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All Journal El-HARAKAH : Jurnal Budaya Islam EGALITA Journal of Islamic Architecture
Pudji Pratitis Wismantara
Jurusan Teknik Arsitektur Universitas Islam Negeri Maulana Malik Ibrahim Malang, Indonesia
Arts Humanities Civil Engineering, Building, Construction & Architecture Public Health

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THE DYNAMICS OF THE FORM OF NUSANTARA MOSQUE: ARCHITECTURAL HOMOGENEITY VIS A VIS ARCHITECTURAL HYBRIDITY Wismantara, Pudji Pratitis
Journal of Islamic Architecture Vol 2, No 1 (2012): Journal of Islamic Architecture
Publisher : Department of Architecture, Faculty of Science and Technology, UIN Maliki Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1495.549 KB) | DOI: 10.18860/jia.v2i1.2101

Abstract

There are two points of departure in the design of mosque architecture in Nusantara, namely architectural homogeneity and architectural hybridity. Each provides the legitimacy of the architecture of identity formation. This paper seeks to explore the comparative, the concept of homogeneity and hybridity architecture, with a critical theory approach. The  results of this search is, the concept of architectural homogeneity establishing assumption that certain architectural forms are supposed to represent "universal identity and modernity" of Muslim architecture. Meanwhile, the concept of architectural hybridity to show enrichment architecture identity because of the attempt to combine aspects of the universality of Islam with locality of Nusantara. Both these aspects can be positioned as the two subjects of mutual dialogue in a parallel position. As architecture strategy, the concept of hybridity reflects the effort or ijtihad in interpreting local and universal contextuality in the contemporary conditions that are constantly evolving and open.Keywords: Nusantara mosque, hybridity of architecture, homogeneity of architecture, architecture strategy
THE APPLICATION OF ISLAMIC VALUE AND REGIONALISM IN THE REDESIGN OF ZAINUL HASAN GENGGONG BOARDING SCHOOL IN PROBOLINGGO INDONESIA Rozan, Nur; Setiyowati, Ernaning; Wismantara, Pudji Pratitis
Journal of Islamic Architecture Vol 2, No 3 (2013): Journal of Islamic Architecture
Publisher : Department of Architecture, Faculty of Science and Technology, UIN Maliki Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (278.792 KB) | DOI: 10.18860/jia.v2i3.2460

Abstract

AbstractZainul Hasan Genggong boarding school is an islamic and public school. The school has been existed from many years ago in a lack design. The amount of the room also need to be added. That is why the redesign of this building should be done. The redesign of the school have an objective to improve and develop the education quality. The design theme used in the new design is reinvigorating tradition from Pendhalungan culture. There are some islamic values in Pendhalungan culture and tradition, i.e. Ma’iyyah (togetherness) concept, modest concept, and not  excessive concept. The three islamic concept together with the Pendhalungan culture atmosphere are showed into the whole aspect of the new design, including site, room, and the building form. Keywords:  boarding school, Pendhalungan, reinvigorating tradition  AbstrakPondok pesantren Zainul Hasan Genggong merupakan pendidikan islam yang juga mengajarkan pendidikan umum. Pondok pesantren ini sudah berdiri sejak beberapa tahun yang lalu dengan masih banyak kekurangan desain. Jumlah kamar juga masih perlu ditambah. Karena itulah diperlukan perancangan kembali bangunan ini. perancangan kembali memiliki tujuan untuk meningkatkan dan mengembangkan kualitas pendidikan. Tema rancangan  yang  digunakan  untuk  desain  yang  baru  ini  adalah  reinvigorating  tradition dari  budaya Pendhalungan. Di dalam budaya Pendhalungan terdapat nilai-nilai islam, antara lain konsep Ma’iyyah (kebersamaan), konsep kesederhanaan, dan konsep tidak berlebih-lebihan. Ketiga konsep islam tersebut bersama dengan suasana Pendhalungan ditunjukkan ke dalam seluruh aspek perancangan baru, termasuk ke dalam desain tapak, ruang, dan bentuk bangunan. Kata kunci:  pondok pesantren, Pendhalungan, reinvigorating tradition
POLITIK RUANG GENDER PADA PERMUKIMAN TANEYAN LANJHANG SUMENEP Wismantara, Pudji Pratitis
EGALITA EGALITA (Vol 4, No 2
Publisher : Pusat Studi Gender UIN Maulana Malik Ibrahim Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1978.698 KB) | DOI: 10.18860/egalita.v0i0.1991

Abstract

For centuries, the discourse of knowledge has been built on the experience, expression of thought, and perception of men about the world. While life experience, ideas, thoughts, and the need of space for women are relatively marginalized. This paper was about to reveal ‘symbolic violence’ in the un- derstanding and interpretation of settlement space in the public taneyan lanjhang Sumenep Madura. This violence is male initiated by dictating how to think, act, even how to construct a space for women. With the unfolding of ‘symbolic violence’ in the settlement of this taneyan lanjhang, we must be careful in designing architectural space and try to focus on the design- conscious gender.Keyword: Politik Ruang, Taneyan lanjhang, ’Kekerasan Simbolis’
Spiritual Journey Principles in Javanese House: An Interdisciplinary Reading Pudji Pratitis Wismantara
el Harakah: Jurnal Budaya Islam Vol 13, No 2 (2011): EL HARAKAH
Publisher : UIN Maulana Malik Ibrahim Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (597.111 KB) | DOI: 10.18860/el.v0i0.1889

