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All Journal Jurnal Pendidikan dan Kajian Seni Jurnal Pakarena Jurnal Pendidikan Indonesia (Japendi) Jurnal Seni Tari Harmonia: Journal of Arts Research and Education Visual Heritage: Jurnal Kreasi Seni dan Budaya
Rimasari Pramesti Putri
Universitas Negeri Semarang
Arts Humanities Education Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Other

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Learning Dance to Improve Motor Skills of Lightweight Palsy Cerebral Patients at YPAC Semarang Rimasari Pramesti Putri; Bintang Hanggoro Putro
Jurnal Pendidikan Indonesia Vol. 2 No. 03 (2021): Jurnal Pendidikan Indonesia (Japendi)
Publisher : Publikasi Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (209.884 KB) | DOI: 10.36418/japendi.v2i3.119

Abstract

The National Education System Law Number 20 of 2003 states, "Special education is a form of education that specifically serves children who have visual, hearing, intellectual, physical or emotional barriers". The purpose of this paper is to apply dance learning as a medium for motor physical therapy for mild cerebral palsy sufferers at YPAC Semarang. This research method study uses a descriptive qualitative approach where the researcher observes the implementation of dance learning and presents the data in the form of data description, analysis, and interpretation. The result of this research is that learning dance can improve motor skills of patients with Cerebral Palsy light at YPAC Semarang. This increase in motor skills includes reduced stiffness when moving. In addition to motor skills, learning to dance to sufferers. The results of this study can be concluded that Cerebral Palsy can improve children's ability to manage emotions, improve problematic behavior, increase concentration, and increase self-confidence.
Proses Pembelajaran Tari Badaya dalam Kegiatan Ekstrakurikuler di SMP Negeri 2 Jatiwangi Lulu Hana Huwaida; Rimasari Pramesti Putri
JPKS (Jurnal Pendidikan dan Kajian Seni) Vol 11, No 1 (2026)
Publisher : Universitas Sultan Ageng Tirtayasa

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62870/jpks.v11i1.38789

Abstract

This study examines the learning process of Badaya dance in extracurricular activities at SMP Negeri 2 Jatiwangi. Badaya dance depicts noble dancers welcoming guests, functioning as a welcoming dance in the official celebration of the Sundanese Mapag Panganten tradition. This study aims to analyze and describe the learning process of Badaya Dance, with a focus on learning objectives, learning materials, learning methods, learning tools and learning evaluations applied. This study uses a qualitative approach, involving participatory observation techniques, in-depth interviews, and document analysis to collect in-depth and comprehensive data. The results show that learning is carried out in a scheduled and intensive manner by utilizing the volleyball court area as the activity center. Field findings indicate that the dance team of SMP Negeri 2 Jatiwangi has the ability to adapt dynamic formations, ranging from solo performances to complete formations (involving lengser, ambu, ponggawa, and umbrella holders) according to the context of events such as welcoming guests, art performances, and student graduation. Overall, this extracurricular activity is effective in developing students' characters who are confident and culturally insightful, while also being a representative medium in maintaining the existence of Sundanese traditional arts in the school environment.
MANAJEMEN PERTUNJUKAN DRAMA MUSIKAL “KI HAJAR SALOKANTARA” DI SALOKA THEME PARK SEMARANG : ANALISIS FUNGSI PLANNING, ORGANIZING, ACTUATING, DAN CONTROLLING Khalila Shafira; Rimasari Pramesti Putri
JURNAL PAKARENA Vol 11, No 1 (2026): Juli
Publisher : Universitas Negeri Makassar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26858/p.v11i1.85877

Abstract

This study aims to describe the implementation of POAC management functions in the musical drama Ki Hajar Salokantara at Saloka Theme Park Semarang, and to identify structural obstacles and managerial solutions applied by the production team. This study employs a descriptive qualitative approach with one primary informant, namely the SAKA coordinator who has been directly involved in performance management for seven years. Data were collected through direct observation, in-depth interviews, and documentation study conducted on 15 February 2026 at Arena Jejogedan, Saloka Theme Park. Data validity was ensured through technique triangulation by confirming the same information using three different collection methods. Data analysis followed the interactive model of Miles, Huberman, and Saldana through stages of data reduction, data display, and conclusion drawing. The findings indicate that all four POAC functions have been operationally implemented but have not been formally documented. Planning was conducted verbally without written procedures, organizational structure remains centralized on a single coordinator without a structured delegation mechanism, actuating faced motivational challenges due to the repetitive nature of performances, and evaluation was carried out without measurable indicators. Recommended solutions include drafting written standard operating procedures for production and establishing an internal mentoring system to distribute managerial capacity more evenly within the team.
Dance as Cultural Embodiment in Public Space:Performances at Kuala Lumpur International Airport Lesa Paranti; Sang Woo Ha; Hanafi bin Hussin; Rimasari Pramesti Putri; Nadia Sigi Prameswari; Ani Nur Auliyatun Latifah
Harmonia: Journal of Arts Research and Education Vol. 26 No. 1 (2026): June 2026
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v26i1.38859

