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THE IDENTIFICATION OF CONTRIBUTION OF GOVERNMENT GALLERY IN SUPPORTING INDONESIAN FINE ARTS DEVELOPMENT (CASE STUDY OF INDONESIAN NATIONAL GALLERY MANAGEMENT SYSTEM) Cholis, Henri
Acintya Vol. 1 No. 2 (2009)
Publisher : Institut Seni Indoensia Surakarta

The research examines the existence of Indonesian National Gallery in Jakarta. The Indonesian National Gallery is managed by the government. The focus of the research is in the contribution of Indonesian National Gallery in Indonesian fine arts development, especially in the local fine arts development and to understand strategy or effort of Indonesian National Gallery in managing an organization for fine arts activities and its stake holderâ€™s network. The research also discusses a glance about management problems applied in the National Gallery. The research method, research kind or research model is a qualitative descriptive research, by using phenomenology and curatorial approach which is the management of Indonesian national Gallery and phenomena of the result of the interaction between the subjects involved in the Indonesian National Gallery activities, and understand the situation, the events, and the meaning existed in Indonesian Â National Gallery. Data are collected from interviews, especially person involved in the structure of Indonesian National Gallery organization and several persons related with the existence of the gallery, such as artist and curator. Another data is book taken from Indonesian National Gallery and also the books containing articles about the gallery and the pictures used as the observing technique in this research. Data collecting uses open interview technique (not structured natural interview), direct observation with situation observer, events, and everything related with the events happened in Indonesian National gallery. Data analysis uses cycle analysis related each other which is interactive analysis related with several steps: data collection, data reduction, data presentation and conclusion. Research result: Indonesian National Gallery is able to stand and exist and experience long journey because of the strong efforts from the government officials in the department of education and culture. The facilities and the infrastructures of Indonesian national gallery is quite representative even though the building used is a former school, at first it is not designed to become a gallery. The contribution of Indonesian National Gallery is very wide; it is opened for everyone for education, training, information service, and appreciation purposes. Indonesian National Gallery opens itself for cooperation inter related instances existed in several regions. It also provides place for the person wanting to held exhibition there. National Gallery management is quite good proven by many art activities held in regional, national, and even international level which has been conducted successfully. The collection of fine arts works in Indonesian National gallery is quite many with 1750 fine arts works; some of them are a grant from foreign countries. The existence of chosen curator make Indonesian National Gallery has a good image in Indonesian fine arts. And no less important, Indonesian National gallery always keeps its quality by using selection system for everyone who proposes to make exhibition there, both from the invitation from Indonesian National Gallery and from the proposal proposed by the artist who desire to held exhibition there.Â Key word: Â Gallery , management, contribution.

DESAIN ALTERNATIF SENI PUBLIK DIBANDARA ADI SUMARMO SURAKARTA Cholis, Henri
Acintya Vol. 2 No. 2 (2010)
Publisher : Institut Seni Indoensia Surakarta

Adi Sumarmo airport in Surakarta is an international airport located at Boyolali regency which is close to Surakarta city. The aesthetic aspects and elements of the architecture and interior of the airport as an international one should give a strong impression. The character, style and meaning of the aesthetic elements used to beautify the interior and exterior should be adjusted to the vision and mission of Adisumarmo airport, in this case Angasa Pura I. This research was carried out as an effort to discourse on an alternative design of a publick space. Thatâ€™s why, this research studied the aesthetic elements of a public space and it aimed at providing Angkasa Pura I, Adi Sumarmo airport an alternative design of a public space. The other goal was that Adi Sumarmo airport would look more beautiful with the wisdom of local culture. This research is designed as a research studying the creation of a work of public art in a publick space located at Adi Sumarmo airport. The steps of the research are adjusted to the method for creating a work of art such as (1) an observation on the space form into which the work of art would be placed and the library study on public art and culture which would be an icon of Surakarta. (2) the data analysis and validation which would be used as the base or souce of creation, (3) the designing stage which brings out some alternative designs of a work of publick art which later become the aesthetic elements of the airport and a landmark of Surakarta as a city of culture. The result of this research is an alternative design of public art for the interior of Adi Sumarmo airport (Angkasa Pura I) consisting of a mural, reliefs of stone or brass/ bronze, threedimension statue, and a glass painting. The alternative design of public art for the interior of Adi Sumarmo airport (Angkasa Pura I) is adjusted to the image of the airport, the vision and mission of the airport as well as the aesthetic elements taken from the local culture, Javanese culture. Keywords: public art, publick space, Adi Sumarmo airport, cultural identityÂ