Abstract

Re-contextualizing effort is begun by formulating basic character then developing of architectural design. The purpose of this paper is to explore and re-contextualize the basic character of traditional Javanese house. This study used visual culture method as a thorough of the architectural form and substance behind it by including inter-disciplinary scientific approach. The first step is tracing equivalence thought expression among traditional Javanese House and other traditional houses in through Indonesian archipelago, such as Aceh, Toraja, and Dayak, by doing trans-cultural readings. Step two, is finding a relationship between traditional Javanese house with non-architectural folklore, for instance the story of Dewa Ruci and serat Jatimurti, by doing trans-structural readings. In the process of study, it is seen that traditional Javanese house is consist of universal characters and Javanese local characters. The structural space on the traditional Javanese house is relevance to the concept of Islamic journey that negating god other than Allah, and travelling towards Allah. The discovery of the thought expression which is the basic character of this traditional Javanese house, at least, can be a starting point in developing an architecture which is suitable for the space context (of Java) and time  context (present). Upaya rekontekstualisasi dimulai dengan merumuskan karakter dasar dan dilanjutkan dengan membangun rancangan arsitekturalnya. Tujuan paper ini adalah untuk mengeksplorasi dan merekontekstualisasi karakter dasar pada Rumah Adat Jawa. Model pengkajiannya menggunakan metode visual culture, sebagai model pembacaan menyeluruh terhadap wujud arsitektur dan substansi di baliknya, dengan menyertakan pendekatan antardisiplin keilmuan. Langkah pertama, melacak kesepadanan ungkapan pemikiran antara Rumah Adat Jawa dengan Arsitektur lain di wilayah Nusantara, seperti Aceh, Toraja, dan Dayak, dengan melakukan pembacaan lintas-kultural. Langkah kedua, mencari korelasi antara Rumah Jawa dengan folklore non-arsitektural, seperti kisah Dewa Ruci dan Serat Jatimurti, dengan melakukan pembacaan lintas-struktural. Dalam proses kajian dapat ditunjukkan bahwa Rumah Adat Jawa memiliki karakter universal Nusantara dan karakter lokal Jawa. Perjenjangan ruang pada Rumah Jawa memiliki keterkaitan dengan konsep perjalanan meniadakan selain Allah, dan perjalanan menuju kepada Allah. Penemuan ungkapan pemikiran, yang merupakan karakter dasar Rumah Jawa ini, setidaknya bisa menjadi landasan pijak dalam mengembangkan arsitektur, yang sesuai dengan konteks ruang (Jawa) dan konteks waktu (kekinian).
Spiritual Journey Principles in Javanese House: An Interdisciplinary Reading Wismantara, Pudji Pratitis
el Harakah: Jurnal Budaya Islam Vol 13, No 2 (2011): EL HARAKAH
Publisher : UIN Maulana Malik Ibrahim Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.18860/el.v0i0.1889

Abstract

Re-contextualizing effort is begun by formulating basic character then developing of architectural design. The purpose of this paper is to explore and re-contextualize the basic character of traditional Javanese house. This study used visual culture method as a thorough of the architectural form and substance behind it by including inter-disciplinary scientific approach. The first step is tracing equivalence thought expression among traditional Javanese House and other traditional houses in through Indonesian archipelago, such as Aceh, Toraja, and Dayak, by doing trans-cultural readings. Step two, is finding a relationship between traditional Javanese house with non-architectural folklore, for instance the story of Dewa Ruci and serat Jatimurti, by doing trans-structural readings. In the process of study, it is seen that traditional Javanese house is consist of universal characters and Javanese local characters. The structural space on the traditional Javanese house is relevance to the concept of Islamic journey that negating god other than Allah, and travelling towards Allah. The discovery of the thought expression which is the basic character of this traditional Javanese house, at least, can be a starting point in developing an architecture which is suitable for the space context (of Java) and time  context (present). Upaya rekontekstualisasi dimulai dengan merumuskan karakter dasar dan dilanjutkan dengan membangun rancangan arsitekturalnya. Tujuan paper ini adalah untuk mengeksplorasi dan merekontekstualisasi karakter dasar pada Rumah Adat Jawa. Model pengkajiannya menggunakan metode visual culture, sebagai model pembacaan menyeluruh terhadap wujud arsitektur dan substansi di baliknya, dengan menyertakan pendekatan antardisiplin keilmuan. Langkah pertama, melacak kesepadanan ungkapan pemikiran antara Rumah Adat Jawa dengan Arsitektur lain di wilayah Nusantara, seperti Aceh, Toraja, dan Dayak, dengan melakukan pembacaan lintas-kultural. Langkah kedua, mencari korelasi antara Rumah Jawa dengan folklore non-arsitektural, seperti kisah Dewa Ruci dan Serat Jatimurti, dengan melakukan pembacaan lintas-struktural. Dalam proses kajian dapat ditunjukkan bahwa Rumah Adat Jawa memiliki karakter universal Nusantara dan karakter lokal Jawa. Perjenjangan ruang pada Rumah Jawa memiliki keterkaitan dengan konsep perjalanan meniadakan selain Allah, dan perjalanan menuju kepada Allah. Penemuan ungkapan pemikiran, yang merupakan karakter dasar Rumah Jawa ini, setidaknya bisa menjadi landasan pijak dalam mengembangkan arsitektur, yang sesuai dengan konteks ruang (Jawa) dan konteks waktu (kekinian).
Co-Authors Ernaning Setiyowati Nur Rozan