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IDENTIFIKASI KENYAMANAN TERMAL RUANG PADA RUMAH BETANG ENSAID PANJANG DI KABUPATEN SINTANG Meidycharlos Amos Ondion Situmeang; Tri Wibowo Caesariadi; Uray Fery Andi
JMARS: Jurnal Mosaik Arsitektur Vol 10, No 2 (2022): September
Publisher : Program Studi Arsitektur Fakultas Teknik Universitas Tanjungpura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26418/jmars.v10i2.55797

Traditional architecture is an architectural form that passed down from one generation to the next. Traditional houses are formed through a long time that are responsive to the environment. The traditional houses adapt with the environment to increase their level of comfort and reduce disturbances for a comfortable living. This study aimed to identify the thermal comfort of Betang Ensaid Panjang, which is the traditional Dayak houses in Sintang Regency. Identification of the thermal comfort was done by measuring the influential thermal variables; air temperature, humidity, wind speed, the clothing insulation and the metabolism at Betang Ensaid Panjang. As a building that located in a tropical climate, an analysis of the tropical architecture theories was carried out at Betang Ensaid Panjang. The results of the analysis become the hypothesis that the building applies the principles of humid tropical architecture. Based on PMV and PPD analysis by ASHRAE 55 Standard, it can be identified that the Betang Ensaid Panjang have different levels of thermal comfort in ruai, bilik and tingkak at different times. In the morning it can be identified as slightly cool, in the afternoon and evening, can be identified as slighltly warm and at night, it can be identified as neutral or comfort.

PERANCANGAN GALERI SENI KERAJINAN KABUPATEN SINTANG DENGAN PENDEKATAN NEO-VERNAKULAR Laura Karina; Uray Fery Andi; Tri Wibowo Caesariadi
JMARS: Jurnal Mosaik Arsitektur Vol 10, No 2 (2022): September
Publisher : Program Studi Arsitektur Fakultas Teknik Universitas Tanjungpura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26418/jmars.v10i2.56916

The typical handicrafts of Sintang Regency have been known worldwide and have been registered by UNESCO as an Intangible Cultural Heritage. The handicrafts that are quite famous for being typical handicrafts of Sintang Regency are Dayak Ikat Woven, Bead Embroidery, and Rattan Weaving. The current problem is the lack of adequate facilities for craftsmen in marketing, exhibiting, and introducing handicrafts so that the development of the creative economy is slow. The purpose of designing the Art Craft Gallery is as a place for production, exhibitions, and buying and selling activities for handicrafts typical of Sintang Regency by applying traditional architectural forms through a Neo-Vernacular design approach. The design uses the J.C. Jones, which contains ideas, information, and analysis, synthesis, evaluation, and optimization. Located on Jl. Sintang-Putussibau, Kelam Permai District, Sintang Regency, the design consists of many mass buildings with the main function being the Art Craft Gallery as an exhibition place and the art market as a place for buying and selling, supporting functions in the form of a multipurpose hall, studio workshop, plaza, and cafeteria. Supporting functions accommodate service activities such as prayer rooms, lavatory, and management areas. Through the Neo-Vernacular approach, the main building design refers to the Betang Ensaid Panjang House as a concept of traditionality which is applied through the shape of the building, the provision of Dayak motifs, to the outer and inner layout with a symmetrical pattern such as the Neo-Vernacular design principle.

PANTI ASUHAN ANAK DI KOTA PONTIANAK DENGAN PENDEKATAN DESAIN INKLUSIF Mardiyanto Mardiyanto; Tri Wibowo Caesariadi; Uray Fery Andi
JMARS: Jurnal Mosaik Arsitektur Vol 10, No 2 (2022): September
Publisher : Program Studi Arsitektur Fakultas Teknik Universitas Tanjungpura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26418/jmars.v10i2.57203

Institutions such as orphanages are needed throughout Indonesia for the welfare and protection of children's rights. Pontianak City has the largest population in West Kalimantan Province with the welfare and protection of children's rights cannot be said to be feasible. This design uses an inclusive design approach. Inclusive design is a design approach that focuses on meeting the needs of children both socially and physically, it requires a facility and product for everyone (as users) in general, without physical limitations, age range and gender. The purpose of this design is to design an orphanage that can meet the needs of orphans and children with special needs. The design is carried out using the Design Thinking method, namely by collecting ideas from various literatures to obtain a solution. The results of this design are an orphanage that can accommodate the needs of orphanage children in the form of buildings with rooms arranged in a zoning manner, the shape of the building is made thin to maximize natural lighting and ventilation, the park as an open space for children's social activities, and self-development facilities for children in the form of recreation rooms and hydroponic gardens. The orphanage also uses room facilities with railings, guiding blocks, braille letters, efficient furniture for everyone to use, including for children with disabilities with an inclusive design approach.