PENCIPTAAN KARYA SENI INSTALASI BERBASIS EKSPERIMEN KREATIF DENGAN MEDIUM GEMBRENG Cholis, Henri
Acintya Vol. 7 No. 2 (2015)
Publisher : Institut Seni Indoensia Surakarta

This research is a study on an installation work of art based on an experimentation exploring newÂ possibilities of the product of gembreng (zinc) handicrafts in Kabangan market, Laweyan, Surakarta.Â The product is used as one of the aesthetic elements of the installation art in a ready made shape or anew one which can be developed using a technique craftsmen in Kabangan market have. This researchÂ aims at studying to create an installation work of art with zinc as the main medium. This research isÂ designed as an explorative developing research. Therefore, it tends to be experimentative to findÂ possible innovation in shape, technique, medium, and material exploration. The data were collectedÂ through in-depth interview and an observation in the zinc industrial centre in Kabangan market,Â Laweyan, Surakarta. The subjects of this research were the craftmen of zinc to find out the techniqueÂ they usually used and the technical achievement which could be explored to create an installationwork of art. The object observed in this research was the product produced and the technique used toÂ create the handicraft in Kabangan market. It is important to do this to find out various possibilities ofÂ developing shapes as an aesthetic element of an installation work of art.To enhance the validity andquality of the work of art in this research, â€œtrial and seeâ€ or the controlled trying out by an adaptiveÂ strategy is used. The data were analyzed using SWOT analysis and the result of the analysis was usedÂ as the principle to make an installation work of art. The idea of shape in this installation work of artis based on Garuda and Jatayu, a kind of birds thought to be sacred in Javanese myth. The stages inÂ creating this work of fine art are as follows: exploration, improvisation, and shaping. The result ofÂ this research is an installation work of art of which the main material is zinc and its shape, colourÂ and ornament originate in Javanese culture.Keywords: Javanese myth, handicraft made of zinc, installation work of art.

MODEL SOUVENIR SEBAGAI PENINGKATAN KUALITAS ESTETIS DAN VARIAN PRODUK PADA SENTRA KERAJINAN GEMBRENG PASAR KABANGAN LAWEYAN SURAKARTA Cholis, Henri; Isnanta, Satriana Didik
Acintya Vol. 10 No. 1 (2018)
Publisher : Institut Seni Indoensia Surakarta

This research entitled â€œSouvenir Models as an Improvement of Aesthetic Quality and Product Variety in Gembreng Crafts Center, PasarKabanganLaweyan Surakartaâ€ in general aimed to improve the quality and product variants in Gembreng Crafts Center, PasarKabanganLaweyan Surakarta, followed by aesthetic product variants that are able to represent the city of Surakarta as an increasing competitiveness in the global market. Â The specific purpose of this research is to develop the competitiveness of gembreng handicraft products with other souvenirs such as batik, wood or metal so as to attract the attention and interest of domestic and foreign tourists and indirectly also increase the income of the craftsmen.This research applied explorative exploratory research method. Therefore, it tends to be experimental; looking for novelty possibilities in the techniques and design of souvenir aesthetic products.Â Data collection techniques undertaken by researchers were observations and in-depth interviews at the gembreng industry center in Pasar Kabangan Laweyan, Surakarta. The subject of this research was the gembreng craftsmen, with the aim of knowing the techniques they use and the techniques that can be explored for new products planned.Â In addition, this study also interviewed some artists and culture bearers in Surakarta to find a visual image that can represent the city of Surakarta as a cultural city. Objects observed in this study were the results of the products that have been produced and the manufacturing techniques of handicraft products.Â It is important to look for various possibilities for the development of the planned product designs. The existing data were validated by data reduction techniques and then they were analyzed. The results of this analysis were the basis for the development of souvenir product designs in the gembreng crafts center, Pasar Laweyan, Surakarta.The results of this development research were in the form of prototype gembreng-based souvenir products with a variety of possible variants, both the form and creativity. It is expected that the visual image of this product can represent the city of Surakarta as a cultural city.Â Keywords: souvenir, gembreng crafts,,SurakartaÂ

