Khothibul Umam
Program Studi Sastra Indonesia, Fakultas Ilmu Budaya, Universitas Diponegoro

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Sebuah Usaha Mencari Kasih Sayang: Kajian Semiotika dan Struktur Narasi Cerpen “Ketika Gerimis Jatuh” Karya Sapardi Djoko Damono Khothibul Umam
Nusa: Jurnal Ilmu Bahasa dan Sastra Vol 13, No 3: Agustus 2018
Publisher : Program Studi Sastra Indonesia, Fakultas Ilmu Budaya, Universitas Diponegoro

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (440.387 KB) | DOI: 10.14710/nusa.13.3.361-369

Abstract

This study aims to examine the short story "Ketika Gerimis Jatuh" by Sapardi Djoko Damono. The method used in this research is by the approach of narrative structure and semiotics. Semiotic study with a focus on syntagmatic and paradigmatic analysis can describe the relationship of Rini, gerimis (drizzle), and his family. With a focus on syntagmatic and paradigmatic analysis can be found criticism of the modern lifestyle of parenting in children.
Sampah dan Ekologi Perkotaan: Telaah Ekokultural pada Naskah Lakon “Bagian-Bagian Hormat (dan) Sampah” Karya Afrizal Malna Khothibul Umam
Nusa: Jurnal Ilmu Bahasa dan Sastra Vol 16, No 3: Agustus 2021
Publisher : Program Studi Sastra Indonesia, Fakultas Ilmu Budaya, Universitas Diponegoro

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/nusa.16.3.209-219

Abstract

This research is a library research with the object of the play script "Bagian-bagian Hormat (dan) Sampah" by Afrizal Malna. This play script contains environmental phenomena, pollution, consumerism and urbanization. This play script uses unconventional forms in the form of presentation. The script is divided into six parts by using an essay in the form of an essay that contains descriptions of the scene that will be demonstrated by the actors and various artistic aspects that appear in the show. The text will be studied with Ecocultural theory. Ecocultural Criticism is a theory used to examine the relationship between literature and the environment. Ecoculture takes the point of view of "the earth as the center" in the approach of literary studies. The results of this study indicate that the Indonesian economy which was built with various kinds of capital and massive foreign investment created industrialization and triggered consumerism. In addition, other problems arise such as pollution and urbanization. The play script "Bagian-bagian Hormat (dan) Sampah" portrays all these phenomena and presents them in the performance text. With an ecocultural study, it can be found a link between the social context that occurs and the text presented in "Bagian-bagian Hormat (dan) Sampah".
Ni Krining, Antara Pengorbanan dan Perlawanan dalam Budaya Patriarki Bali Khothibul Umam
Nusa: Jurnal Ilmu Bahasa dan Sastra Vol 13, No 4: November 2018
Publisher : Program Studi Sastra Indonesia, Fakultas Ilmu Budaya, Universitas Diponegoro

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (434.506 KB) | DOI: 10.14710/nusa.13.4.635-643

Abstract

A literature is a reflection of real world reality. A writer wrote it in a literary work. One of the themes of short stories in Indonesia is the theme of women's resistance in traditional and cultural circles. The short story "The First Night of a Priest" by Gde Aryantha Soethama tries to offer the theme. The main character in the short story is Ni Krining, a Balinese woman from a lower caste who is married to a Brahman caste. The situation makes Ni Krining must accept polygamy. Behind his sacrifice, Ni Krining has resisted the cultural system in his environment and made his existence recognized. This study uses an existentialist feminism study to explore various reasons that make Ni Krining gain recognition in its environment which is dominated by patriarchal culture.
DOR dan Drama Keadilan (Analisis Sosiologi Sastra) Khothibul Umam
Nusa: Jurnal Ilmu Bahasa dan Sastra Vol 14, No 4: November 2019
Publisher : Program Studi Sastra Indonesia, Fakultas Ilmu Budaya, Universitas Diponegoro

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (126.296 KB) | DOI: 10.14710/nusa.14.4.476-485

Abstract

The study of play scripts is one of the rare literary studies. One reason is because the object is very rare. The highly productive Indonesian play script writer is Putu Wijaya. Putu Wijaya wrote many stories with many themes, one of which was titled DOR, which raised social and justice themes. The theory used to analyze DOR is the sociology of literature with the help of psychology and law science through literature study with the method of reading, listening and note taking. In DOR, there are various kinds of character clashes between characters in responding to a case. Justice that tries to be sought in the narrative of this play always collides with various problems, where the premise becomes a kind of reflection on social phenomena that occur in the real world. Even though it was written decades ago, DOR still feels relevant to the condition of society, especially its relation to the world of law enforcement and the search for justice, which is increasingly bleak and unclear. As a work of art, DOR is capable of photographing various kinds of legal world phenomena with all its cross-clashes. The clash of character or character really represents all the complexities of legal problems in Indonesia. Where various interests take part in determining the results of justice seeking.
Gaya Percintaan Remaja dalam Novel Dilan Dia adalah Dilanku Tahun 1991Karya Pidi Baiq: Tinjauan Sosiologi Sastra Shilfina Fauzia; Laura Andri Retno Martini; Khothibul Umam
Nusa: Jurnal Ilmu Bahasa dan Sastra Vol 17, No 3: Agustus 2022
Publisher : Program Studi Sastra Indonesia, Fakultas Ilmu Budaya, Universitas Diponegoro

