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All Journal Texture : Art and Culture Journal Pendhapa PROSIDING: SENI, TEKNOLOGI, DAN MASYARAKAT Jurnal Wanita dan Keluarga
Indarto Indarto
Desain Interior, Fakultas Seni Rupa Dan Desain , Institut Seni Indonesia (ISI) Surakarta
Arts Humanities Civil Engineering, Building, Construction & Architecture Education Environmental Science Law, Crime, Criminology & Criminal Justice Social Sciences

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Form and Meaning of Ornamental Variety Elements in the Interior Style of Batik Kitchen Café and Restaurant in Cirebon Rosiana Rosiana; Indarto Indarto
Pendhapa Vol 12, No 2 (2021)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (2638.008 KB) | DOI: 10.33153/pendhapa.v12i2.4026

Abstract

 Batik Kitchen Café and Restaurant is a culinary-related commercial building in Cirebon. Batik Kitchen Café and Restaurant in Cirebon applies decorative elements in the form of batik to its interior style. The application of decorative elements to the interior style of Batik Kitchen Café and Restaurant is found in the elements that form and fill the space. This study aims to determine the application, decoration, and meaning of the decorations in the interior of Batik Kitchen Café and Restaurant in Cirebon. To answer the problems in the study, the interior design approach the theory of D.K. Ching, and Roland Barthes' approach to meaning. The research was conducted with a qualitative descriptive method. This qualitative research is directed at the real conditions of the research object. The data sources of this research are sources (informants), objects, records, literature, and the internet. The results showed: (1) The application of decorative elements in the form of batik was found in space; lobby area, dining room, and bar area, in the form of space-forming elements; floors, walls, and ceilings, as well as space fillers; tables and chairs, as well as interior accessories. (2) The decorative elements applied to the interior style of Batik Kitchen Café and Restaurant in Cirebon is Nusantara batik motifs which have various meanings. The application of decorative elements to the interior style of the Batik Kitchen Cafe and Restaurant in Cirebon which plays a role in introducing, promoting, and preserving the traditional and cultural values of Cirebon City.  
DESIGNING THE INTERIOR OF CANDI LOKA NGAWI RESTAURANT BY APPLYING THE BATIK JAMUS TEA MOTIF THEME Anam Nur Cahyono; Indarto Indarto
Pendhapa Vol 11, No 1 (2020)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (2214.739 KB) | DOI: 10.33153/pendhapa.v11i1.3602

Abstract

The application of the Jamus Tea motif batik theme in the interior design of Candi Loka Restaurant in Ngawi is an effort to accommodate the needs of visitors to the Jamus Tea Plantation tourism object to enjoy the processed tea. This work aims to create a comfortable interior design of Candi Loka Restaurant and apply a contemporary style. In this work, the theme of the Jamus Tea batik motif is applied through the Kurtz programming method. The result of this work is the interior design of Candi Loka Restaurant, which includes lobby facilities, dining area, teashop, workshop and education area, management office, kitchen, rest area, warehouse, prayer room, and toilet. The results of this work can be a reference for interior designers in designing contemporary interior concepts based on local wisdom
PERENCANAAN INTERIOR INDONESIAN CREATIVE CHARACTER CENTER DI BANDUNG Fiqy Fauzi; Indarto Indarto
Pendhapa Vol 9, No 1 (2018)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (3730.061 KB) | DOI: 10.33153/pendhapa.v9i1.2408