Seni Lukis Kaca Cirebon Refleksi Akulturasi Budaya Cholis, Henri
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 1 No. 2 (2009)
Publisher : Institut Seni Indoensia Surakarta

This research was an attempt to find out the existence of the painting style in Cirebon. The decision to choose the topic was based on the aims at having a good knowledge of glass painting for improving the subject of glass painting. Cirebon was chosen as the location for the research because glass painting had been the inseparableÂ part of the cultural history of the city. In the course of time, the glass painting of Cirebon had come up with its unique style or characteristics which deve-loped until the present day. The problem studied in this research was the existence of the painting and glass painting style of Cirebon. The style ofÂ this research is description of a qualitative nature, and the study takes the form of a field study using an aesthetic approach.The results of the research show that the glass painting developing in Cirebon is the result of the cultural acculturation of Arab, China, Java and that the unique style elements Â of fine arts come into existence. The painting objects such asÂ padasanÂ ( a kind of water jar with a spout for ritual cleansing), rain cloud, three fish with one head, macan ali, figures ofÂ wayang, calligraphicÂ wayang,Â sunya ragi,Â Singo BarongÂ are the themes as the reference for the artists of glass painting in Cirebon. However, the younger artists of glass painting develop painting style outside the traditional themes. The glass painting of Cirebon can survive because of the support of the government, the court, the artists, curators, gallery, and market.Â Key words: style, glass painting, Cirebon.

Kajian Seni Lukis Lekra Dengan Pendekatan Fenomena Estetik Cholis, Henri
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 2 No. 1 (2010)
Publisher : Institut Seni Indoensia Surakarta

LEKRA (1950) is a cultural institution established by the PKI. LEKRA brings an artistic concept with the background of party ideology oriented worship Mark, Lenin, and Mao. LEKRA form of art is Socialist Realism, but different with Social Realism that grows in America.Many Indonesian artists who take shelter in LEKRA institutions including: Tarmizi, Affandi, S. Soed-joyono, Henk Ngantung, Hendra Gunawan, Basuki Resobowo, Joko Pekik, also Bumi Tarung studio in Yogyakarta. Situation and political conditions in this country are always changing, bringing art LEKRA find their own fate, in the early turnout revered PKI, which was marginalized in the New Order regime, and now the work of the former painter LEKRA become prey items of art collectors by selling value fantastic and in terms of value of works of art LEKRA a sign of an era of vulgar chaos . Keywords: LEKRA, Art, Ideology. PKI.

Studi Penciptaan Karya Seni Instalasi Berbasis Eksperimen Kreatif Dengan Medium Gembreng Cholis, Henri
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 5 No. 1 (2013)
Publisher : Institut Seni Indoensia Surakarta

This research is a study of the creation of installation art based experimentation byexploring new possibilities to craft products that exist in the market gembreng KabanganLaweyan Surakarta as one of the aesthetic elements of installation art , in the form ofreadymade as well as new forms that can be developed through the technique ofcontrolled by craftsmen gembreng Kabangan Market Surakarta.The object to be observed in this study is the result of the creation of products that havebeen produced and the techniques of making craft products available in the marketKabangan . It is important to seek the possibility of developing various forms as anaesthetic element of the planned installation art .To increase the validity and quality of the work wear means of "trial -and-see " , orcontrolled trial , through an adaptive strategy . Data analysis using the SWOT analysis ,the results of this analysis will be the basis of making art installation .The idea of the shape penciptan installation work is derived from Javanese mythologyassociated with the figure of Garuda, Jatayu bird icon as being the world over , areconsidered sacred creatures . Research result is the creation of a work of installationekperimentatif with gembreng raw materials with a touch of shapes , colors andornaments sourced from Javanese culture .

