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KARAKTERISTIK TANAH LIAT DAN PENGARUHNYA TERHADAP KEBERHASILAN WARNA GLASIR Yustana, Prima
CORAK Volume 1, No.1, Mei 2012
Publisher : CORAK

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This eksperiment attempts to solve common problems faced in ceramic finish, finishing ceramic objects have differences to resolve other matters. Glaze is a type of glass coating that is applied to coat the ceramic objects, this is an interesting layer to be studied, because the success glaze applications in ceramics is influenced by many factors.Applications glaze on ceramic objects have a very high level of difficulty, the difficulty seen in glaze formulas, application techniques, firing temperature, shrinkage of dry matter and the successful achievement of color after glaze the combustion process. This research is to determine whether the clay character has an influence on the success rate of the color will appear. The problem solving method uses the experimental method, this method is considered more appropriate to determine the level of success of an experiment relating to material containing chemical elements. Clay used is a type of stoneware clay has five classes of characters, clay are as follows: 1. Pacitan soil, wet soil has a reddish color, 2. Singkawang soil, wet soil has a whitish colour, 3. Sukabumi is a brightly colored ground, wet floor is a beige, with 4. Sukabumi, the dark ground, wet soil has a dark brown color, 5. Bojonegoro soil, wet soil has a light brown color. color Glaze five characters shall be applied on the surface of clay are: 1. young Greens, 2. Pink, 3. Greenish blue, 4. Brown 5. Dark blue. Character clay is relatively large contribution to the emergence of color glaze in accordance with the wishes or the plan, especially when using a formula based on the glossy glaze. Glaze formula will tend to be stable when there is a combination of stain with a glaze oxide, stable formula can also be found on the matt glaze, because it glaze was close or not transparent. coloring oxides are very sensitive to the character of soil temperature change is cobalt and fe ,experiment that required in advance if the formula contains two types of oxide glaze. Burning with the reduction or oxidation also will give effect to the glaze colors will appear. Keyword: experiment, color glaze, characters clay.

KARAKTERISTIK TANAH LIAT DAN PENGARUHNYA TERHADAP KEBERHASILAN WARNA GLASIR Prima Yustana
Corak : Jurnal Seni Kriya Vol 1, No 1 (2012): MEI 2012
Publisher : Institut Seni Indonesia Yogyakarta

This eksperiment attempts to solve common problems faced in ceramic finish, finishingceramic objects have differences to resolve other matters. Glaze is a type of glass coating thatis applied to coat the ceramic objects, this is an interesting layer to be studied, because thesuccess glaze applications in ceramics is influenced by many factors. Applications glaze onceramic objects have a very high level of difficulty, the difficulty seen in glaze formulas,application techniques, firing temperature, shrinkage of dry matter and the successfulachievement of color after glaze the combustion process. This research is to determine whetherthe clay character has an influence on the success rate of the color will appear. The problemsolving method uses the experimental method, this method is considered more appropriate todetermine the level of success of an experiment relating to material containing chemicalelements.Clay used is a type of stoneware clay has five classes of characters, clay are as follows:1. Pacitan soil, wet soil has a reddish color, 2. Singkawang soil, wet soil has a whitish colour, 3.Sukabumi is a brightly colored ground, wet floor is a beige, with 4. Sukabumi, the dark ground,wet soil has a dark brown color, 5. Bojonegoro soil, wet soil has a light brown color. color Glazefive characters shall be applied on the surface of clay are: 1. young Greens, 2. Pink, 3. Greenishblue, 4. Brown 5. Dark blue.Character clay is relatively large contribution to the emergence of color glaze inaccordance with the wishes or the plan, especially when using a formula based on the glossyglaze. Glaze formula will tend to be stable when there is a combination of stain with a glazeoxide, stable formula can also be found on the matt glaze, because it glaze was close or nottransparent. coloring oxides are very sensitive to the character of soil temperature change iscobalt and fe ,experiment that required in advance if the formula contains two types of oxideglaze. Burning with the reduction or oxidation also will give effect to the glaze colors willappear.Keyword: experiment, color glaze, characters clay.

DESIGN OF LEATHER FRINGE BAG THROUGH THE IMPLEMENTATION OF BALI GRINGSING WOVEN FABRIC Mutiana Pramita sari; Prima Yustana
ARTISTIC : International Journal of Creation and Innovation Vol 2, No 1 (2021)
Publisher : Institut Seni Indonesia Surakarta

Indonesia has an extraordinary wealth of cultural arts, one of which is the Gringsing woven fabric in Bali. The beauty of Gringsing weaving attracts the author to apply it to bag products as an aesthetic element. This design aims to design a women's bag with a fringe model through a combination of Grinsing weaving elements. This design uses the method of creation, namely: exploration, design, and realization stages. In addition, the design also pays attention to the approach to practical functions, themes/styles, ergonomics, and aesthetics. This design resulted in five designs of women's bags with fringe bag models with the application of Gringsing woven fabric, namely fringe tote bags, fringe slingbags, fringe backpacks, fringe handbags, and fringe waist bags. Of the five designs, two designs were realized into women's bag products, namely the fringe sling bag and backpack models. Through the design of creative bags that use motifs on Gringsing woven fabrics, can produce unique and distinctive typical creations that reflect Indonesian culture.