Abstract

ABSTRAKDesain karakter kreatif merupakan salah satu bentuk ilustrasi yang hadir dengan konsep manusia.Banyaknya media aplikasi desain karakter berpotensi untuk membangkitkan, memperkenalkan dan mempromosikan karakter asli Indonesia kepada masyarakat luas.Perencanaan Interior Indonesian Creative Character Centerdi Bandung akan dijadikan sebagai pusat pengembangan karakter kreatif Indonesia dengan sentuhan budaya lokal. Tema perencanaan yang akan diangkat yaitu tokoh superhero Garudaman. Rasa nasionalisme pada karakter Garudaman menjadi alasan utama pemilihan tema tersebut.Tema superhero Garudaman akan dipadukan dengan gaya interior postmodern. Kata kunci: Karakter kreatif, Interior, Garudaman, Postmodern  ABSTRACTCreative character design is a form of illustration that comes with the concept of human. The number of media applications has the potential to generate a character design, introduce and promote the original character of Indonesia to the wider community. Indonesian Interior Planning Creative Character Center in Bandung will serve as a center of creative character development of Indonesia with a touch of local culture. Themes plan that will be raised is the superhero Garudaman. A sense of nationalism in the characters Garudaman the main reason for the selection of the theme. Garudaman superhero theme will be integrated with the postmodern interior style. Keywords: Creative character, Interior, Garudaman, Postmodern
DESAIN SHOW ROOM BAGI PARA PERAJIN ROTAN DS. TRANGSAN, KEC. GATAK, KAB. SUKOHARJO Sumarno Sumarno; Indarto Indarto
Pendhapa Vol 9, No 2 (2018)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (325.865 KB) | DOI: 10.33153/pendhapa.v9i2.2419

Abstract

ABSTRACTThe purpose of this study is to realize the building of a product show room in the center of the Trangsan rattan handicraft industry, Gatak, Sukoharjo through cooperation between various elements. The existence of a show room is to facilitate prospective tourists in looking for rattan handicraft products and increasing the sales of rattan crafters is the purpose of this study. The method used to achieve these results is by planning, designing, building and displaying products in the show room. The collaboration between various parties involved, therefore researchers are more focused on the activities of planning, designing, and monitoring development. The planned location of the construction of the show room is in the Trangsan Village Hall complex. The process of designing data sources is obtained through existing conditions, literature, and informants. Data collection techniques are through interviews, literature review, documentation and Forum Group Discution (FGD). Data analysis is through interactive analysis which includes three components which include data reduction, data presentation (data display) and data validation (verification). The results of the study are in the form of design drawings which include work drawings, perspectives and detailed drawings ... Keywords: displays, products, rattan 
PERANCANGAN INTERIOR HOTEL RESORT PANTAI KLAYAR DI PACITAN Yusuf Kurniawan; Indarto Indarto
Pendhapa Vol 9, No 2 (2018)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (2611.224 KB) | DOI: 10.33153/pendhapa.v9i2.2420

Abstract

ABSTRACTPacitan has a chance is prospective to be developed into tourism industry and tourism to compete with other regions and even abroad. Tourism potential include shore excursions, cave tours, cultural tourism, religious tourism, recreational tourism and travel industry. Pacitan known natural attractions beautiful beaches and charming, one of which is Turkish Klayar, beach has natural charms of the exotic with great views and beautiful natural scenery. Turkish Klayar potential and started to be developed into a tourism destination in Pacitan, because it can make the higher tourist visits, visits of tourist every year the statistics are significant surge. And so we need adequate accommodation such as Hotel Resort considering the number of tourists who come to vacation, this time Klayar Beach travel area there are only a kind of homestay accommodation is still minimal infrastructure facilities. Interior Design Resort Beach Hotel Klayar carries natural style ethnic with ethnic concept for the future should be able to show the identity of Pacitan condensed Javanese cultural traditions that are owned. Featuring designs that are ethnically not display the old-fashioned design, but the design is constantly evolving and is able to keep abreast of the times. Keyword: Interior, Klayar, Pacitan, Design, Resort
PERANCANGAN INTERIOR AULA, RUANG TRANSIT, PERPUSTAKAAN DAN KANTOR MASJID AGUNG AL AQSHA KLATEN Lalang Madyo Prakoso; Indarto Indarto Indarto
Pendhapa Vol 10, No 2 (2019)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (2151.808 KB) | DOI: 10.33153/pendhapa.v10i2.2946

