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All Journal Humanus: Jurnal ilmiah Ilmu-ilmu Humaniora IZUMI Lingua Cultura Kiryoku: Jurnal Studi Kejepangan Humaniora Janaru Saja : Jurnal Program Studi Sastra Jepang Jurnal Abdimas Kartika Wijayakusuma
Sutanto, Marisa Rianti
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Arts Humanities Education Languange, Linguistic, Communication & Media Social Sciences Other

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Dinamika Kepribadian Tokoh Arima Kousei dalam Anime Shigatsu wa Kimi no Uso Fellena, Silfia Tassya; Sutanto, Marisa Rianti
Janaru Saja: Jurnal Program Studi Sastra Jepang (Edisi Elektronik) Vol 12 No 2 (2023): November 2023
Publisher : Program Studi Sastra Jepang, Universitas Komputer Indonesia Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34010/js.v12i2.7610

Abstract

Abstrak Orang tua seringkali menggunakan tindakan kekerasan untuk memberikan hukuman kepada anaknya. Hal ini merupakan salah satu permasalahan sosial yang sering terjadi di Jepang. Tindak kekerasan tersebut apabila dibiarkan akan berdampak serius terhadap fisik maupun mental anak, yang terefleksi pada anime Shigatsu wa Kimi no Uso. Penelitian ini menggunakan anime Shigatsu wa Kimi no Uso sebagai sumber data dengan tujuan menganalisis dinamika kepribadian Arima Kousei. Dialog dan peristiwa berkenaan dengan tokoh utama anime ini dianalisis dengan teori psikoanalisis yang berfokus pada dinamika kepribadian. inamika kepribadian berhubungan dengan proses penyaluran energi psikis dan pemenuhan insting meliputi id, ego, dan super ego. Dorongan dari insting dan penyaluran energi psikis menciptakan suatu kecemasan yang menimbulkan konflik, kemudian memicu mekanisme pertahanan ego untuk mengendalikan kecemasan yang ditimbulkan oleh id. Dalam anime ini, Arima Kousei memperlihatkan kecemasan yang digambarkan dengan ketakutan, kebingungan, dan tidak nyaman saat terbayang bayangan ibunya. Hal tersebut menciptakan kecemasan neurosis akibat pernah mendapatkan hukuman semasa kecil. Kata kunci: Anime, Arima Kousei, Dinamika Kepribadian, Psikoanalisis
“Gundala” an Indonesian Superhero Film and Its Influence on Audiences’ National Identity Sutanto, Marisa Rianti; Kosasih, Marcella Melly
Humaniora Vol. 14 No. 3 (2023): Humaniora
Publisher : Bina Nusantara University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21512/humaniora.v14i3.9808

Abstract

The research aimed to find out and prove the impact of the film Gundala on its audience’s sense of national identity. The research was conducted by using the method of audience reception. The target audience of the survey was people who belong to the young adult category called Generation Z. The survey was conducted through the distribution of a seven-question questionnaire, and data were obtained from 53 respondents. The questions were designed according to the expression of four aspects reflected in the film plot: character, accessories, ethnoscape, and community. The results of the questionnaire data are presented through frequency distribution tables, measured according to Likert scale positive statements. Based on the survey results, the Generation Z audience has an awareness of national identity reflected in the film “Gundala”. The results of the qualitative analysis of the questionnaire data show that the film “Gundala” has a minor but discernible impact on the audience’s sense of national identity.
Audience Interpretation of the Film “Kamisama Wa Bali Ni Iru” Concerning Religiosity, Gender, and Economic Codes Sutanto, Marisa Rianti; Kosasih, Marcella Melly
Lingua Cultura Vol. 18 No. 1 (2024): Lingua Cultura
Publisher : Bina Nusantara University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21512/lc.v18i1.11432

