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Si Gale-Gale Folklore in the Toba Batak Society: A Study of Continuity and Change Martozet Martozet; Nurwani Nurwani; Merdy Roy Sunarya Togatorop
Budapest International Research and Critics Institute (BIRCI-Journal): Humanities and Social Sciences Vol 4, No 3 (2021): Budapest International Research and Critics Institute August
Publisher : Budapest International Research and Critics University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33258/birci.v4i3.2384

The Si Gale-Gale folklore contains exemplary values and education about the character of the Toba Batak king named Raja Rahat who is loved by the people who is fair and wise. The king had a son by the name of Raja Manggale who he loved very much and was the only child. King Manggale died on the battlefield, he heroically fought to defend his ancestral land from invaders. The death of King Manggale inflicted a deep wound on King Rahat. To entertain the king, a wooden statue was made as a representative of King Manggale, who magically can move like a dancing person, because it is believed that the spirit of King Manggale enters the statue with the help of the power of a shaman who is termed guru sibaso. This study aims to describe the continuity and change of this oral tradition in the Toba Batak people in North Sumatra. In order to know this folklore, a research was conducted using qualitative methods through field observations, interviews, documentation, and literature studies. As an oral culture and tradition, the legendary Si Gale-Gale folklore has been passed down from generation to generation throughout the Batak Toba generation which is full of values. It is not known when this tradition emerged, but the Toba Batak people believe that this oral tradition arose before the entry of religion into the Toba Batak area. It is known that the Si Gale-Gale folklore provides educational values and role models for the community about the love for the ancestral land and the important role of boys as the next generation according to the system adopted by the Toba Batak community. In its development, this folklore is not only a story that is passed down from generation to generation, but also becomes a cultural tourism offering and attraction for travelers who visit tourist enclaves in the North Sumatra area such as in the tourist area of Lake Toba, especially in the Tomok and Huta areas. Bolon Simanindo, Samosir Regency. In tourist attractions, The statue of Si Gale-Gale as a representation of King Manggale moves staccato or breaks and moves like a dancing person who is driven by a player (dalang) and is accompanied by typical Toba Batak music gondang sabangun.

Keyboard Tunggal: Media Evolusi dalam Musik Etnis Pakpak di Sumatera Utara Merdy Roy Sunarya Togatorop; Mukhlis Hasbullah; Tri Danu Satria
Gondang: Jurnal Seni dan Budaya Vol 6, No 1 (2022): GONDANG: JURNAL SENI DAN BUDAYA, JUNI 2022
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v6i1.36038

Hauser menyatakan Masyarakat menciptakan seni, seni menciptakan masyarakat. Kedua hal tersebut seperti dua bagian logam yang tidak dapat dipisahkan. Objek peristiwa yang dikaji berada pada masyarakat etnis Pakpak, bermukim secara tersebar di beberapa wilayah dalam Provinsi Sumatera Utara. Kesenian musik dalam masyarakat etnis Pakpak, ada yang tercipta atau dibuat untuk dinikmati secara individu dan komunal. Hingga saat ini, mengalami perkembangan yang dapat disebut sebagai evolusi dalam rangka beradaptasi pada situasi dan kondisi lingkungan. Perubahan tersebut semakin terasa sejak awal tahun 1990-an, pada masa mulai dikenalnya instrumen keyboard electric di Sumatera Utara. Metode penelitian kualitatif pada tulisan mencakup pendekatan naturalistik interpretatif terhadap dunia yang ditempatkan pada setting naturalnya. 2 faktor besar internal dan eksternal ditemukan melalui kajian fenomena perubahan-evolusi pada musik Pakpak. Hasil penelitian ini yaitu keyboard tunggal memberikan tawaran-tawaran kemudahan, harga terjangkau dan status kepopuleran grup musik keyboard membuat penggunaan media keyboard mendapat tempat di masyarakat etnis Pakpak. Faktanya keyboard sajian dan instrumen adalah salah satu alternatif dalam menyajikan “rasa bunyi” musik Pakpak, sekaligus menjadi salah satu alat adaptasi musik Pakpak dalam perjalanan di tengah kondisi sosial masyarakat Pakpak yang dinamis.

