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All Journal Humanus: Jurnal ilmiah Ilmu-ilmu Humaniora Lingua Cultura k@ta Capture : Jurnal Seni Media Rekam Indonesian Journal of Visual Culture, Design, and Cinema (IJVCDC)
Anton Sutandio
School of Interdisciplinary Arts Ohio University
Arts Humanities Education Languange, Linguistic, Communication & Media Social Sciences

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THE CONCEPT OF CHINESE-INDONESIAN-NESS AS SEEN FROM ERNEST PRAKASA’S ROLES IN NGENEST, CEK TOKO SEBELAH, SUSAH SINYAL AND STIP & PENSIL Sutandio, Anton; Angjaya, Sonny
Capture : Jurnal Seni Media Rekam Vol. 11 No. 1 (2019)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v11i1.2665

Abstract

This article discusses four films entitled Ngenest (2015), Cek Toko Sebelah (2016), Susah Sinyal (2017), and Stip & Pensil (2017) in which Ernest Prakasa played a role, in the context of how the four films construct Chinese-Indonesian-ness. In the context of cinema, the appearance of Chinese-Indonesians on the screen during the New Order regime was scarce, and if there is any, the depiction was highly stereotyped. Only after Reform era in the late 1990s that Chinese-Indonesians and their culture began to re-appear on screen. Ernest Prakasa is one of few Chinese-Indonesians who publicly celebrates his Chinese-ness through entertainment platform.  Ethnic identity theory applied on the discussion of the film cinematography and mise-en-scene to show what the films say about the concept of Chinese-Indonesian-ness. The findings show that Prakasa not only celebrates being a Chinese-Indonesian, but he also performs a self-mockery as Chinese-Indonesians by explicitly emphasizing the Chinese-Indonesians stereotypes. He also tries to re-establish inter-ethnic relationship and introduce contemporary Chinese-Indonesian-ness concept through his films.
RESTRAINING THE MOOD FOR LOVE: A SEMIOTIC ANALYSIS OF WONG KAR WAI’S IN THE MOOD FOR LOVE Sutandio, Anton
Capture : Jurnal Seni Media Rekam Vol. 12 No. 1 (2020)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v12i1.3086

Abstract

This article attempts to explore the visual signs in Wong Kar Wai’s In the Mood for Love in the context of how they support and emphasize the topic of restraint through the film’s cinematography and misè-en-scèene. As the theoretical foundation, Peirce’s classification of signs into symbol, icon, and index is chosen in addition to Barthes’ five systems of meanings that are applied to cinema. The visual signs in focus are not limited to objects within the film, but also the characters’ actions as well as the cinematography. The findings show that certain signs are effectively displayed to signify and amplify the idea of restraint. Not only that, some signs evolve into different signs through intentional repetition to further emphasize the aforementioned idea and the arbitrary nature of the signs, and at the same time open the possibilities of different interpretations of the signs within the film. 
THE PORTRAYAL OF THE FEMALE PROTAGONIST IN DARREN ARONOFSKY’S BLACK SWAN USING FREUD’S PSYCHOANALYTIC THEORY OF PERSONALITY AND DEFENSE MECHANISMS Nastiti, Anisa Efani Yulandara; Sutandio, Anton
Capture : Jurnal Seni Media Rekam Vol. 14 No. 2 (2023)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v14i2.4993

Abstract

Black Swan is a psychological horror movie by Darren Aronofsky. This movie tells of a ballerina named Nina Sayers, who desires to be a perfect ballerina. On her way to achieving her desire, Nina experiences psychological problems where she often hallucinates and even hurts herself. It results from Nina’s anxiety that causes her to be afraid that her desire will not be fulfilled. This article aims to examine Nina’s psychological state during the process of achieving her dreams. To reveal the psychological issues experienced by Nina, a characteristic analysis was carried out using Sigmund Freud’s theory of psychoanalysis, the theory of human defense mechanisms, and the cinematographic aspects of this film. The results showed that uncontrolled desires could cause psychological disorders that influence a person’s characteristics.
Co-Authors Apriliani, Erica Indrabhaswara, Kemal Yusuf Nastiti, Anisa Efani Yulandara Sonny Angjaya Sutanto, Marisa Rianti Yudia, Yudia Yusuf Arifin, Yohan