Abstract

The research aimed to interpret the film “Kamisama wa Bali ni Iru” according to the audience’s perception of whether the Bali expressed in the film reflects Balinese ethnic identity. “Kamisama wa Bali ni Iru” is a film by a Japanese director released in 2015 in the comedy-drama genre. The film was set almost entirely in Bali, which was the space where the events took place. Through a review of the narrative of “Kamisama wa Bali ni Iru” on the diegetic aspect, three things were dominantly reflected in the events of the film in the Balinese space, namely religiosity, gender, and the economy of society. By referring to the audience reception method, the audience who acted as the giver of meaning to the film text were nine young adults of Balinese ethnicity. Audience interpretation was understood through interviews, with questions set through the codes that appeared in the film’s scenes, namely the codes of religiosity, gender, and the economy of society. The interviews with the nine viewers were a reproduction of meaning into a new text, and the results of the viewers’ answers were categorized according to three positions: dominant, negotiated, and oppositional. The results show that the film tends to cause misperceptions of Balinese ethnic identity according to the codes of religiosity and economy. However, the audience affirms the gender code in this film as a representation of Balinese society. The novelty of the research is that it proves that the movie “Kamisama wa Bali ni Iru” can be a medium to introduce Bali, although it needs to be supported by explanations to avoid misperceptions regarding codes of religiosity and economy. 
Eksistensialisme Himura Kenshin dalam Serial Rurouni Kenshin Barimbing, Theresa Laurenzi; Sutanto, Marisa Rianti; Lewerissa, Ethel Deborah
KIRYOKU Vol 8, No 2 (2024): Kiryoku: Jurnal Studi Kejepangan
Publisher : Vocational College of Diponegoro University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/kiryoku.v8i2.419-434

Abstract

This article aims to analyze the process of Himura Kenshin as the main character to achieve his existence by referring to Heidegger's theory of existentialism in Keishi Otomo’s Rurouni Kenshin film series. Rurouni Kenshin film series tells the life journey of Hitokiri Battosai, a samurai who worked as a government assassin, but decided to become a wanderer and stop killing in the Meiji era. The method used in this research is qualitative content analysis method. According to Heidegger, human (dasein) achieves their existence after going through three stages, namely moodness, fallenness, and sorge. The moodness stage guides Kenshin in making decisions to achieve his desired state in the world. The stage of fallenness allows Kenshin to understand himself and realize his existence. The stage of sorge, which is defined as 'care', involves anxiety about future possibilities as well as the urge to care for the world. Kenshin, as a human being, desires to exist and find his identity to harmonize with the world around him. Kenshin feels responsible for his past sins and decides to atone for them by helping others. After passing through all these stages, Kenshin achieves self-existence by being recognized as Himura Kenshin.
Ecological Metaphor in Shinkai Makoto’s Animated Film Tenki No Ko Sutanto, Marisa Rianti; Indrabhaswara, Kemal Yusuf; Sutandio, Anton
Humanus Vol 22, No 1 (2023)
Publisher : Pusat Kajian Humaniora FBS Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/humanus.v22i1.117183

Abstract

This paper discusses a 2019 animated film entitled Tenki no Ko by Shinkai Makoto. This film is Shinkai’s most commercially successful work. Like other Shinkai’s works, Tenki no Ko talks about a romantic story between two teenage characters. The film is not only a work of fantasy or romance, but it also brings up natural elements that are expressed in the plot. Not only do the natural elements expressed in the film send the message of global warming, but they also show the reality of human life. Therefore, the analysis will be carried out with an epistemological method to prove the truth of the reality of life that the film expresses. The explanatory element applied to the object is a metaphorical expression of the scenes with reference to the multimodal metaphor theory through an ecological perspective. The analysis aims to trace ecological metaphorical expressions in the film. The findings show that the dominant metaphorical expression is “human life is like the weather” which can be called an ecological metaphor in connection with the ecological relationship between the human characters and their environment.
Pemaknaan Representasi Laut dalam Anime Shiroi Suna no Akuatōpu Yusup, Restu Maulana; Sutanto, Marisa Rianti; Lewerissa, Ethel Deborah; Nangoi, Jessica Priscilla
IZUMI Vol 14, No 1 (2025): June
Publisher : Universitas Diponegoro