Kinesetic Stimuli as A Study of Motion Development in the Creating of Choreography of Zapin Adab and Budi Martozet Martozet; Nurwani Nurwani; Merdy Roy Sunarya Togatorop
Budapest International Research and Critics Institute-Journal (BIRCI-Journal) Vol 5, No 3 (2022): Budapest International Research and Critics Institute August
Publisher : Budapest International Research and Critics University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33258/birci.v5i3.6241

This study aims to describe the study of the choreography creation of Zapin Adab and Budi, starting with the kinesthetic stimulus popularized by Jacqueline Smit. The traditional silat and Zapin of the Malay people of East Sumatra were used as a source of movement development in producing the new choreography by Zapin Adab and Budi. The method used in this study is qualitative by conducting field observations in obtaining data, interviews, documentation, and literature studies related to Silat and Zapin traditions of the Malay community of East Sumatra. The silat movements that are used as a source of development are the praying, stabbing, elbowing and kicking motifs. While the traditional zapin motifs that are used as a source of movement development are the Opener or Worship motifs, Greetings, Alif, Drag, and Broken. Movement development is carried out based on development studies by emphasizing the elements of motion, namely energy, space, and time. After experiencing the development process, movements with new forms and new styles were born, which were different from the original motifs. Meanwhile, of the three elements of motion, namely energy, space, and time, only the spatial element is the most dominant in producing new motifs, different in shape and character from the original motif. While the elements of energy and time are to provide reinforcement in forming the space for movement and the rhythm of movement naturally. From the results of the creation, it can be concluded that kinesthetic stimulation in the creation of dance can give birth to motion with new and unique forms through the development of elements of motion, energy, space, and movement.

Spectacle of Music: Critical Essay on the Evolution of Music in North Sumatra Merdy Roy Sunarya Togatorop; Muhammad Yusuf
Gondang: Jurnal Seni dan Budaya Vol 7, No 2 (2023): GONDANG: JURNAL SENI DAN BUDAYA, DECEMBER 2023
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v7i2.53878

Music, as part of culture, is often seen as something that only plays a complementary role in life. In fact, if explored in depth, there are many things stored in the music, which are worthy of in-depth study. Music has deposits that describe the natural state of mind, environment, culture and existence of the owner of the music. In general, the essence of music is a sound engineering event. If it is related to sound, then it is enjoyed by hearing. However, in the archipelago in general, and Sumatra in particular, music has become something that is enjoyed by "watching". This is the impact of an evolution from a situation that we have slowly, but have come quite far from, experienced. This article will try to explain the evolution experienced by music from the perspective of art as an object and subject. For example, take the case of music in North Sumatra in general.

Citizen-Based Arts Festivals in North Sumatra: Obstacles, Solutions, and Social Impacts Togatorop, Merdy Roy Sunarya; Hakim, Ifwanul; Mulya, Aqsa; Erizon, Erizon
Gondang: Jurnal Seni dan Budaya Vol. 9 No. 1 (2025): GONDANG: JURNAL SENI DAN BUDAYA, JUNE 2025
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v9i1.65303