Abstract

Airports are public spaces and gateways into a country or region, and nowadays they have become cultural reflections, turning them into more than just a means of transport. Through a specific focus on dance at Kuala Lumpur International Airport (KLIA), this study aims to explore the significance of these performances in embodying and communicating Malaysian culture for both dancers and airport visitors. This study is qualitative, drawing on ethnochoreology, performance semiotics, and a cultural embodiment perspective. Data were collected through direct observation of dance performances at KLIA, interviews with dancers and performance managers, documentation, and visitor survey data provided by Malaysia Airports. Triangulation was used to enhance the validity of the findings, while analysis techniques were used for data condensation, presentation, and verification. The findings indicate that dance performances at KLIA Airport are organized by airport management. As a multiethnic country, performances are scheduled in accordance with major commemorative events and meticulously designed in terms of themes, dancers, movements, music, costumes, and makeup. The airport transit space serves as the performance setting, adding a distinctive cultural experience for both dancers and visitors. For the dancers, the body becomes a medium for representing cultural codes. Their role extends from executors of choreography to co-authors of meaning and cultural ambassadors. For airport visitors, dance performances offer a culturally embodied experience that remains memorable long after the airport visit. This study contributes to the development of the concept of cultural embodiment by examining dance performance in the context of airport analysis. Dance serves as a conductor of cultural representation, embodied identity, and global audience participation. 
Implementasi Google Sites sebagai Media Komunikasi Pembelajaran Seni Tari Berbasis Digital di SMP Negeri 29 Jakarta Zabrina Erlinda; Rimasari Pramesti Putri
Visual Heritage: Jurnal Kreasi Seni dan Budaya Vol. 9 No. 1 (2026): Visual Heritage: Jurnal Kreasi Seni dan Budaya
Publisher : Universitas Indraprasta PGRI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30998/vh.v9i1.1308

Abstract

Penelitian ini bertujuan untuk menganalisis implementasi Google Sites yang dikembangkan oleh Google sebagai media komunikasi pembelajaran seni tari berbasis digital di SMP Negeri 29 Jakarta. Transformasi digital dalam pendidikan menuntut inovasi media pembelajaran yang mampu memfasilitasi interaksi, distribusi materi, serta dokumentasi pembelajaran secara efektif. Pembelajaran seni tari yang bersifat praktik dan visual membutuhkan media yang adaptif dan terintegrasi. Penelitian ini menggunakan pendekatan kualitatif deskriptif dengan teknik pengumpulan data melalui observasi, wawancara, dan dokumentasi. Hasil penelitian menunjukkan bahwa implementasi Google Sites mampu meningkatkan efektivitas komunikasi pembelajaran, mempermudah akses materi dan video praktik tari, serta mendorong kemandirian belajar peserta didik. Kendala yang ditemukan meliputi keterbatasan akses internet dan variasi literasi digital siswa. Secara keseluruhan, Google Sites relevan dan efektif sebagai media komunikasi pembelajaran seni tari berbasis digital.   
The Form of Sego Megono Dance Choreography in Pekalongan Regency Rilindia Putri Crismadani; Rimasari Pramesti Putri
Jurnal Seni Tari Vol. 14 No. 2 (2025)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/fs6en337

Abstract

The Sego Megono dance is a new dance creation that originates in the Pekalongan Regency area. The name of the Sego Megono dance is taken from the name of a typical food from Pekalongan which used to be a holiday menu and is now a daily menu that is easy to find. The Sego Megono dance has an interesting choreographic form and has become the identity of Pekalongan. This research aims to find out and describe the form of new creative dance choreography entitled Sego Megono Dance. The research method used is a descriptive qualitative method. The approach uses ethics and emics. Stages of data collection through observation, interviews and documentation studies. The results of this research produced a new dance creation, namely the Sego Megono dance, created by Arif Rahman Hakim who carried out the dance creation process through exploration, improvisation and shaping. Exploration is carried out by observing and analyzing trader activities. The next stage is improvisation which is carried out by collecting pure and meaningful movements according to the arithmetic of movements. The next stage is the formation which is carried out based on the composition of the results of exploration and improvisation as a basis for making musical accompaniment and determining make-up and clothing. The choreographic form of the Sego Megono Dance includes theme, movement, accompaniment, costumes, make-up, floor patterns and props.  The conclusion of this research is that the Sego Megono dance is a new creative dance created in 2021 which has a beautiful and unique choreographic form because apart from the movements that describe the process of making the Sego Megono, the song lyrics also use the Pekalongan language. For suggestions from the Sego Megono Dance, it is hoped that the exploration stage will look for movement, the movements will be more creative, varied, and the movements will not be monotonous.        
Co-Authors Ani Nur Auliyatun Latifah Bintang Hanggoro Putro Hanafi bin Hussin Khalila Shafira Lesa Paranti Lulu Hana Huwaida Nadia Sigi Prameswari Rilindia Putri Crismadani Sang Woo Ha Zabrina Erlinda