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All Journal MEDIA KONSERVASI Tonil, Jurnal Kajian Sastra, Teater dan Sinema
sumpeno sumpeno
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Arts Humanities Earth & Planetary Sciences Education

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The Determination of Mangrove Restoration Area using Water Quality and Substrate Parameters Amalo, Luisa Febrina; Putra, Marfian Dwidima; Handayani, Luluk Dwi Wulan; Sumpeno, Sumpeno; Luturmas, Ruben; Suryadi, Suryadi
Media Konservasi Vol. 30 No. 1 (2025): Media Konservasi Vol 30 No 1 January 2025
Publisher : Department of Forest Resources Conservation and Ecotourism - IPB University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29244/medkon.30.1.84

Abstract

Mangrove plants have a substantial impact on ecosystems, both ecologically and economically. Planting mangroves is currently considered an effective method for overcoming the degradation of mangrove forests, particularly in Sebaru Kecil Island, which has limited research. Besides natural forces contributing to the success of mangrove plantations, ecological parameters are also crucial to assessing mangrove restoration areas. The parameters include physical-chemical water quality, plankton and benthos, and substrate quality. This measurement is carried out to evaluate the level of water fertility and soil conditions at the location that will be used for mangrove planting. This research aimed to determine the feasibility of the area for mangrove restoration based on physical, biological, and chemical water quality conditions, and to provide recommendations for planting mangroves suitable for Sebaru Kecil Island based on its substrate condition. The results showed that the physical-chemical parameters of the seawater at the mangrove planting locations met the quality standards, except for nitrate. The condition of plankton and benthos showed a high diversity index, with no dominant species. Based on the substrate results and physical condition of Sebaru Kecil Island, the location is suitable for mangrove planting, and we recommend planting Rhizophora stylosa in the mangrove restoration area.
PROSES KREATIF SUTRADARA RACHMAN SABUR DARI TEATER PAYUNG HITAM BANDUNG Sumpeno, Sumpeno
TONIL: Jurnal Kajian Sastra, Teater dan Sinema Vol 18, No 2: September, 2021
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/tnl.v18i2.5743

Abstract

Abstrak: Rachman Sabur adalah salah seorang sutradara teater dari kelompok Teater Payung Hitam Bandung. Sejak kecil ia sudah mulai suka menonton berbagai pertunjukan seperti sandiwara sunda, tari, wayang dan reog. Proses kreatif Rachman Sabur menyutradarai drama verbal dan teater non verbal mendapat pujian dari berbagai tokoh teater dan mempunyai banyak penonton. Penelitian ini menggunakan pendekatan proses kreatif Graham Wallas yang dikemukakan oleh Irma Damayanti dalam buku Psikologi Seni (2006) yang meliputi Preparation (persiapan), Incubation (pengeraman), Ilumination (ilham, inspirasi), verification (pembuktian atau pengujian). Metode yang digunakan adalah deskritif analisis, dengan teknik pengumpulan data melalui wawancara dengan Rachman Sabur, para pemeran, para pendukung dan pengamat teater dari Bandung. Selain itu juga data diambil dari berbagai ulasan tentang karya-karya penyutradaraannya, ulasan dari surat kabar dan Website dari para pengulas pertunjukan teater yang terpercaya. Dari pendekatan dan metode tersebut akan terurai proses kreatif Rachman Sabur dalam melahirkan karya-karyanya. Kata kunci: Proses Kreatif, Rachman Sabur, Teater Payung Hitam, Graham Wallas Abstract: Rachman Sabur is one of the theater directors of the Bandung Black Payung Theater group. Since childhood, he has started to like watching various performances such as Sundanese plays, dance, wayang and reog. Sabur's creative process in directing verbal dramas and non-verbal theaters has received praise from various theater figures and has a large audience. This study uses the creative process approach of Graham Wallas proposed by Irma Damayanti in the book Psychology of Art (2006) which includes Preparation (preparation), Incubation (incubation), Illumination (inspiration, inspiration), verification (proof or testing). The method used is descriptive analysis, with data collection techniques through interviews with Rachman Sabur, actors, supporters and theater observers from Bandung. In addition, data is also taken from various reviews of his directing works, reviews from newspapers and websites from trusted reviewers of theater performances. From these approaches and methods, Sabur's creative process in producing his works will be unravelled. Keywords: Creative Process, Rachman Sabur, Payung Hitam Theatre, Graham Wallas
Co-Authors Amalo, Luisa Febrina Luluk Dwi Wulan Handayani, Luluk Dwi Wulan Luturmas, Ruben Putra, Marfian Dwidima Suryadi Suryadi