Rita Kemalasari
Mahasiswa Pasca Sarjana ISI Yogyakarta

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Perancangan Desain Karakter “Buyung dan Upik” Sebagai Upaya Mengajarkan Kesetaraan Gender Untuk Anak Usia Dini Kemalasari, Rita
Journal of Animation and Games Studies Vol 10, No 2 (2024): Oktober 2024
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/jags.v10i2.13745

Abstract

This research aims to design attractive and educational character designs to teach the concept of gender equality to early childhood children. Character design is a pre-production stage in making of films or animated videos, games, comics, illustrated books, and other media as a means of education and information dissemination. Through the designed characters, children are invited to understand that every individual has the same rights and opportunities in every aspect of life, regardless of their gender. This can be taught from the family environment. One example is sharing roles in household chores. This research method uses a creative thinking process based on Wallas' theory, consisting of four stages: preparation, incubation, illumination, and verification. The designed characters are figures of sisters and brothers “Buyung and upik”who have different natures and characters but always share roles and work at home. The results of this study are expected to produce character designs that are not only attractive to early childhood children but also effective in conveying messages about gender equality.
Lukisan Wakidi Dalam Semiotika Kemalasari, Rita
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 3 No. 2 (2011)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1502.183 KB) | DOI: 10.33153/bri.v3i2.319

Abstract

Nature unfold as a teacher maybe this minang proverb is a guidance for a wakidi in creating paintings with a naturalist genre his loving of minagkabau nature led him to remain faithful to paint the beauty of nature till the rest of his life, and in he is being well known as the mooi indie personage. Even though wakidi is not from west sumatera, but as a founding father of tradition, social behavior, and kinship system that belongs to the societies. No wonder there is a lot of researchers who want to explore and critize because his artwork has so much meaning and marks contained threin. By using various approchment as in this writing which is a combination between trichotomy icon, index, symbol and cannotative semiotics. keywords:nature, wakidi painting, semiotic.
Lukisan Wakidi Dalam Semiotika Kemalasari, Rita
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 3 No. 2 (2011)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/bri.v3i2.319

Abstract

Nature unfold as a teacher maybe this minang proverb is a guidance for a wakidi in creating paintings with a naturalist genre his loving of minagkabau nature led him to remain faithful to paint the beauty of nature till the rest of his life, and in he is being well known as the mooi indie personage. Even though wakidi is not from west sumatera, but as a founding father of tradition, social behavior, and kinship system that belongs to the societies. No wonder there is a lot of researchers who want to explore and critize because his artwork has so much meaning and marks contained threin. By using various approchment as in this writing which is a combination between trichotomy icon, index, symbol and cannotative semiotics. keywords:nature, wakidi painting, semiotic.