STUDI PEMBUATAN MODEL KERAMIK MOZAIK SEBAGAI ELEMEN ESTETIS DINDING BERNUANSA LOKAL Cholis, Henri; Yustana, Prima
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 7 No. 2 (2015)
Publisher : Institut Seni Indoensia Surakarta

Seni mozaik sudah berkembang lama, tetapi di Indonesia, seni mozaik ini belum berkembang dan belum ada pengrajin gerabah atau industri keramik yang membuat produk keramik mozaik. Peluang inilah yang ditangkap oleh penulis untuk membuatÂ sebuah model keramik mozaik sebagai pengembangan varian produk kerajinan gerabah dan industri keramik di Indonesia. Dengan model tersebut diharapkan dapat mempermudah masyarakat untuk membuat mozaik sebagai elemen estetik dinding sekaligus untuk penguatan identitas budaya karena bernuansa lokal. Penelitian ini didesain sebagai penelitian eksperimen yang fokus pada 2 bagian. Pertama ujicoba komposisi bahan pencampur tanah liat, pewarnaan keramik dan pembuatan model keramik mozaik yang presisi serta mudah diaplikasikan oleh siapa saja termasuk orang yang tidak punya jiwa seni. Uji coba yang kedua fokus pada eksplorasi visual sebagai desain visual mozaik bernuansa lokal yang bersumber pada wayang beber, seni lukis kaca Cirebon dan ornamen batik.Luaran tahun pertama dari penelitian ini adalah model desain keramik mozaik yang terinspirasi oleh piksel dalam komputer dan seni kristik dalam bentuk buku panduan gambar, warna, ukuran dan tata letak keramik warna. Model ini diharapkan dapat mempermudah setiap orang untuk membuat karya seni mozaik dari keramik di dinding yangÂ didaftarkan HAKI. Luaran kedua penelitian ini adalah prototip bahan keramik mozaik yang terdiri dari kotak â€“ kotak keramik sesuai dengan rancangan desainnya.Â Kata kunci: mozaik, seni, keramik, lokal.Mosaic has developed for a long time but it has not developed well in Indonesia and there is no artisan of earthenware nor ceramics industry producing mosaic of ceramics. This is a good chance the writers have to make a model of mosaic ceramics as the development of a variant product of earthenware handicrafts and ceramics industry in Indonesia. It is hoped that this model can make the society easier to make mosaic as the aesthetic element of a wall as well as to strengthen the cultural identity because the model has local nuance.This research is designed as an experiment focusing on two parts. First, to try out a composition of materials for mixing clay, colouring ceramics, and making a model for mosaic ceramics easily applied by anyone including those who do not have the spirit of art. The second tryout focuses on a visual exploration as a visual design of mosaic with local nuance originating in wayang Beber, Cirebon painting on glass and batik ornaments.The first year output of this research is a model of mosaic ceramics design inspired by pixel in computer and kristikin the form of a book containing guidance to colour, size, and layout of colour ceramics. This model is hoped to be able to make anybody easier to a mosaic work of art from ceramics at the wall and it will be registered to HAKI (Intellectual Property Right). The second output of this research is a prototype of the mosaic ceramic material consisting of ceramic boxes in accordance with the planned design.Â Key wordsÂ Â Â Â Â Â Â : mosaic, art, ceramic, and local

THE IDENTIFICATION OF CONTRIBUTION OF GOVERNMENT GALLERY IN SUPPORTING INDONESIAN FINE ARTS DEVELOPMENT (CASE STUDY OF INDONESIAN NATIONAL GALLERY MANAGEMENT SYSTEM) Cholis, Henri
Acintya Vol. 1 No. 2 (2009)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v1i2.85