This art study aims to reveal a new phenomenon of organizing art festivals based on community mutual cooperation or better known as citizen festivals. This study is based on the desire to produce a view and knowledge in seeing the challenges, solutions, and social impacts of citizen festivals. The study focuses on three citizen festivals representing three geocultural regions of North Sumatra, namely coastal, mountainous, and urban. The purpose of this study is to find the challenges faced by organizers in implementing Community-Based Art Festivals in North Sumatra and to reveal their solutions in facing these challenges, as well as to find the social impact of organizing Community-Based Art Festivals for the surrounding community. The method used in this study is a qualitative approach. The process of searching for data and information is carried out using interview, documentation, and literature study methods. The results of the study show that community-based festivals in coastal, mountainous, and urban areas have their own challenges. The Berhala Island marine culture festival on the Serdang Bedagai coast must deal with uncertain natural conditions. The Pancur Siwah Festival in the Karo mountains must grapple with religious ethics, the conservative attitude of the elders and the apathy of the younger generation. Meanwhile, the Jawa Deli Festival in Medan must be adaptive and collaborative with a multicultural social environment by facilitating various ethnicities. Some categories of impacts generated from these three types of festivals are cultural impacts, educational impacts, and economic impacts.

Spectacle of Music: Critical Essay on the Evolution of Music in North Sumatra Togatorop, Merdy Roy Sunarya; Yusuf, Muhammad
Gondang: Jurnal Seni dan Budaya Vol. 7 No. 2 (2023): GONDANG: JURNAL SENI DAN BUDAYA, DECEMBER 2023
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v7i2.53878

Music, as part of culture, is often seen as something that only plays a complementary role in life. In fact, if explored in depth, there are many things stored in the music, which are worthy of in-depth study. Music has deposits that describe the natural state of mind, environment, culture and existence of the owner of the music. In general, the essence of music is a sound engineering event. If it is related to sound, then it is enjoyed by hearing. However, in the archipelago in general, and Sumatra in particular, music has become something that is enjoyed by "watching". This is the impact of an evolution from a situation that we have slowly, but have come quite far from, experienced. This article will try to explain the evolution experienced by music from the perspective of art as an object and subject. For example, take the case of music in North Sumatra in general.

Pelatihan Manajemen Pertunjukan Seni Bagi Komunitas Seni Telangkai Kecamatan Tanjung Beringin Kabupaten Serdang Bedagai Togatorop, Merdy Roy Sunarya; Widiastuti, Uyuni; Hakim, Ifwanul; Rifandi, Ilham; Natalia, Christine Helena
Batoboh Vol 10, No 2 (2025): BATOBOH: JURNAL PENGABDIAN PADA MASYARAKAT
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/bt.v10i2.5937

Permasalahan yang dihadapi oleh mitra adalah; 1) Minimnya pengetahuan tentang penyusunan sajian pertunjukan; 2) Minimnya pengetahuan tentang tata panggung dan artistik; 3) Minimnya pengetahuan tentang pengelolaan administrasi pertunjukan. Solusi yang ditawarkan untuk meyelesaikan permasalahan yang dihadapi oleh mitra adalah; 1) Menerapkan pengetahuan tentang konsep susunan sajian pertunjukan; 2) Menerapkan pengetahuan tentang tata panggung dan artistik; 3) Menerapkan pengetahuan tentang tata kelola administrasi pertunjukan. Tujuan dan target khusus dari kegiatan ini adalah; 1) Terbentuknya kemampuan (soft skill) penyusunan sajian pertunjukan; 2) Terbentuknya kemampuan (soft skill) merancang tata panggung dan artistik; 3) Terbentuknya kemampuan tata kelola administrasi pertunjukan. Metode yang dilakukan adalah dengan metode pembimbingan dan pendampingan atas program kerja yang ditujukan kepada mitra dalam hal memperbaiki persoalan yang dihadapi hingga memperoleh hasil yang maksimal. Berdasarkan realita dan fakta lapangan pada pertunjukan seni, kemampuan dalam menyusun dan mengaplikasikan konsep pertunjukan, menata dramatisasi acara, dan kemampuan menata administrasi acara pertunjukan menjadi satu paket yang penting untuk kesuksesan pertunjukan seni. Hal tersebut sudah harus menjadi perhatian penting secara khusus bagi Komunitas Seni Telangkai dalam melakukan penyajian pertunjukan.

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