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All Journal Sanjiwani: Jurnal Filsafat Sphatika: Jurnal Teologi
Mancapara, I Gede Pasek
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Religion Humanities Social Sciences

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PENERAPAN FILSAFAT TRI HITA KARANA DALAM PEMANFAATAN LIMBAH ORGANIK UNTUK AKUAKULTUR BERKELANJUTAN DI DESA TUWED Mancapara, I Gede Pasek; Ishana, Ida Ayu Ngurah Deepika
Sanjiwani: Jurnal Filsafat Vol 16 No 1 (2025)
Publisher : Universitas Hindu Negeri I Gusti Bagus Sugriwa Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25078/sjf.v16i1.5565

Abstract

The community of Tuwed Village in Jembrana Regency is predominantly engaged in freshwater fish farming. High feed costs remain a major challenge for fish farmers. To address this, the community, in collaboration with the village government, developed charoen, an alternative feed made from organic waste of infertile eggs. This initiative reflects the Tri Hita Karana philosophy, which emphasizes harmony among humans, the environment, and the divine through religious practices, local fermentation technology, and traditional social structures. This study adopts a qualitative case study approach, grounded in community participation theory and cultural ecology, to examine the integration of local wisdom into sustainable aquaculture. The findings reveal a systemic synergy between the government, community, and the Tri Hita Karana philosophy, resulting in an efficient and culturally rooted aquaculture model. This model not only improves economic welfare but also supports environmental preservation and the continuity of cultural values, with potential for application in other regions.
Komodifikasi Tari Sanghyang Dedari di Desa Bona, Kecamatan Blahbatuh, Kabupaten Gianyar, Provinsi Bali Harsana, I Ketut Gede; Mancapara, I Gede Pasek
Sphatika: Jurnal Teologi Vol 14 No 2 (2023)
Publisher : Universitas Hindu Negeri I Gusti Bagus Sugriwa Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25078/sphatika.v14i2.2990

Abstract

Abstract This article examines and analyzes the Sanghyang Dedari Dance which has experienced commodification in Bona Village. As one of the sacred arts performed in a state of trance, at first the Sanghyang Dance was performed only for spiritual purposes, but now the Sanghyang Dance has experienced commodification in the era of globalization in line with the development of tourism and science and technology. The method used in this study is qualitative with a phenomenology approach. The results showed that the Sanghyang Dance in Bona Village was only the Sanghyang Dedari dance, this dance is still performed regularly from the past until now only at the Bona Village Temple, apart from that as a tourism need the Sanghyang dance is also staged in hotels as a dance performance. reconstructed with the presence of additional elements such as accompaniment of Kecak. Broadly speaking, there are similarities and differences in the Sanghyang dance as a sacred dance and as a performance dance. The similarities are that the dancers are selected according to the criteria of being pure and the clothes used are the same, while the difference lies in the preparation process until the dance is performed, the instruments used, the duration and the accompaniment. Keywords: Reconstruction, Sanghyang Dedari Dance, Commodification.
Co-Authors I Ketut Gede Harsana, I Ketut Gede Ishana, Ida Ayu Ngurah Deepika