The research examines the existence of Indonesian National Gallery in Jakarta. The Indonesian National Gallery is managed by the government. The focus of the research is in the contribution of Indonesian National Gallery in Indonesian fine arts development, especially in the local fine arts development and to understand strategy or effort of Indonesian National Gallery in managing an organization for fine arts activities and its stake holderâ€™s network. The research also discusses a glance about management problems applied in the National Gallery. The research method, research kind or research model is a qualitative descriptive research, by using phenomenology and curatorial approach which is the management of Indonesian national Gallery and phenomena of the result of the interaction between the subjects involved in the Indonesian National Gallery activities, and understand the situation, the events, and the meaning existed in Indonesian Â National Gallery. Data are collected from interviews, especially person involved in the structure of Indonesian National Gallery organization and several persons related with the existence of the gallery, such as artist and curator. Another data is book taken from Indonesian National Gallery and also the books containing articles about the gallery and the pictures used as the observing technique in this research. Data collecting uses open interview technique (not structured natural interview), direct observation with situation observer, events, and everything related with the events happened in Indonesian National gallery. Data analysis uses cycle analysis related each other which is interactive analysis related with several steps: data collection, data reduction, data presentation and conclusion. Research result: Indonesian National Gallery is able to stand and exist and experience long journey because of the strong efforts from the government officials in the department of education and culture. The facilities and the infrastructures of Indonesian national gallery is quite representative even though the building used is a former school, at first it is not designed to become a gallery. The contribution of Indonesian National Gallery is very wide; it is opened for everyone for education, training, information service, and appreciation purposes. Indonesian National Gallery opens itself for cooperation inter related instances existed in several regions. It also provides place for the person wanting to held exhibition there. National Gallery management is quite good proven by many art activities held in regional, national, and even international level which has been conducted successfully. The collection of fine arts works in Indonesian National gallery is quite many with 1750 fine arts works; some of them are a grant from foreign countries. The existence of chosen curator make Indonesian National Gallery has a good image in Indonesian fine arts. And no less important, Indonesian National gallery always keeps its quality by using selection system for everyone who proposes to make exhibition there, both from the invitation from Indonesian National Gallery and from the proposal proposed by the artist who desire to held exhibition there.Â Key word: Â Gallery , management, contribution.

DESAIN ALTERNATIF SENI PUBLIK DIBANDARA ADI SUMARMO SURAKARTA Cholis, Henri
Acintya Vol. 2 No. 2 (2010)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v2i2.153

Adi Sumarmo airport in Surakarta is an international airport located at Boyolali regency which is close to Surakarta city. The aesthetic aspects and elements of the architecture and interior of the airport as an international one should give a strong impression. The character, style and meaning of the aesthetic elements used to beautify the interior and exterior should be adjusted to the vision and mission of Adisumarmo airport, in this case Angasa Pura I. This research was carried out as an effort to discourse on an alternative design of a publick space. Thatâ€™s why, this research studied the aesthetic elements of a public space and it aimed at providing Angkasa Pura I, Adi Sumarmo airport an alternative design of a public space. The other goal was that Adi Sumarmo airport would look more beautiful with the wisdom of local culture. This research is designed as a research studying the creation of a work of public art in a publick space located at Adi Sumarmo airport. The steps of the research are adjusted to the method for creating a work of art such as (1) an observation on the space form into which the work of art would be placed and the library study on public art and culture which would be an icon of Surakarta. (2) the data analysis and validation which would be used as the base or souce of creation, (3) the designing stage which brings out some alternative designs of a work of publick art which later become the aesthetic elements of the airport and a landmark of Surakarta as a city of culture. The result of this research is an alternative design of public art for the interior of Adi Sumarmo airport (Angkasa Pura I) consisting of a mural, reliefs of stone or brass/ bronze, threedimension statue, and a glass painting. The alternative design of public art for the interior of Adi Sumarmo airport (Angkasa Pura I) is adjusted to the image of the airport, the vision and mission of the airport as well as the aesthetic elements taken from the local culture, Javanese culture. Keywords: public art, publick space, Adi Sumarmo airport, cultural identityÂ

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