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FRON COVER sungkowati, yulitin
ATAVISME Vol 23, No 1 (2020): ATAVISME
Publisher : Balai Bahasa Jawa Timur

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24257/atavisme.v23i1.670.%p

Abstract

HUBUNGAN ETNIS JAWA DAN TIONGHOA DALAM NOVEL TUNGGAK-TUNGGAK JATI Sungkowati, Yulitin
Diksi Vol. 16 No. 1: DIKSI JANUARI 2009
Publisher : Fakultas Bahasa, Seni, dan Budaya, Universitas Negeri Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21831/diksi.v16i1.6568

Abstract

This article tries to explore the relationship between Javanese and Chinese ethnicgroups in Tunggak-Tunggak Jati, a Javanese novel by Esmiet. The novel describes theolder Javanese generation' views of the Chinese ethnic group and vice versa based onprejudice and stereotype. But the younger Javanese and Chinese generations try toeradicate the prejudice and ethnic partition. The young Chinese generation'sconsciousness that Indonesia is their country results in the feeling that they are not differentfrom the Javanese ethnic group and they are not strangers in Indonesia. The youngJavanese generation also tries to accept the Chinese ethnic group as part of Indonesia. Thisnovel also shows that the Javanese and Chinese ethnic groups need each other in socialinteraction to establish true relationship and to respect each other through, for example,marriage.Keywords: relationship, ethnic group, Javanese, Chinese
KERUDUNG SANTET GANDRUNG : SIMBOL PERLAWANAN TERHADAP KAUM SANTRI BANYUWANGI Sungkowati, Yulitin
Diksi Vol. 14 No. 2: DIKSI JULI 2007
Publisher : Fakultas Bahasa, Seni, dan Budaya, Universitas Negeri Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21831/diksi.v14i2.6598

Abstract

A literary work as a cultural artifact is a verbal symbol that has to beinterpreted in a broad context because it correlates with the writer's intention inresponding to an experienced situation. Kerudung Santet Gandrung is a novel setin Banyuwangi representing the life of practitioners of the Gandrung traditional artand that of santris, people studying at Islamic religious boarding schools. Thereare many symbols in the novel which potentially could be seen as indications oftextual elements in the dynamic relation between the two different communities.By using a cultural hermeneutic approach, the novel strives to depict an effort inresistance made by Hasnan Singodimayan, an observer of Banyuwangi culture, toreconstruct a new and positive image of traditional artists. His resistance is anattempt to preserve Banyuwangi traditional arts which are threatened withextinction by Islamic purification movements.Keywords: novel, Gandrung, symbol, resistance
HUBUNGAN INTERTEKSTUAL DRAMA “ANTARA BUMI DAN LANGIT (KEMUNING DIWAKTU DAHULU)” DENGAN NOVEL BELENGGU Sungkowati, Yulitin
Salingka Vol 11, No 01 (2014): SALINGKA, EDISI JUNI 2014
Publisher : Balai Bahasa Sumatra Barat

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26499/salingka.v11i01.3

Abstract

Tulisan ini bertujuan mendeskripsikan hubungan intertekstual drama “Antara Bumi dan Langit (Kemuning diwaktu Dahulu)” dengan novel Belenggu karya Armin Pane. Untuk menjawab masalah hubungan intertekstual ini, penulis menggunakan teori intertekstual. Temuan penelitian ini adalah drama “Antara Bumi dan Langit (Kemuning diwaktu Dahulu)” berhubungan intertekstual dengan novel Belenggu sebagai hipogramnya dalam hal alur dan tokoh. Drama “Antara Bumi dan Langit (Kemuning diwaktu Dahulu)” tampaknya ditulis untuk menjawab kritik yang dilontarkan oleh para kritikus sastra terhadap novel Belenggu
LINTASAN SEJARAH INDONESIA DALAM NOVEL-NOVEL SUPARTO BRATA Sungkowati, Yulitin
LiNGUA: Jurnal Ilmu Bahasa dan Sastra Vol 4, No 1 (2009): LiNGUA
Publisher : Laboratorium Informasi & Publikasi Fakultas Humaniora UIN Maulana Malik Ibrahim Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.18860/ling.v4i1.585

Abstract

This writing is aimed to discuss about Indonesian history that is described and interpreted by Suparto Brata in his novels, written in Indonesian and Javanese, mainly Sala Lelimengan (1965), Surabaya Tumpah Darahku (1978), November Merah (1984), Kremil (2002), Saksi Mata (2002), Donyane Wong Culika (2004), Gadis Tangsi (2004), Mencari Sarang Angin (2005), Kerajaan Raminem (2005), Dom Sumurup ing Banyu (2006), and Mahligai di Ufuk Timur (2007). The course of Indonesian history in the novels ranges from Dutch colonialism era up to new sociopolitical order era. If the formal history records famous person only (usually men only), the history of Suparto Brata’s version presents the role and struggle of people from various social class, profession, gender, age, and the victims of Indonesian regime all with its humanistic perspective. Indonesian history is interpreted as the struggle against stupidity and betrayal of people who didn’t learn from the past. The choice of using historical subject can be read and interpreted as an effort of the writer to question and ask readers to understand and appreciate the history of their nation as a meaningful thing, a valuable lesson for a better future.