Abstract

Masjid Agung Al Aqsha adalah daya tarik wisatawan karena letaknnya di pinggir Jalan Raya Solo-Yogyakarta, maka perlu perancangan interior yang mencerminkan ciri khas Kabupaten Klaten yaitu mengusung tema Batik Bayat merupakan salah satu produk unggulan Kabupaten Klaten. Mengusung gaya postmodern, mencampurkan dua gaya yaitu modern dengan tradisional. Batik Bayat memiliki ciri khas yaitu menggunakan satu warna dan cenderung coklat tua atau hitam. Batik Bayat mempunyai motif khas yang tidak ada pada daerah industri batik lainnya. Motif batik khas Bayat antara lain latar putih, kambil secukil atau kopi pecah, dan remukan.  Kata Kunci : Masjid, Klaten, Postmodern, Batik Bayat.
DESAIN INTERIOR RUMAH TINGGAL MIKRO SEBAGAI DAMPAK ADAPTASI KEBIASAAN BARU DI MASA NEW NORMAL Ahmad Fajar Ariyanto; Indarto Indarto
Texture:Art and Culture Journal Vol 4, No 2 (2021)
Publisher : Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (807.181 KB) | DOI: 10.33153/texture.v4i2.4225

Abstract

This research takes the title Reprogramming Interior of Micro Houses as the Impact of Adapting New Habits in the New Normal Era. This applied research as an effort to reprogram the interior of residential houses,especially homes with limited land (micro houses) is an urgent verb to be carried out immediately to savethe smallest environment in the community against the dangers of a pandemic and the possibility of further outbreak movements.The problem formulation in applied research is 1) Why is interior reprogramming as a result of changes in human behavior in the new normal era needed to prevent the transmission of Covid 19 in the community? 2) How is interior design thinking reprogramming to find the basic concepts of residential interiors that are in accordance with the adaptation of habits in the new normal era? and 3) How is the interior design of residential houses in the new normal era? The purpose of the research is to find the concept of interior programming as a basis for planning residential interiors that are in accordance with the adaptation of new habits and COVID 19 health protocols in the New Normal era. This applied research is a qualitative research with analytical descriptive with design thinking approach. The designsolving approach uses a functional, ergonomic, technical and Covid 19 health protocol approach that is centered on the user center or users. The results of the research that will be achieved in interior design are: identification of the causes and needs for Reprogramming Interior of Micro Residential Houses as the Impact of Adapting New Habits in the New Normal era.
REVITALISASI PASAR TRADISIONAL PUCANG SAWIT SEBAGAI CANGWIT CREATIVE SPACE Indarto Indarto; Alexander Nawangseto Mahendrapati
PROSIDING: SENI, TEKNOLOGI, DAN MASYARAKAT No 2 (2017): Seni, Teknologi, dan Masyarakat #2
Publisher : LP2MP3M, INSTITUT SENI INDONESIA SURAKARTA

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Abstract

Tujuan Penelitian Dosen Pemula ini yaitu: Mengidentifikasi dan memetakan dampak kebijakan DPP Pemkot Surakarta pada revitalisasi Pasar Pucang Sawit menjadi Cangwit Creative Space terhadap pola zonasi ruang dan tata display produk serta pengelolaannya terhadap aktivitas komunitas kreatif serta membuat alternatif desain pola zonasi Cangwit Creative Space dengan aktivitas pasar di lantai satu sebagai satu kesatuan ruang publik kota yang berkonsep pasar kreatif.Metode penelitian yaitu analitik deskriptif, dengan pendekatan fenomenologi.Hasil penelitian menunjukkan bahwa dampak kebijakan dari regulasi DPP Pemkot Surakarta belum bisa sepenuhnya menghidupkan kondisi pasar Pucang Sawit. Munculnya Cangwit Creative Space yang diresmikan tanggal 21 Nopember 2015 sesaat mampu menghidupkan kondisi Pasar Pucang Sawit dan hingga tahun 2017 benar-benar vakum tanpa kegiatan apapapun. Keberlanjutan Cangwit Creative Space akan dihidupkan dengan salah satu alternatif bentuk zonasi ruang yang baru yaitu dengan pembenahan dan penambahan: Zona Pengelola, Zona Co-Working Space , Zona Penjualan dan Display, Zona Pembinaan bagi para pedagang, dan Zona Khusus untuk kepentingan negosiasi bisnis.
DESAIN SHOW ROOM BAGI PARA PERAJIN ROTAN DS. TRANGSAN, KEC. GATAK, KAB. SUKOHARJO sumarno; Indarto
PROSIDING: SENI, TEKNOLOGI, DAN MASYARAKAT No 1 (2016): Seni, Teknologi, dan Masyarakat #1
Publisher : LP2MP3M, INSTITUT SENI INDONESIA SURAKARTA