GEDUNG PERTUNJUKAN SENI AUDIO VISUAL DI PONTIANAK DENGAN PENDEKATAN FOLDING ARCHITECTURE Amelia Putri Sukmawan; Tri Wibowo Caesariadi; Uray Fery Andi
JMARS: Jurnal Mosaik Arsitektur Vol 10, No 2 (2022): September
Publisher : Program Studi Arsitektur Fakultas Teknik Universitas Tanjungpura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26418/jmars.v10i2.56877

Audio-visual art is an art that combines motion, tone, and visuals that is received by senses of sight and hearing, such as dance, music, and theater. The existence of dance, music, and theater arts in Pontianak is still anticipated by society with more than 1,000 visitors to the Taman Budaya Pontianak per month, but it can’t accomodate people on large capacity. Art makes artist want to express their works through a performance, this triggers the need for a new art building in Pontianak to support art performance activities for artists. The design of the Auditory Visual Art Center in Pontianak is located on Jalan M. Sohor using five stages design methods that contain ideas, information, analysis, synthesis, evaluation, and optimization. The function of the Auditory Visual Art Center in Pontianak is divided into three, namely primary as performances and rehearsals, secondary as commercial and public facilities, and supporting as management. The design implements folding architecture approach which have the same characteristics as art that reflects a form of creativity, flexibility, and dynamics. The result design of Auditory Visual Art Center in Pontianak is consisting one building mass with three section of areas, which called area of artists, performances, and management.

PERANCANGAN MUSEUM KOTA PONTIANAK Humaira Humaira; Uray Fery Andi; Tri Wibowo Caesariadi
JMARS: Jurnal Mosaik Arsitektur Vol 11, No 1 (2023): Maret
Publisher : Program Studi Arsitektur Fakultas Teknik Universitas Tanjungpura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26418/jmars.v11i1.60743

A museum with artistic value and function is a building created to maintain and retell a silent evidence relating to the history of a field, place and nation. This design is intended as an effort to meet the needs of the Pontianak City museum which is also the discourse of the city government in the near future. The design of the Pontianak City Museum was deemed necessary, because as the provincial capital, Pontianak City is a city that has a variety of cultures. Heritage objects that need to be maintained and preserved need a place such as the city museum. The steps taken in designing the Pontianak City Museum were using the 5-step analysis design method by J.C Jones: Idea, Analysis, Synthesis, Evaluation, and Optimization. Data collection techniques in the design of the Pontianak City Museum used primary data obtained from observations and field interviews regarding visiting data and arrangements at the West Kalimantan Provincial Museum as well as secondary additional data collected from books and articles. The result of this design is the building design of the Pontianak City Museum which is included in the landscape of the riverside area with the adaptation of the iconic city monument. Consists of permanent and non-permanent showrooms, auditorium, storage and conservation rooms.

PUSAT PELATIHAN BAHASA UNIVERSITAS TANJUNGPURA Janice Zaneta; Tri Wibowo Caesariadi; Hamdil Khaliesh
JMARS: Jurnal Mosaik Arsitektur Vol 9, No 2 (2021): September
Publisher : Program Studi Arsitektur Fakultas Teknik Universitas Tanjungpura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26418/jmars.v9i2.48666

Mastery of foreign languages is an important skill to compete in the international world in the future. The Language Unit of Universitas Tanjungpura also supports the mastery of foreign languages and has a vision and mission to become a center for international language education and services in West Kalimantan. With the development of Universitas Tanjungpura, Universitas Tanjungpura currently has BLU status, so educational facilities need to provide commercial areas to fulfill this BLU status. Therefore, an Universitas Tanjungpura Language Training Center is needed that can support foreign language learning and there is a commercial area. The design location is located on Daya National Street, Sea Bansir, Southeast Pontianak Subdistrict, Pontianak City, West Kalimantan, with an area of ±11,000 m2. The design uses a comparison method between the results of site observations, existing buildings, literature studies, with training center standards, as well as analyzing internal and external aspects of the site. The basic idea of interior and exterior spatial planning is to support foreign language learning and attract visitors to have activities at the Universitas Tanjungpura Language Training Center. This is realized by designing an educational space that meets the criteria for a training room, a commercial space that has a selling value, and a public zone that is free to be visited by the public. The appeal of the idea of a design building is a triangle which is the hallmark of the Universitas Tanjungpura building form. The building is covered with secondary skin with a typical pattern of the Universitas Tanjungpura.

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