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/nusa.17.3.271-280

Abstract

The novel Dilan Dia Adalah Dilanku in 1991 by Pidi Baiq contains a distinctive style of expressing different teenage romance. The purpose of this study is to describe the teenage love style in the novel Dilan Dia adalah Dilanku in 1991 by Pidi Baiq. This research is a library research because the object of the research is library materials, namely the 1991 novel Dilan Dia adalah Dilanku. The focus of this research is the 90s teenage romance style of Dilan and Milea characters, in the 1991 novel Dilan Dia adalah Dilanku is a romance genre novel. The theory used is the structural theory of fiction and the theory of love. The theory of love put forward by Erich Froom who has a famous theory, namely The Art of Loving.  The results of this study are the structural elements contained in the 1991 novel Dilan Dia adalah  Dilanku which include; plot and plot, characters and characterizations, setting and court, as well as the style of youth romance contained in the novel Dilan Dia adalah Dilanku 1991 by Pidi Baiq which includes; Attention, responsibility, respect, knowledge. Keywords: Stenberg's Theory of Love, Romance Style, Novel.
Delirium Kekuasaan: Kajian Psikologi Sastra pada Lakon Amangkurat-Amangkurat karya Goenawan Mohamad Khothibul Umam
Nusa: Jurnal Ilmu Bahasa dan Sastra Vol 15, No 1: Februari 2020
Publisher : Program Studi Sastra Indonesia, Fakultas Ilmu Budaya, Universitas Diponegoro

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (438.391 KB) | DOI: 10.14710/nusa.15.1.134-143

Abstract

Humans are very complex creatures. From the process of hundreds of thousands of years, humans can finally overcome their fears, one of which is the fear of loss of power. The theme was very well written by Goenawan Mohamad in his play entitled Amangkurat-Amangkurat. Goenawan Mohamad took part in the history of the power struggle that occurred in the Islamic Mataram Kingdom in the 17th century. This power struggle rests on the Amangkurat figure who is said to have a kind of mental disorder characterized by hallucinations, illusions, and physical anxiety. Therefore, the relevant theory for studying the Amangkurat play is Psychology of Literature theory. The science of psychology itself is specifically the theory used is Karen Horney's Personality Theory regarding Basic Anxiety. The results of this study found that the Amangkurat figure, is a representation of the nature and basis of humans to continuously fight the fear that surrounds themselves. Of the various ways to overcome these fears, there arises extraordinary energy, which makes a human being can remain adaptive and managed to be a survivor in his life.Keywords: Power; fear; amangkurat; acts; psychology. IntisariManusia adalah makhluk yang sangat kompleks. Dari proses ratusan ribu tahun akhirnya manusia bisa mengatasi ketakutan-ketakutannya, salah satunya adalah ketakutan terhadap hilangnya kekuasaan. Tema tersebut dengan sangat bagus ditulis oleh Goenawan Mohamad dalam lakonnya yang berjudul Amangkurat-Amangkurat. Goenawan Mohamad mengambil bagian sejarah dari perebutan kekuasaan yang terjadi pada Kerajaan Mataram Islam di abad ke-17. Perebutan kekuasaan ini bertumpu pada tokoh Amangkurat yang dikisahkan memiliki semacam gangguan mental yang ditandai oleh halusinasi, ilusi, dan kegelisahan fisik. Oleh karena itu, teori yang relevan untuk mengkaji lakon Amangkurat adalah teori Psikologi Sastra. Ilmu bantu psikologi sendiri secara khusus teori yang dipakai adalah Teori Kepribadian Karen Horney perihal Kecemasan Dasar (basic anxiety). Hasil dari penelitian ini menemukan bahwa sosok Amangkurat, adalah representasi dari sifat alami dan dasar manusia untuk terus menerus melawan ketakutan yang menyelimuti diri. Dari berbagai cara mengatasi ketakutan-ketakutan tersebut, muncullah energi yang luar biasa, yang membuat seorang manusia bisa tetap adaptif dan berhasil menjadi penyintas di hidupnya. Kata kunci : Kekuasaan; ketakutan; amangkurat; lakon; psikologi.
DISRUPSI TEKNOLOGI VERSUS ADAPTASI: GELIAT GRUP MUSIK NASIDA RIA DI ERA KIWARI (KAJIAN ARKEOLOGI MEDIA) Khothibul Umam; Laura Andri Retno Martini
Endogami: Jurnal Ilmiah Kajian Antropologi Vol 5, No 2 (2022): Juni
Publisher : Prodi Antropologi Fakultas Ilmu Budaya Universitas Diponegoro

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/endogami.5.2.129-135

Abstract

Technological disruption is a necessity in all fields. With its massive development, technology has succeeded in reformulating the pattern of production, distribution, and consumption of a work of art, and music is no exception. This is what happened to Nasida Ria. Since their establishment in 1975, they have continued to create works without stopping with various adaptations according to the technology of the era. The use of new media such as the internet, social media, and digital music services is really useful to continue to make Nasida Ria relevant in the current era. This study takes the object of Nasida Ria and their adaptation to technological disruption. The method used in this research is descriptive qualitative method. The research data was obtained by studying literature and documents. The documents we examined were various forms of Nasida Ria's digital releases, especially those on the Spotify platform. The analytical method used in this study is to examine the extent to which Nasida Ria adapts in the era of technological disruption to the theory of Media Archeology. The result of her research is that it is proven that Nasida Ria can adapt to technological disruptions that occur in the Indonesian music world.