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PELECEHAN SEKSUAL PADA LAKI-LAKI DAN PERSPEKTIF MASYARAKAT TERHADAP MASKULINITAS (ANALISIS WACANA KRITIS NORMAN FAIRCLOUGH ) Adita Miranti; Yudi Sudiana
Bricolage : Jurnal Magister Ilmu Komunikasi Vol 7, No 2 (2021): Accredited by Kemenristekdikti RI SK No. 36/E/KPT/2019
Publisher : Universitas Bunda Mulia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30813/bricolage.v7i2.2809

Abstract

Pelecehan seksual yang terjadi di sekitar kita pada umumnya seringkali merugikan perempuan. Namun dalam penelitian ini menganalisis lebih dalam pelecehan seksual yang menimpa laki-laki. Namun perspektif maskulinitas di masyarakat yang menjadi korban tidak banyak yang melaporkannya. Pelecehan seksual diartikan sebagai suatu keadaan yang tidak dapat diterima baik secara lisan, fisik, atau isyarat seksual dan pernyataan yang bersifat menghina atau mengintimidasi yang bersifat membedakan dan menjatuhkan salah satu jenis kelamin. Fokus penelitian ini meninjau dan menggambarkan lebih dalam bahwa tindakan pelecehan seksual bisa saja terjadi pada semua jenis kelamin baik perempuan maupun laki-laki. Perspektif maskulinitas yang ada di masyarakat membuat pelecehan pada laki-laki menjadi serius. Penelitian kualitatif ini menggunakan paradigma kritis dengan tipe deskriptif dan menggunakan Model Analisis Wacana Kritis Norman Fairclough. Data diperoleh dari observasi langsung di lapangan, dengan wawancara informan yang mendalam. Hasil penelitian menunjukan bagaimana pelecehan seksual bukan hanya terjadi pada perempuan namun bisa menimpa laki-laki. Dampak dari pelecehan seksual yang terjadi pada laki-laki cenderung berdampak pada keadaan psikologis karena pelecehan seksual yang dialami dianggap normal.
Meaning Construction of Good Looking in Public Relation Practitioners at Hotel Industries Ade Tuti Turistiati; Yudi Sudiana; Adita Miranti
Ultimacomm: Jurnal Ilmu Komunikasi Vol 15 No 1 (2023): Ultimacomm
Publisher : Universitas Multimedia Nusantara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31937/ultimacomm.v15i1.3126

Abstract

The profession of public relations (PR) is required in the hotel industry. Society frequently perceives a PR practitioner as having both technical and non-technical requirements, such as being good looking. In reality, one of the requirements for becoming a public relations officer in the hotel industry is that a person be good looking. The purpose of this study is to explore the construct meaning of good looking in hotel PR practitioners. Furthermore, the researchers examined the challenges that the hotel industry faces in obtaining good-looking PR, as well as solutions to these challenges. The theory of reality construction and symbolic interaction is used in this study, which employs a qualitative descriptive research method. According to the findings of the study, the definition of good looking is perceived as a myth that is spreading in society, namely beautiful/handsome with white skin, tall and slim. However, some interpret good-looking as more intellectual, which impacts job performance. Furthermore, when it comes to hotel public relations, hotel managers tend to prioritize physical appearance. It can be considered discrimination, dehumanization, and subordination.
Makna Tahun Represi Digital Dalam Cover Koran Tempo Edisi 21 Oktober 2020 Yudi Sudiana; Alfian Muhazir
AGUNA: Jurnal Ilmu Komunikasi Vol 2, No 2: Juli (2021)
Publisher : AGUNA: Jurnal Ilmu Komunikasi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.35671/aguna.v2i2.1336

Abstract

Freedom of expression often does not go hand in hand with rulers. This is what the October 21, 2020 edition of Koran Tempo wants to depict, entitled “The Year of Digital Repression”. Through this research, the writer wants to examine further the meaning of the year of digital repression in the cover of Koran Tempo through Peirce's semiotic analysis. The results of this study show that Koran Tempo's cover packs the meaning of the digital year of repression through two types of visual elements, namely typography, in the form of writing in the form of sentences and human illustrations that are identical to the visualization of the police, the man disguised as a meatball seller, the hooded man holding the hashtag. and someone running. Both symbols are packaged in detail so that they can give a strong message meaning. The existence of the visualization of the police is depicted as a representative of the authorities who are given the impression of being the party carrying out repression. The hooded man implies the existence of an anonymity account that is described as a buzzer in digital media. This figure plays an important role in building hashtags with potential trending topics. Meanwhile, the meatball vendor holding the handie talkie implies an extension of the police. On the other hand, the typographic elements in the cover contain message content that supports the illustration image. In short, all of these elements lead to the meaning that the swift criticism of the government in the digital realm has prompted increasingly stringent regulations.Keywords: Cover, Digital, Tempo Newspaper, Repression, Semiotics