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All Journal LEKSIKA Cinematology Journal Anthology of Film and Television Studies
Khairun Najmi
Universitas Pendidikan Indonesia
Arts Languange, Linguistic, Communication & Media

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Metaphor Analysis on the Lyric of the Song "Hati-Hati di Jalan” by Tulus Dea Septiani; Khairun Najmi; Putri Maulani Rahmadhita; Siti Nursa’adah; Syarifah Nurul Ma’rifah
Cinematology: Journal Anthology of Film and Television Studies Vol 2, No 2 (2022): June
Publisher : Universitas Pendidikan Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (330.828 KB) | DOI: 10.17509/ftv-upi.v2i2.45506

Abstract

Metaphors are often found and or used in many literary works, one of which is song lyrics. This research was conducted with the aim of deciphering the types of metaphors contained in the lyrics of Tulus's song "Hati-Hati di Jalan". This research is a descriptive qualitative research type because the object of research is not in the form of numbers and is a document content, the object of this research is in the form of a type of expression and metaphorical meaning on the song "Hati-Hati di Jalan".Data collection techniques are by listening and recording techniques. Based on the results of research on the type of metaphorical expression and the meaning of metaphor expressions in the song "Hati-Hati di Jalan'' it can be concluded that (1) Types of metaphors found are 2 anthropomorphic metaphors (anthropomorphic metaphors) and three synesthetic metaphors. (2) The meaning of the metaphorical expression used is generally one line consisting of one meaning, but for related meanings, the data exists in one stanza.The use of this metaphor has been arranged so beautifully and neatly that the song can be enjoyed well and can affect the feelings of its listeners. This study aims to describe the type of metaphorical expression in one of the Sincere songs entitled "Hati-Hati di Jalan", and the metaphorical meaning of the song.
Idiom translation strategies in Netflix subtitle of Habibie and Ainun : A comparative study with DeepSeek-V3.2 Khairun Najmi; Mohamad Zaka Al Farisi; Rinaldi Supriadi
Leksika: Jurnal Bahasa, Sastra dan Pengajarannya Vol. 20 No. 2 (2026)
Publisher : Universitas Muhammadiyah Purwokerto

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30595/lks.v20i2.29671

Abstract

This research aims to analyze idiom translation strategies in the Netflix subtitles of the film Habibie and Ainun and to compare them with the machine translation generated by DeepSeek-V3.2 based on Baker’s (1992) classification. Idioms expressions are one of the most problematic areas in audiovisual translation due to their literalness and cultural embodiment. Descriptive qualitative is used as the research methods in this research with 22 Indonesian idioms classified according to Fernando (1996) to which a comparative analysis was made investigate the use and diffusion of translation strategies, namely idioms of similar meaning and form, idioms of similar meaning but different form, paraphrase, and omission. The results suggest that the paraphrase strategy is also the dominant one across both human and machine translations, reflecting a stronger emphasis on achieving meaning understanding rather than idiomatic form. The strategies of idioms of similar meaning and form and idioms of similar meaning but different form in the TL are tendencies rather than strict rules, and they vary from case to case depending on the existence of idiomatic equivalents in Arabic, while omission is not identified this indicates that the source idiom are preserved for coherence. The results also show that human translators consider the narrative setting and emotional meaning, while machine translation focuses mainly on semantic equivalence. This study offers to Indonesian–Arabic translation studies and demonstrates the effectiveness of AI-based translation systems in controlling contextual and culture-specific idioms.
Co-Authors Dea Septiani Mohamad Zaka Al-Farisi Putri Maulani Rahmadhita Rinaldi Supriadi Siti Nursa’adah Syarifah Nurul Ma’rifah