Ayub Prasetyo
Institut Seni Indonesia Yogyakarta, Jl. Parangtritis No.KM.6, RW.5, Glondong, Panggungharjo, Bantul, Daerah Istimewa Yogyakarta-55188

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Eksperimentasi Permasalahan Teknik-teknik pada Cello Concerto No.1 Bagian Pertama “Allegretto” Karya Dmitri Shostakovich Neam Sahiqa Raya; Asep Hidayat; Ayub Prasetyo
INVENSI Vol 6, No 2 (2021): Desember 2021
Publisher : Program Pascasarjana Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/invensi.v6i2.5462

Abstract

ABSTRAK Penguasaan teknik bagi seorang resitalis merupakan suatu keharusan, sesuai dengan tingkat kesulitan teknis yang ingin dicapai. Penulis mengacu pada penandaan teknis oleh pemain cello Mstislav Rostropovich untuk fingering dan bowing dalam repertoar pertama Cello Concerto No. 1 karya Dmitri Shostakovich yang kemudian ditemukan ketidakcocokan dalam preferensi pertimbangan teknis dan membuat penulis ingin mencoba bereksperimen untuk memecahkan masalah kesulitan teknis dalam repertoar tersebut. Technical Problems Experimentation in The Cello Concerto No.1, First Movement "Allegretto" by Dmitri Shostakovich ABSTRACT A recitalist's mastery of technique is a must, according to the level of desired achievements of technical difficulties. The author refers to the technical markings by cellist Mstislav Rostropovich for fingerings and bowings in the first cello concerto No.1 by Dmitri Shostakovich, which later was found discrepancies in the preferences of technical considerations, thus have made the author want to try to solve technical problems in the repertoire in a more personal way.