GAJAH DALAM TERAKOTA MAJAPAHIT Prima Yustana
Dewa Ruci: Jurnal Pengkajian dan Penciptaan Seni Vol 7, No 1 (2011)
Publisher : Pascasarjana Institut Seni Indonesia Surakarta

Elephantâ€™s manifestation in the shape of Majapahitâ€™s terracotta more interesting with aesthetic approach. The artifact is an discovery of archeologistsâ€™ in Trowulan which is estimated as a city center of Majapahit Kingdom. Many manifestations of the elephant are interested to be observed. Many findings, so far, will be observed especially from art. To increase the accuracy in the analysis process, data searching is conducted to the relief on Hindu and Buddha temples, so, hopefully, it can be understood the background why the animal appears in the Indonesian art and, especially, why there is also the manifestation of the animal in the shape of terracotta in Trowulan. Elephant manifestation in terracotta is considered to have many functions and symbolical meanings in religion. Terracotta has been known as an ancient human creation. The using of terracotta in Indonesia achieved its triumph in the classic period which was 13â€“15 century A.D., along with the golden age of Majapahit Kingdom. The materials in the research use the basic of aesthetics and iconography sciences because the artifact has art shape structure related to beauty and aesthetics. To find out the functions and the meanings in the relation religious activities, the discussions are focused in terracotta artifact manifested in statue and other things so iconographic science very supports to find out what meaning exist in the elephant manifestation. Elephant, in its shape, is manifested realistic and deformatif. Both manifestations have the background of the belief from Trowulan society in Majapahit period, which had Hindu and Buddha in their religion. In the period, elephant was considered to have symbol of strength, virility and wisdom. Besides that, elephant was also the vehicle of God Indra, named Airavata. Elephant is also the symbol of Budhaâ€™s birth story (Jataka). Elephant was also considered as God, called Shri-gaja. The last, elephant was also considered as a symbol of social status and fertility because elephant was a kingâ€™s pet and was used for war,so only the rich persons were able to have the animal.Keywords: Elephant, Majapahitâ€™s terracotta, function and meaning.

TROWULAN KOTA TERAKOTA Prima Yustana
Ornamen Vol 8, No 1 (2011)
Publisher : Institut Seni Indonesia Surakarta

Geographical conditions of Trowulan are very supportive available raw clay, then logically the findings of artifacts found in the Trowulan madeÂ from raw clay or is often called terracotta. Trowulan has a carrying capacity as a prosperous city and a center of government in antiquity according to archaeologists, also the capital of the kingdom of Majapahit. Many of the findings in the form of artifacts that confirm the existence of Trowulan as a community center, in the form of buildings and objects supporting household activities, such as jars, piggy bank, well, wuwungan, and various sculptures as toys and decorative objects.TrowulanÂ as terracotta city still keeps the mysteries of interest to the scientists or researchers to dig deeper into its existence as a witness to the history of Indonesia. Indonesia trip many people motivated by the existence of the Majapahit kingdom, the kingdom has a tremendous influence on his time, influence includes political, economic and art. Art in many predominantly in the form of Majapahit terracotta objects, terracotta supported by the mention of the many factors that strengthen its presence as a descriptions and evidence contained in the current Trowulan.

Aplikasi Motif Batik Tradisional Surakarta Pada Produk Keramik Dinding Dengan Teknik Glasir Prima Yustana; Nofrijon Sofyan; Veronika Kristanti Putri Laksmi
Ornamen Vol 10, No 1 (2013)
Publisher : Institut Seni Indonesia Surakarta

This research was aimed at creating a new prototype ofdecorative wall ceramic characterized by local cultural character.The proposed work was motivated by the traditional batik characterizedby local style of Surakarta on the decorative wall ceramicby using glaze coloring techniques. An experimental study withseveral stages of material testing, firing, and glazing temperaturesas well as coloring motif with glaze techniques has beenperformed. The successful application of the traditional batik onthe ceramic wall with a glaze technique is expected to contributeprimarily to the creative industries. In addition, this decorativewall ceramic products would be able to support the opportunitiesto create new jobs based on the creative economy, in line withthe government program in addressing the unemployment. Theresulting prototype of decorative ceramic wall is also expected toprovide a solution to overcome local art and cultural identity degradationphenomena. Finally, in particular, the results of this studyare expected to (1) generate the description and identification ofthe problems arising in the process of decorative wall ceramicmaking by using glaze technique, (2) provide a new alternativeproducts, and (3) support the era of the creative industry with thecreation of new products that carry local cultural character andas a solution to the creation of a new field for the unemployment.Keyword: Wall Ceramic, Glazing Teqnique, Traditional Batik Surakarta

Kritik Sosial Dalam Karya Seni Prima Yustana
Ornamen Vol 5, No 1 (2008)
Publisher : Institut Seni Indonesia Surakarta

