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All Journal GENTA HREDAYA: Media Informasi Ilmiah Jurusan Brahma Widya STAHN Mpu Kuturan Singaraja JNANASIDDHÂNTA : JURNAL TEOLOGI HINDU Pariksa: jurnal Hukum Agama Hindu
I Ketut Wartayasa
STAH Negeri Mpu Kuturan Singaraja
Religion Arts Humanities Law, Crime, Criminology & Criminal Justice

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Penjor Galungan Sebuah Seni Religius I Ketut Wartayasa; Komang Heriyanti
Jnanasidanta Vol 2, No 1 (2020): Teologi Hindu
Publisher : Sekolah Tinggi Agama Hindu Negeri Mpu Kuturan Singaraja

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55115/jnana.v2i1.815

Abstract

Art in a religious activity is very necessary, because art is an expression of the beauty of a people who is presented to Ida Sang Hyang Widhi Wasa. The Hindu community in Bali in various religious rituals emphasizes the value of art. One of them is the art of penjor which is used on Galungan Day. Penjor is a religious ceremony equipment for Hindus, so penjor is a part of religious art that contains sacred symbols in the materials used. Penjor is a decoration made of bamboo (from base to tip). Penjor religiously is a means of ceremony in celebrating Galungan and is a symbol of the mountain that provides safety and prosperity. Penjor is plugged in front of the house the day before Galungan Day, namely Penampahan Galungan. Installing penjor aims to create a sense of devotion and as an expression of our gratitude for the prosperity given by Ida Sang Hyang Widhi Wasa. The curved bamboo is a depiction of the highest mountain as a sacred place. Making penjor for ceremonies requires certain conditions, and is in accordance with religious literature, so that it is not just as decorative. Penjor is also a symbol of expression of gratitude to the earth or nature for providing a place to live and human welfare and in order to create peace and human welfare to achieve the victory of dharma against adharma.
MEWUJUDKAN KEADILAN RESTORATIF BAGI ANAK BERHADAPAN DENGAN HUKUM MELAUI PERDA BERBASIS KEARIFAN LOKAL I Ketut Wartayasa
PARIKSA: Jurnal Hukum Agama Hindu Vol 4, No 1 (2020): PARIKSA - JURNAL HUKUM HINDU STAHN MPU KUTURAN SINGARAJA
Publisher : Sekolah Tinggi Agama Hindu Mpu Kuturan Singaraja

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55115/pariksa.v4i1.840

Abstract

 Anak saat berhadapan dengan  hukum berhak dapat perlindunga  dari Desa Adatnya , karena Desa Adat punya kewajiban untuk memberikan pengayoman, perlindungan, pembinaan terhadap warganya, Desa Adat juga punya aturan yang digunakan untuk memebrikan sanksi hukum pada masyarakatnya yang menimbulkan efek jera, mengenai sumber“hukum”di  agama Hindu dapat ditemukan pada buku  Manavadharmasastra II.6.  yang terdiri dari: 1), veda/ cruti,  2) smerti, 3) sila,  4),acara/sadacara  dan  5) atmanastuti, di antara sumber hukum yang dimaksud di atas salah satunya adalah  Acara/sadacara (tradisi / adat / aturan tidak tertulis / tradisi setempat).  Sedangkan  awig-awig  adalah aturan yang  tertulis,   jika  ada masalah yang sanksinya,  belum diatur oleh awig-awig maupun Adat maka, diperlukan kesepakatan melalui Parum  / rapat warga Desa Adat yang disebut pararem, selanjutnya di BAB  II kedudukan dan status Desa adat  pasal 5 disebutkan  Desa Adat berstatus sebagai subyek hukum dalam sisitem Pemerintahan Provinsi Bali, dibagian penjelasan dijelaskan yang dimaksud, Desa Adat sebagai ”subyek hukum” adalah Desa Adat memiliki hak dan kewajiban yang sama seperti halnya subyek hukum lainnya dan dapat bertidak sendiri baik di dalam maupun di luar pengadilan.
PRAKTIK DAN MAKNA PERAYAAN SIWARATRI I Ketut Wartayasa
Genta Hredaya: Media Informasi Ilmiah Jurusan Brahma Widya STAHN Mpu Kuturan Singaraja Vol 6, No 2 (2022)
Publisher : Sekolah Tinggi Agama Hindu Negeri Mpu Kuturan Singaraja

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55115/gentahredaya.v6i2.2492

Abstract

The practice of Hinduism in Bali is mostly sourced from literature. For example, the Siwaratri Celebration gets justification from the Siwaratrikalpa text. This text describes the journey of a hunter named Lubdaka to the forest to hunt. Until evening, none of the game animals were found, so he had to stay in the forest. In order to avoid wild animals, he also lived on a bilwa tree. In order to fight sleepiness, he plucked the bilwa leaves one by one and dropped them down and hit a phallus which was right under the tree. After his death, Lubdaka finally got to heaven because on that day he accidentally worshiped Shiva. This work descriptively tries to narrate the Siwaratri celebration along with its meaning. Lubdaka's story must be unraveled so that the spiritual value in it is visible and can be used as a guide. How Lubdaka as a hunter, does not get game, does not sleep all night, picks bilwa leaves, Shiva linga, and others must be contextualized with spiritual values. This celebration must also lead to people's spiritual awareness
Co-Authors Komang Heriyanti