Article Per Year (5 Year)
p-Index From 2021 - 2026
0.778
P-Index
This Author published in this journals
All Journal Ghurnita: Jurnal Seni Karawitan
I Ketut Partha
Program Studi Seni Karawitan, ISI Denpasar
Arts Humanities Education Social Sciences

Published : 4 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 4 Documents
Search

 1 
The Process of Music Creation Kelabu | Proses Kreasi Musik “Kelabu” I Gede Adi Surya; Saptono Saptono; I Ketut Partha
GHURNITA: Jurnal Seni Karawitan Vol 2 No 1 (2022): Maret
Publisher : Pusat Penerbitan LPPMPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

This article discusses the process of creating the musical work “Kelabu”, which in its creation uses an experimental stage with orientation to contemporary phenomena. The current phenomenon in question is a situation that leads to a lack of clarity between the news and the truth about the Covid-19 virus that is obtained by the public. This phenomenon then stimulates the stylist to work on the element of obscurity, where the element of ambiguity that the stylist wants to work on tries to find it through an experimental process by applying the use of masks to Balinese drum instruments. The writing of this article aims to provide information about the achievements found in the production of this work, where it is expected to be a motivation and reference in the search for new types of music whose cultivation is oriented to contemporary phenomena. In cultivating the musical work "Kelabu" the stylist uses the creation method of Roger Sessions in collaboration with the creation method of Alma M. Hawkins, so that a new method is obtained which consists of the stages of inspiration, exploration, improvisation and execution. In the experimental process in the production of this work, the stylist found a new sound character on the drum instrument that was not as clear as the conventional drum sound, where the new sound character was caused by the effect of using a mask on the drum instrument.  
Introduction to the Musical Composition “Windu Sara” | Pengantar Karya Komposisi Karawitan “Windu Sara” I Putu Restu Krisna Arimbawa; I Ketut Partha
GHURNITA: Jurnal Seni Karawitan Vol 2 No 3 (2022): September
Publisher : Pusat Penerbitan LPPMPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

This musical work with the theme Windu sara is unique in terms of the red color which is quite strong. The red color on this stone has the meaning of unification to society and can cause happiness.
Experimental Music Composition “Rhythm Flower” | Komposisi Musik Eksperimental “Rhythm Flower” I Made Prayoga Adi Astawa; I Ketut Partha
GHURNITA: Jurnal Seni Karawitan Vol 3 No 1 (2023): Maret
Publisher : Pusat Penerbitan LPPMPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/jurnalsenikarawitan.v3i1.401

Abstract

The composer's goal is to realize an idea that is owned by the composer himself through a compositional work based on experimental interests. Rhythm Flower's experimental composition work is a work that focuses on the processing of rhythm, meaning that all the processing that is carried out arises from a rhythm pattern that is used as a reference. Because of this, the composer uses instruments that are classified as rhythmic instruments, namely drums and reongs, as well as the addition of a gong instrument as an affirmation of the size of the rhythm pattern in it. The experiments carried out included processing the workings of patterns, percussion instruments, and how to play instruments. This processing resulted from a creative process borrowed from the concept of Pande Made Sukerta, namely compiling content ideas, compiling ideas, and determining work. The processing is then organized into three different parts, namely parts one, two, and three. These three parts have different impressions and intentions between parts one to part three. Starting from part one which is still processing conventionally, part two which has begun to show experiments on how to play the reversed reong, and part three which focuses on experimenting with the use of drum sticks on drum instruments.
Experimental Music Composition “Rhythm Flower” | Komposisi Musik Eksperimental “Rhythm Flower” I Made Prayoga Adi Astawa; I Ketut Partha
GHURNITA: Jurnal Seni Karawitan Vol 3 No 1 (2023): Maret
Publisher : Pusat Penerbitan LPPMPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/jurnalsenikarawitan.v3i1.401

Abstract

The composer's goal is to realize an idea that is owned by the composer himself through a compositional work based on experimental interests. Rhythm Flower's experimental composition work is a work that focuses on the processing of rhythm, meaning that all the processing that is carried out arises from a rhythm pattern that is used as a reference. Because of this, the composer uses instruments that are classified as rhythmic instruments, namely drums and reongs, as well as the addition of a gong instrument as an affirmation of the size of the rhythm pattern in it. The experiments carried out included processing the workings of patterns, percussion instruments, and how to play instruments. This processing resulted from a creative process borrowed from the concept of Pande Made Sukerta, namely compiling content ideas, compiling ideas, and determining work. The processing is then organized into three different parts, namely parts one, two, and three. These three parts have different impressions and intentions between parts one to part three. Starting from part one which is still processing conventionally, part two which has begun to show experiments on how to play the reversed reong, and part three which focuses on experimenting with the use of drum sticks on drum instruments.
Co-Authors - Saptono I Gede Adi Surya I Made Prayoga Adi Astawa I Putu Restu Krisna Arimbawa