienced by music from the perspective of art as an object and subject. For example, take the case of music in North Sumatra in general.
Co-Authors Merdy Roy Sunarya Togatorop