There are several topics overshadowing an artwork functioning as the means of social critique, perhaps constituting the funny but satire thing, beautiful thing or even the ugly one. All of artworks performed for that purpose will, of course, emerge as something interesting; in addition to that the work assumes a responsibility as the means of evaluating and correcting, however, the more important thing is the meaning of artwork, whether or not the meaning of what attempts to be conveyed by the artist reach the goal and can be understood well so that it will give input into the clumsiness or whether it result in confusion in the interpretation of artwork. This highly depends on each artist individualâ€™ skill and competence in processing idea as well as in manifesting it into his/her work.Keywords: Critique, Art, Communication

AIR MANCUR KERAMIK ( PRODUK INOVATIF TERINSPIRASI BENTUK JAMUR TIRAM ) Prima Yustana
Abdi Seni Vol 6, No 2 (2015)
Publisher : Institut Seni Indonesia Surakarta

This research is aimed to a project of art as a means of developing the ideas that emerged from the oyster mushroom plant forms found in nature and cultivated. The author is very interested in the oyster mushroom because of the umbrella shape so that there appears in the artist mind an idea to visualize the form into another form that can have aesthetic elements and serves as a means maker cool atmosphere with the rush of water falling through the cracks form of oyster mushroom highly artistic in appearance. The process of making is by using the method of exploration, the process of creation, or formation, water pump engine assembly, analysis and presentation of the work. The data is obtained by looking at the existing references either from the literature or retrieve data directly on the object of research in the field. Documentation is done by using a photo camera or scanner tools such reproduction. The artwork is oriented to innovation of existing products in the market with fresh and new ideas from nature into a work that has a function as an ornamentalKeywords: fountain, oyster mushroom, ceramic.

STRATEGI BRANDING PRODUK KERAMIK MOZAIK BERNUANSA LOKAL SEBAGAI ELEMEN ESTETIS DINDING Henri Cholis; prima Yustana
PROSIDING: SENI, TEKNOLOGI, DAN MASYARAKAT No 1 (2016): Seni, Teknologi, dan Masyarakat #1
Publisher : LP2MP3M, INSTITUT SENI INDONESIA SURAKARTA

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Artikel ini merupakan hasil dari penelitian tahun kedua Studi Pembuatan Model Keramik Mozaik Sebagai Elemen Estetis Dinding Bernuansa Lokal yang fokus pada aplikasi keramik mozaik dalam bentuk prototipe dan sekaligus studi strategi brandingnya. Elemen-elemen yang akan diteliti antara lain adalah pembuatan desain kemasan produk keramik mozaik dengan mempertimbangkan 10 prinsip desain produk industri yang baik, yaitu inovatif, fungsi-guna, estetika, mudah dipahami, jujur, uptodate, detil, nyaman di mata, dan ramah lingkungan. Teknik pengumpulan data dalam penelitian ini adalah observasi, studi pustaka, studi referensi dan wawancara mendalam yang terus berkembang sesuai dengan jalannya penelitian. Seluruh data yang diperoleh, dikelompokkan sesuai dengan teknik pengumpulan data dan bidang permasalahan sesuai dengan rumusan penelitian. Data tersebut kemudian dicross check untuk dicari kesamaan-kesamaannya. Hasil kesamaan pernyataan dan temuan lapangan (hasil observasi) tersebut yang kemudian dianggap oleh peneliti sebagai data penelitian yang valid, dan hanya data yang valid inilah yang dianalis dan dikembangkan menjadi kesimpulan oleh peneliti. Simpulan inilah yang menjadi dasar proses penciptaan prototype kemasan dan branding produk. Penelitian ini menghasilkan luaran yang berbentuk artikel ilmiah dalam jurnal nasional, HAKI dari produk seni mozaik, prototype kemasan produk keramik mozaik bermuatan lokal dan beberapa bentuk strategi pemasaran yaitu varian branding (x-banner, brosure).

DAYA HIDUP IDENTITAS LOKAL CANDI CANGKUANG DI KAMPUNG PULO GARUT JAWA BARAT -, Prima Yustana; Sunarmi; Soewarlan, Santoso
Texture: Visual Art and Culture Journal Vol. 7 No. 1 (2024)
Publisher : Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/texture.v7i1.5738

Cangkuang Temple is a very unique temple, its uniqueness is found in several elements contained in the name, form and location of the temple. In discussing this article, it is necessary to use an approach that is by the material object and the existing formal object, the material object is discussed using an aesthetic approach while the formal object uses a source interview approach and sees the relevance of the notion of vitality by Dwi Marianto, this approach is used to look deeper into what potential is contained in Cangkuang Temple, Garut, West Java, tourism potential is the main potential supported by its location on a small islandthatcanonlybeaccessedusingbamboorafts.Theresearchmethodusesadescriptive qualitative method based on the potential existence of three exciting things: temples, tombs or tombstones, and traditional villages. The three elements have a solid connection because untilnowthetraditionalvillageorcommonlycalledKampungPulostillmaintainstheprinciples instilled byits ancestors who are familiarly called Mbah Dalem Arif Muhammad

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