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All Journal E-Journal Of Cultural Studies Jurnal Berkala Ilmu Perpustakaan dan Informasi Jurnal Penelitian Agama Hindu Sphatika: Jurnal Teologi
I Ketut Gede Harsana, I Ketut Gede
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Religion Arts Humanities Education Library & Information Science

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RELIGIOUS PRACTICE PERFORMED BY THE HINDUS AT SENDURO VILLAGE, LUMAJANG, EAST JAVA Harsana, I Ketut Gede; Parimartha, I Gde Parimartha; Ardika, I Wayan Ardika; Suastika, I Made Suastika
E-Journal of Cultural Studies Vol 8 No 1 (2015): Volume 8, Number 1, Februari 2015
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

The religious practice performed by the Hindus at Senduro Village cannot be separated from the context of the relationship between the dominant culture of the Bali Hindus and the subculture of the Hindus at Senduro Village. The Bali Hindus who are stronger culturally, economically and symbolically affect the religious practice performed by the Hindus at Senduro Village in regard to their tatwa (philosophy), acara (ritual) and organization. The problems formulated in this article are as follows: the forms, the contributing factors, and the meaning of the religious practice performed by the Hindus at Senduro Village. The qualitative method was used to obtain the data needed in the present study. The theories used are the theory of practice, the theory of subaltern, the theory of semiotics, and the theory of identity. Before the temple was constructed the Hindus at Senduro Village was classified as the followers of what is referred to as Kejawen. The reason was that their religious practice was highly specific and different from the religious practices performed by the Hindus in the other areas. After the Mandara Giri Semeru Agung Temple was constructed, the Hindus at Senduro Village were affected by the Balinese in the way in which they perform their religious practice. Such an impact could be observed from the aspect of their tattwa (philosophy), the aspect of their religious ritual, and the aspect of their religious organization.
Tradisi Siat Sambuk di Banjar Pohgending Desa Pitra Ditinjau Dari Nilai-Nilai Pendidikan Agama Hindu Harsana, I Ketut Gede
Jurnal Penelitian Agama Hindu Vol 9 No 2 (2025)
Publisher : Jayapangus Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37329/jpah.v9i2.3670

Abstract

This research aims to analyze the values ​​of Hindu religious education contained in the siat sambuk tradition in Banjar Pohgending, Pitra Village, Penebel District, Tabanan Regency, Bali, as well as its contribution to cultural preservation and development of the spiritual character of the community. The siat sambuk tradition, which is held every Pengerupukan Day before Nyepi, involves young people in a symbolic "war" using burnt coconut shells, aimed at neutralizing negative energy and maintaining eternal harmony. With a qualitative descriptive approach, this research collected data through observation, semi-structured interviews, and documentation studies, analyzed using the Miles and Huberman model. The research results show that this tradition is rich in the values ​​of Tattwa (philosophy of truth and belief in God), Susila (ethics and controlling emotions such as anger), and Ceremonies (purification rituals through offerings and processions such as Melasti and Tawur Agung Kesanga). This tradition is not only a cultural heritage, but also an effective educational medium that strengthens Balinese Hindu identity, trains discipline, respects ancestors and social togetherness. This study fills the void of previous academic studies with a special focus on the value of Hindu religious education in the siat sambuk tradition, while encouraging the preservation of local culture through the involvement of the younger generation. Thus, this tradition contributes to the formation of character, morality and spirituality, as well as maintaining the continuity of Balinese cultural identity in the context of modern life.
The analysis of librarian digital literacy of universities in Bali Haryanti, Ni Putu Premierita; Suhartika, I Putu; Harsana, I Ketut Gede
Berkala Ilmu Perpustakaan dan Informasi Vol 21 No 1 (2025): June
Publisher : Perpustakaan Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/bip.v21i1.12014

Abstract

Introduction. This research focuses on the digital literacy of public university librarians in Bali. Digital literacy skills are really needed by librarians to improve the quality of services, especially in the development of information technology. Data Collection Methods. The method in this research is descriptive quantitative. The population and sample used in this research were all 61 State University Librarians in Bali. The sampling technique used was total sampling. Data collection was carried out through questionnaires, observations and interviews Data Analysis. This research uses multiple linear regression analysis using the Statistical Package of Social Science (SPSS) version 25 program. Results and Discussion. The research results show that the digital literacy of state university librarians in Bali is quite good. However, librarians need to improve their abilities in terms of creating the latest news and understanding contained in websites or library sites. Conclusion. Digital literacy has an influence on the competence of state university librarians in Bali. In this regard, librarians need to actively participate in training and seminars on digital literacy and be open to developing information technology. The implication of this research for the library sector is to help librarians evaluate the quality of digital literacy in higher education.
Komodifikasi Tari Sanghyang Dedari di Desa Bona, Kecamatan Blahbatuh, Kabupaten Gianyar, Provinsi Bali Harsana, I Ketut Gede; Mancapara, I Gede Pasek
Sphatika: Jurnal Teologi Vol 14 No 2 (2023)
Publisher : Universitas Hindu Negeri I Gusti Bagus Sugriwa Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25078/sphatika.v14i2.2990

Abstract

Abstract This article examines and analyzes the Sanghyang Dedari Dance which has experienced commodification in Bona Village. As one of the sacred arts performed in a state of trance, at first the Sanghyang Dance was performed only for spiritual purposes, but now the Sanghyang Dance has experienced commodification in the era of globalization in line with the development of tourism and science and technology. The method used in this study is qualitative with a phenomenology approach. The results showed that the Sanghyang Dance in Bona Village was only the Sanghyang Dedari dance, this dance is still performed regularly from the past until now only at the Bona Village Temple, apart from that as a tourism need the Sanghyang dance is also staged in hotels as a dance performance. reconstructed with the presence of additional elements such as accompaniment of Kecak. Broadly speaking, there are similarities and differences in the Sanghyang dance as a sacred dance and as a performance dance. The similarities are that the dancers are selected according to the criteria of being pure and the clothes used are the same, while the difference lies in the preparation process until the dance is performed, the instruments used, the duration and the accompaniment. Keywords: Reconstruction, Sanghyang Dedari Dance, Commodification.
Co-Authors I Gde Parimartha Parimartha, I Gde Parimartha I Made Suastika I Putu Suhartika I Wayan Ardika Mancapara, I Gede Pasek Ni Putu Premierita Haryanti