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All Journal Paramasastra: Jurnal Ilmiah Bahasa Sastra dan Pembelajarannya Jurnal Cakrawala Mandarin
David Vincensius
Universitas Brawijaya
Humanities Education Languange, Linguistic, Communication & Media Library & Information Science Social Sciences

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ONOMATOPE BAHASA MANDARIN DALAM KOMIK Yang Nadia Miranti; David Vincensius
Jurnal Asosiasi Program Studi Mandarin Indonesia (Jurnal APSMI) Vol 5, No 1 (2021): Jurnal Cakrawala Mandarin
Publisher : Asosiasi Program Studi Mandarin Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (233.351 KB) | DOI: 10.36279/apsmi.v5i1.102

Abstract

Sebagai karya sastra bergambar, komik memiliki hubungan yang erat antara seni gambar dan seni berbahasa. Kedua unsur tersebut merupakan satu kesatuan yang saling membangun untuk membentuk komik menjadi sebuah karya yang dapat dinikmati masyarakat. Seni gambar yang indah dan didukung dengan gaya bahasa yang baik, akan mampu menciptakan sebuah cerita komik yang menarik. Gaya berbahasa dalam komik tentunya tidak hanya bentuk baku atau berupa peribahasa, melainkan juga harus mampu menyesuaikan keadaan latar dalam cerita tersebut. Penyesuaian ini salah satunya diwujudkan melalui penerapan onomatope.            Melalui onomatope, pemaknaan sebuah kalimat akan mampu menghidupkan emosi pembaca. Onomatope ada dalam setiap bahasa, termasuk bahasa Mandarin. Penelitian ini akan membahas onomatope dalam tiga komik berbahasa Mandarin, yaitu大雄的大魔镜Dàxióng De Dà Mó Jìng, 长歌行 Zhǎng Gē Xíng, dan 白木兰圆舞曲Bái Mùlán Yuánwǔqǔ. Berdasarkan penelitian ini, ditemukan bahwa onomatope bahasa Mandarin dalam komik, berhasil meningkatkan emosi pembaca dalam mewujudkan kata tiruan dari bunyi suara manusia, binatang, alam, benda, kegiatan sehari-hari dan alat musik. Adanya respon pembaca dari sebuah karya sastra merupakan tanda bahwa karya tersebut telah berhasil dinikmati dan mampu memberikan kesan.
Representasi Feminisme dan Impian Hidup Damai Tiongkok: Studi Tindak Tutur Asertif dan Implikatur Konvensional David Vincensius
Paramasastra : Jurnal Ilmiah Bahasa Sastra dan Pembelajarannya Vol. 10 No. 1 (2023): Vol.10 No.1 Bulan Maret 2023
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/paramasastra.v10n1.p16-32

Abstract

The Chinese government as one of the influential countries for world development also participates in efforts to protect equal women's rights and peace life realization. This was heard in the Chinese government's speech to the United Nations on October 1, 2020. This study aims to discuss the contents of the speech which represents the actions of feminism and dream of peace life by China by applying the theory of assertive speech acts and conventional implicatures to provide new understanding and knowledge related to real social issues developing now. Through this research, it can be seen that in the speech text, there are 3 purposes of assertive speech acts, namely 5 data to state, 4 data to claim, and 1 data to conclude. Each of these objectives has implicatures resulting from document studies supported by speech and news data that are realized in linguistic and social contexts. The stated goals are that China has actively voiced gender equality through the Beijing World Conferences on Women since 1995, is concerned about women's work, the existence of women is very influential in the 21st century, will always fight for women's rights, and long for an equal society. The purpose of the claim is that China claims the existence of women to create peace, oversees the progressive development of the existence of women's rights, guarantees women's protection rights, and that the country is an active country in voicing gender equality. The purpose of the conclusion is that China concludes that Chinese women love their country and are willing to fight for the safety of their people regardless of differences. The results of this study provide a description that China is now a country that struggles to protect women and yearns for a peace life.
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