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All Journal JNANASIDDHÂNTA : JURNAL TEOLOGI HINDU
Komang Heriyanti
STAH Negeri Mpu Kuturan Singaraja
Religion Arts Humanities

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Penjor Galungan Sebuah Seni Religius I Ketut Wartayasa; Komang Heriyanti
Jnanasidanta Vol 2, No 1 (2020): Teologi Hindu
Publisher : Sekolah Tinggi Agama Hindu Negeri Mpu Kuturan Singaraja

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55115/jnana.v2i1.815

Abstract

Art in a religious activity is very necessary, because art is an expression of the beauty of a people who is presented to Ida Sang Hyang Widhi Wasa. The Hindu community in Bali in various religious rituals emphasizes the value of art. One of them is the art of penjor which is used on Galungan Day. Penjor is a religious ceremony equipment for Hindus, so penjor is a part of religious art that contains sacred symbols in the materials used. Penjor is a decoration made of bamboo (from base to tip). Penjor religiously is a means of ceremony in celebrating Galungan and is a symbol of the mountain that provides safety and prosperity. Penjor is plugged in front of the house the day before Galungan Day, namely Penampahan Galungan. Installing penjor aims to create a sense of devotion and as an expression of our gratitude for the prosperity given by Ida Sang Hyang Widhi Wasa. The curved bamboo is a depiction of the highest mountain as a sacred place. Making penjor for ceremonies requires certain conditions, and is in accordance with religious literature, so that it is not just as decorative. Penjor is also a symbol of expression of gratitude to the earth or nature for providing a place to live and human welfare and in order to create peace and human welfare to achieve the victory of dharma against adharma.
AKTUALISASI AJARAN TEOLOGI SOSIAL DALAM UPACARA PIODALAN DI PURA DALEM SAKENAN Komang Heriyanti
Jnanasidanta Vol 3, No 2 (2022)
Publisher : Sekolah Tinggi Agama Hindu Negeri Mpu Kuturan Singaraja

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55115/jnana.v3i2.2248

Abstract

The temple is a sacred place to get closer to God for Hindus. One of the temples including DangKahyangan in Bali is Dalem Sakenan Temple. Dalem Sakenan Temple is a heritage temple fromDang Hyang Nirartha who came to Bali during the reign of Dalem Waturenggong. DalemSakenan Temple is a Shiva-Buddhist temple. In ancient times, getting to Dalem Sakenan Templewas not easy, because you had to take a boat across the ocean to get to the mangrove forest.However, at this time, to get there is already road access so that Hindus can easily get there. Theimplementation of the Piodalan ceremony at Dalem Sakenan Temple has a social theologicalaspect. This can be seen from before the Piodalan ceremony was carried out by Hindus togetherngayah preparing Piodalan at Dalem Sakenan Temple. All Hindus who take part in ngayahactivities, together help each other to prepare the things needed during the Piodalan ceremony.The ngayah activity was not only attended by Hindus who only came from one area, but alsocame from various regions because the performers of Dalem Sakenan Temple came from all overBali. Research on the actualization of social theology in the piodalan ceremony at the DalemSakenan Temple uses qualitative research so that everything that is in the field can bedescribed. The data were obtained through observation, interviews, and document studies. Fromthis data, it can be concluded how far aspects of social theology are implemented by Hindus atDalem Sakenan Temple.
Co-Authors I Ketut Wartayasa