Alexander Nawangseto Mahendrapati
Fakultas Seni Rupa Dan Desain, Institut Seni Indonesia (ISI) Surakarta

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DESAIN TATA DISPLAY PASAR BUAH SEBAGAI DAYA TARIK WISATA BELANJA DI PASAR GEDHE HARDJONAGORO Ahmad Fajar Ariyanto; Alexander Nawangseto Mahendrapati
PROSIDING: SENI, TEKNOLOGI, DAN MASYARAKAT No 1 (2016): Seni, Teknologi, dan Masyarakat #1
Publisher : LP2MP3M, INSTITUT SENI INDONESIA SURAKARTA

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Abstract

Traditional market in Surakarta is still preserved and being part of economic activity of the society, despite the increasing number of supermarkets. The revitalization of these markets is one of the medium-term development plans of Surakarta because compared to the other sources, traditional markets make the biggest contribution to the local government revenue. One of these markets is the western part of Pasar Gedhe Hardjonagoro whose commodities are fresh fruits. Unfortunately, the rehabilitation and renovation program are only focused on the main building. The inside area where the trade activities between sellers and buyers happen is excluded from the rehabilitation program. Considering Pasar Gedhe as a tourist destination, the needs of market management especially for displaying the product is essential to attract the consumers and tourists. This article is the result of an applied research in interior design about the design of display system of fruit sellers in the western part of Pasar Gedhe Hardjonagoro in Surakarta. This applied research is a qualitative descriptive analysis with case study approach. The work employs functional, ergonomic, thematic, and stylish approaches for the design solution. The result acquired from the interior design research is a zoning which is divided into selling, circulation and service, outdoor zone, and managing the circulation and two-side services, and creating the interior theme. While the result on the display design is the design needs to be able to functionally support the trade activities, easy to maintenance, solid, longlasting, safe, the display system represents the locality, and how the commodities can be an interesting visual attraction. The display system is designed to be an open layout system so that it creates a socio-cultural interaction for the people within the market.
REVITALISASI PASAR TRADISIONAL PUCANG SAWIT SEBAGAI CANGWIT CREATIVE SPACE Indarto Indarto; Alexander Nawangseto Mahendrapati
PROSIDING: SENI, TEKNOLOGI, DAN MASYARAKAT No 2 (2017): Seni, Teknologi, dan Masyarakat #2
Publisher : LP2MP3M, INSTITUT SENI INDONESIA SURAKARTA

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Abstract

Tujuan Penelitian Dosen Pemula ini yaitu: Mengidentifikasi dan memetakan dampak kebijakan DPP Pemkot Surakarta pada revitalisasi Pasar Pucang Sawit menjadi Cangwit Creative Space terhadap pola zonasi ruang dan tata display produk serta pengelolaannya terhadap aktivitas komunitas kreatif serta membuat alternatif desain pola zonasi Cangwit Creative Space dengan aktivitas pasar di lantai satu sebagai satu kesatuan ruang publik kota yang berkonsep pasar kreatif.Metode penelitian yaitu analitik deskriptif, dengan pendekatan fenomenologi.Hasil penelitian menunjukkan bahwa dampak kebijakan dari regulasi DPP Pemkot Surakarta belum bisa sepenuhnya menghidupkan kondisi pasar Pucang Sawit. Munculnya Cangwit Creative Space yang diresmikan tanggal 21 Nopember 2015 sesaat mampu menghidupkan kondisi Pasar Pucang Sawit dan hingga tahun 2017 benar-benar vakum tanpa kegiatan apapapun. Keberlanjutan Cangwit Creative Space akan dihidupkan dengan salah satu alternatif bentuk zonasi ruang yang baru yaitu dengan pembenahan dan penambahan: Zona Pengelola, Zona Co-Working Space , Zona Penjualan dan Display, Zona Pembinaan bagi para pedagang, dan Zona Khusus untuk kepentingan negosiasi bisnis.