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Abstract

Tujuan penelitian ini adalah demi terwujudnya bangunan show roomproduk dilingkungan sentra industri kerajinan rotan Trangsan, Gatak, Sukoharjo melalui kerja sama antar berbagai elemen. Keberadaan show room adalah untuk memudahkan calon wisatawan dalam mencari produk kerajinan rotan dan meningkatkan penjualan para perajin rotan adalah tujuan dari penelitian ini. Metode yang digunakan untuk mencapai hasil tersebut yakni dengan merencana, merancang, membangunan dan mendisplay produk di dalam show room. Adanya kolaborasi antar berbagai pihak terkait, oleh karena itu peneliti lebih menfokuskan pada kegiatan perencanaan, perancangan, dan pengawasan pembangunan. Rencana lokasi pembangunan show room yakni di komplek Balai Desa Trangsan. Proses perancangan sumber data diperoleh melalui kondisi eksisting, literatur, dan informan. Teknik pengumpulan data yakni melalui wawancara, kajian literatur, dokumentasi dan Forum Group Discution (FGD). Analisis data yakni melalui analisis interaktif yangmeliputi tiga komponen yang meliputi reduksi data, sajian data (data display) dan pensahihan data (verifikasi). Hasil penelitian adalah berupa gambar desain yang meliputi gambar kerja, perspektif dan gambar detail.
Batik Stamp Canting as An Interior Material Harmilyanti Sulistyani; Raden Ersnathan Budi Prasetyo; Indaro Indarto
Pendhapa Vol 13, No 2 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/pendhapa.v13i2.4651

Abstract

Batik’s recognition as a world heritage by UNESCO has given a positive impetus to the batik industry. The encouragement, however, has yet to reach the batik canting cap (stamp) home industry, which is a supporting sector of stamped batik. Knowledge and expertise in making canting stamps are difficult to transfer to the next generation because the economic value is not promising. The raw material of the canting stamp, namely copper metal, has unique characteristics. In terms of visual appearance, the canting stamp has an aesthetic value for the interior. An experimental method is used in the research to produce interior material prototypes that are suitable for market conditions. The making of an interior elements model as a prototype reference uses computer programs and tools for design, which are known as computer-aided design (CAD) to reduce costs because it can provide a photorealistic visualization. The outcome is expected to encourage the growth of the canting stamp batik home industry, hence its economic value will increase. The ultimate goal is to increase employment by pushing canting stamp batik quantity production due to the demand for interior materials then will open up opportunities to regenerate the skills to make canting stamp batik.
Co-Authors Ahmad Fajar Ariyanto Ahmad Fajar Ariyanto Ahmad Fajar Ariyanto Alexander Nawangseto Mahendrapati Anam Nur Cahyono Azzahra Taradipa Fiqy Fauzi Harmilyanti Sulistyani Lalang Madyo Prakoso Nur Rahmat Ardi Candra Dwi Atmaja Qohin Hadi Pamungkas Raden Ersnathan Budi Prasetyo Rosiana Rosiana Sumarno Sumarno Yusuf Kurniawan