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/izumi.14.1.99-110

Abstract

In Japan, which is an island nation, the sea is important. The sea is also considered an element rich in meaning and full of mystery. This can be reflected in works of fiction, including anime. This study aims to analyse how the anime Shiroi Suna no Akuatōpu presents the sea through Japanese cultural beliefs and values that are closely related to the existence of kami (nature spirits in Japanese belief) using Roland Barthes' semiotics method. In Barthes' analysis, anime, like movies, are treated as texts that can be read and interpreted. Text or images are a system of signs that serve to shape meaning. The representation of the sea is examined through story elements and characterizations based on semiotic analysis involving signifier, signified, denotation, connotation. The sea in the anime Shiroi Suna no Akuatōpu functions as an important signifier that symbolizes the emotional journey of the two main characters, Kukuru and Fūka. Ultimately, the sea represents a myth realized through the spiritual experiences of the characters and the story. This research emphasizes the importance of the sea reflected through Japanese popular culture as a symbol of change and the relationship between humans and nature.
“Kinō Nani Tabeta?” Defying the Complexity of Love in Romantic Relationships Sutanto, Marisa Rianti; Lewerissa, Ethel Deborah; Nangoi, Jessica Priscilla
Lingua Cultura Vol. 19 No. 1 (2025): Lingua Cultura (In Press)
Publisher : Bina Nusantara University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21512/lc.v19i1.13192

Abstract

This research aims to understand the concept of love represented in the Japanese movie “Kinō Nani Tabeta?” The movie, released in 2021, tells the story of a middle-aged homosexual couple in Tokyo, Shiro and Kenji, who are the main characters of the movie. This movie was chosen as an object of analysis because, unlike love relationships, which are typically recognized as romantic relationships between individuals of opposite sexes, the love relationships of the main characters are between individuals of the same sex. The method used in this research is phenomenology, which looks at the movie as a subject; as a world that is experienced by the viewer. In the world of “Kinō Nani Tabeta?”, love is a philosophical insight that is contemplated when the viewer is in the world of the movie. Love in “Kinō Nani Tabeta?” can be interpreted through the approaches of Irigaray and Bell Hooks, who understand love in terms of the existence of difference and the awareness of mutuality. The love expressed in this film is a relationship that transcends gender and fosters a familial bond, one based not only on biological ties but also on a commitment that prioritizes equality. “Kinō Nani Tabeta?” shows that the love of homosexual couples is also a love that is the basis of a familial relationship that is not limited to biological ties.
Peningkatan Kinerja Tim Penggerak Pembinaan Kesejahteraan Keluarga dan Usaha Mikro, Kecil, dan Menengah Kelurahan Sukawarna, Bandung Wirawan, Christina; Hermawan, Melina; Santoso, Christina; Victoria, Indah; Gantini, Tiur; Sutanto, Marisa Rianti; Setiawan, Ivonne Averina
Jurnal Abdimas Kartika Wijayakusuma Vol 4 No 2 (2023): Jurnal Abdimas Kartika Wijayakusuma
Publisher : LPPM Universitas Jenderal Achmad Yani

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26874/jakw.v4i2.311

Abstract

Peningkatan kinerja diharapkan oleh tiap organisasi untuk dapat mencapai tujuan organisasi dengan lebih efisien dan efektif. Tim penggerak Pembinaan Kesejahteraan Keluarga (PKK) dan pelaku usaha mikro, kecil, dan menengah (UMKM) di Kelurahan Sukawarna, Bandung berusaha untuk meningkatkan kinerjanya. Pelaksanaan pengabdian kepada masyarakat (PKM) ini menggunakan metode Community-Based Research untuk membantu PKK dan UMKM untuk meningkatkan kinerja. Berdasarkan teori dan sintesis, kerja tim, kepemimpinan diri yang terdiri dari adversity quotient dan manajemen waktu mempengaruhi kinerja. Kegiatan PKM ini berupa pelatihan tentang adversity quotient, manajemen waktu, dan kerja tim untuk tim penggerak PKK dan pelaku UMKM. Pelatihan juga ditambah dengan narasumber dari luar negeri yang memberikan wawasan tentang kepemimpinan di era digital. Hasil dari PKM ini menunjukkan bahwa peserta pelatihan sudah memiliki pengetahuan dan pengertian mengenai adversity quotient, manajemen waktu, dan kerja tim, dan mendapatkan bekal untuk menerapkannya sehingga bisa meningkatkan kinerja di tempat masing-masing.
Co-Authors Anton Sutandio Barimbing, Theresa Laurenzi Christina Wirawan Fellena, Silfia Tassya Indrabhaswara, Kemal Yusuf Kosasih, Marcella Melly Lewerissa, Ethel Deborah Melina Hermawan Nangoi, Jessica Priscilla Santoso, Christina Setiawan, Ivonne Averina Tiur Gantini Victoria, Indah Yusup, Restu Maulana