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Acceptability in The Serial Cartoon Film Entitled Carl Transform into Carl Dadi (English-Javanese Translation) Ika Oktaria Cahyaningrum
English Language and Literature International Conference (ELLiC) Proceedings Vol 5 (2022): Innovative Practices in Language Teaching, Literature, Linguistics, and Translation
Publisher : Universitas Muhammadiyah Semarang

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Abstract

Translation in entertainment’s media has a very big role, especially in media that is often seen by many viewers, one of them is the cartoon series through the YouTube channel entitled “Carl Transform”. This film series has many fans, especially children. The Carl Transform series in English has also been translated into various languages, especially is Indonesian. Not only in Indonesian translation but also this film series has also been translated into Javanese and the title has changed to “Carl Dadi”. This research uses the object of the Carl Transform film series with a discussion focused on acceptability of English into Javanese. This research is included in a qualitative descriptive study, which describes and explains in detail how the quality of acceptance is produced in the Javanese version. In purposes that the audience can find out the level of acceptance generated in the target language, and know the new terms found in Javanese. 
PSYCHOANALYTIC ANALYSIS OF MENTAL DISORDERS AND CHARACTER RELATIONSHIPS IN THE TV SERIES “HANNIBAL” SEASON I Catur Yuliani; Ika Oktaria Cahyaningrum; I Desak Ketut, Titis Ary Laksanti
Acceleration: Multidisciplinary Research Journal Vol. 3 No. 2 (2025): Acceleration: Multidisciplinary Research Journal
Publisher : PT Akselerasi Karya Mandiri

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.70210/amrj.v3i2.142

Abstract

This study analyzes the characterization and psychoanalytic dynamics of two main characters in the Hannibal TV Series Season I: Hannibal Lecter and Will Graham. Using Freud’s psychoanalytic theory—specifically the concepts of Id, Ego, and Superego—the research applies a descriptive qualitative method. Data were collected from selected scenes and dialogues to interpret character traits and the psychological relationship between the two. The characterization is presented through both “showing” and “telling” techniques in the narrative. These methods help reveal the internal psychological drives influencing each character. The analysis finds that Hannibal is primarily driven by the Id, often ignoring the functions of the Ego and Superego. This leads him to act impulsively, manipulatively, and without moral restraint. In contrast, Will Graham demonstrates a stronger influence of Ego and Superego, showing moral awareness and rational judgment, though his psychological stability is gradually eroded due to Hannibal’s manipulation. The results indicate that Hannibal holds psychological dominance in the relationship. His Id-driven behavior allows him to control and reshape Will’s perception and emotional state. This research contributes to the understanding of how psychoanalytic elements can influence character development and interpersonal dynamics in visual media narratives.