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All Journal Corak : Jurnal Seni Kriya Texture : Art and Culture Journal Abdi Seni Acintya Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Dewa Ruci : Jurnal Pengkajian dan Penciptaan Seni Ornamen Jurnal Pengkajian dan Penciptaan Seni Kriya PROSIDING: SENI, TEKNOLOGI, DAN MASYARAKAT ARTISTIC : International Journal of Creation and Innovation Sanggitarupa
Prima Yustana
Institut Seni Indonesia Surakarta
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Journal : Ornamen Jurnal Pengkajian dan Penciptaan Seni Kriya

 1 
TROWULAN KOTA TERAKOTA Prima Yustana
Ornamen Vol 8, No 1 (2011)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1176.51 KB) | DOI: 10.33153/ornamen.v8i1.1007

Abstract

Geographical conditions of Trowulan are very supportive available raw clay, then logically the findings of artifacts found in the Trowulan made from raw clay or is often called terracotta. Trowulan has a carrying capacity as a prosperous city and a center of government in antiquity according to archaeologists, also the capital of the kingdom of Majapahit. Many of the findings in the form of artifacts that confirm the existence of Trowulan as a community center, in the form of buildings and objects supporting household activities, such as jars, piggy bank, well, wuwungan, and various sculptures as toys and decorative objects.Trowulan as terracotta city still keeps the mysteries of interest to the scientists or researchers to dig deeper into its existence as a witness to the history of Indonesia. Indonesia trip many people motivated by the existence of the Majapahit kingdom, the kingdom has a tremendous influence on his time, influence includes political, economic and art. Art in many predominantly in the form of Majapahit terracotta objects, terracotta supported by the mention of the many factors that strengthen its presence as a descriptions and evidence contained in the current Trowulan.
Aplikasi Motif Batik Tradisional Surakarta Pada Produk Keramik Dinding Dengan Teknik Glasir Prima Yustana; Nofrijon Sofyan; Veronika Kristanti Putri Laksmi
Ornamen Vol 10, No 1 (2013)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (3023.911 KB) | DOI: 10.33153/ornamen.v10i1.1049

Abstract

This research was aimed at creating a new prototype ofdecorative wall ceramic characterized by local cultural character.The proposed work was motivated by the traditional batik characterizedby local style of Surakarta on the decorative wall ceramicby using glaze coloring techniques. An experimental study withseveral stages of material testing, firing, and glazing temperaturesas well as coloring motif with glaze techniques has beenperformed. The successful application of the traditional batik onthe ceramic wall with a glaze technique is expected to contributeprimarily to the creative industries. In addition, this decorativewall ceramic products would be able to support the opportunitiesto create new jobs based on the creative economy, in line withthe government program in addressing the unemployment. Theresulting prototype of decorative ceramic wall is also expected toprovide a solution to overcome local art and cultural identity degradationphenomena. Finally, in particular, the results of this studyare expected to (1) generate the description and identification ofthe problems arising in the process of decorative wall ceramicmaking by using glaze technique, (2) provide a new alternativeproducts, and (3) support the era of the creative industry with thecreation of new products that carry local cultural character andas a solution to the creation of a new field for the unemployment.Keyword: Wall Ceramic, Glazing Teqnique, Traditional Batik Surakarta
Kritik Sosial Dalam Karya Seni Prima Yustana
Ornamen Vol 5, No 1 (2008)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (660.792 KB) | DOI: 10.33153/ornamen.v5i1.899

Abstract

There are several topics overshadowing an artwork functioning as the means of social critique, perhaps constituting the funny but satire thing, beautiful thing or even the ugly one. All of artworks performed for that purpose will, of course, emerge as something interesting; in addition to that the work assumes a responsibility as the means of evaluating and correcting, however, the more important thing is the meaning of artwork, whether or not the meaning of what attempts to be conveyed by the artist reach the goal and can be understood well so that it will give input into the clumsiness or whether it result in confusion in the interpretation of artwork. This highly depends on each artist individual’ skill and competence in processing idea as well as in manifesting it into his/her work.Keywords: Critique, Art, Communication
Co-Authors Cholis, Henri Fajarena, Yustia Henri Cholis Mutiana Pramita sari Nofrijon Sofyan, Nofrijon sari, Mutiana Pramita Soewarlan, Santoso Sunarmi Veronika Kristanti Putri Laksmi Yustia Fajarena