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Rita Istari
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Earth & Planetary Sciences Social Sciences

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Sekilas Tentang Manik-Manik Kemiling, Punggunghardjo, Lampung Tengah Rita Istari
Berkala Arkeologi Vol 16 No 1 (1996)
Publisher : Balai Arkeologi Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1541.136 KB) | DOI: 10.30883/jba.v16i1.743

Abstract

In this paper, the study will focus on the presence of beads, particularly those found in one of the mounds of land in Dukuh Kemiling, Punggungharjo Village. The number of bead finds and bead candidates on this site is interesting to study, in addition, bricks with the date 1325 AD were also found. The data found at the Kemiling site are very interesting because they are the first findings in Indonesia based on the number of beads and context which is thought to be a sacred place in the past. In this regard, this study is intended to reconstruct the role and function of beads, that these remains are not only used as grave provisions or for aesthetic purposes, but also related to the function of rituals.
Media Komunikasi Tradisional Pada Masyarakat Jawa Rita Istari
Berkala Arkeologi Vol 21 No 2 (2001)
Publisher : Balai Arkeologi Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (748.978 KB) | DOI: 10.30883/jba.v21i2.840

Abstract

Bangsa Indonesia pada umumnya dan orang Jawa pada khususnya telah mempunyai berbagai macam kemampuan sebagai kerangka acuan pemikiran orang Jawa yang berlangsung secara turun temurun. Dengan demikian berbagai macam kemampuan yang ada sekarang sebenarnya hanya merupakan produk "local genius" masa lampau. Orang Jawa sejak jaman dahulu selalu menekankan adanya kaitan antara masa lampau, masa sekarang dan masa yang akan datang.
Pelaksanaan Upacara Ritual Dalam Tantrayana Rita Istari
Berkala Arkeologi Vol 22 No 1 (2002)
Publisher : Balai Arkeologi Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (809.045 KB) | DOI: 10.30883/jba.v22i1.848

Abstract

Salah satu ciri khas kebudayaan di Indonesia, adalah timbulnya proses pembauran atau sintesis antara unsur-unsur tradisi se tempat dengan kebudayaan yang datang dari India. Begitu pula sebaliknya, aliran Tantrayana di Indonesia banyak mendapat pengaruh kebudayaan lokal atau kebudayaan setempat. Kelangsungan aliran Tantrayana sampai sekarang secara samar dapat dijumpai dalam bidang kesenian dan adat istiadat. Sebagai contoh: dalam kesenian Bali, dikenal cerita Calon Arang, Rangdha dan Sarong yang berhubungan dengan ilmu sihir, demikian pula dalam tari-tarian yang memabukkan (Jawa: Tayuban). Sedangkan dalam adat istiadat, dijumpai adanya upacara korban seperti misalnya tabuh rah, metajen dan mecaru. Selain itu upacara memuja arwah nenek moyang dan memohon kesuburan dengan menggunakan candu sebagai sesaji, juga dapat dianggap merupakan sisa-sisa unsur tradisi aliran Tantrayana.
Arti Simbolis Pahatan Naga Di Bawah Cerat Yoni Dari Singasari Rita Istari
Berkala Arkeologi Vol 23 No 1 (2003)
Publisher : Balai Arkeologi Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1827.907 KB) | DOI: 10.30883/jba.v23i1.860

Abstract

Yoni yang dibuat dari batu andesit, rupa-rupaoya juga mempunyai arti sendiri-sendiri. Batu untuk yoni dari proses terjadinya dapat digolongkan menjadi empat jenis yaitu: batu amat muda (bala), batu muda (Yuya), batu tengah (Madnya) dan batu tua (wreddha). Di samping itu juga dapat digolongkan menjadi: batu jantan, batu betina dan batu netral. Wama batu juga mempunyai arti sendiri pula yaitu: putih melambangkan kesamaan, merah melambangkan kejayaan, kuning melambangkan kesejahteraan dan hitam melambangkan kesuburan. Batu untuk yoni biasanya jenis batu betina. Kenyataan ini sesuai dengan pendapat yang mengatakan bahwa yoni adalah unsur perempuan. Sebagian besar yoni terbuat dari batu andesit wama hitam, hal ini selaras dengan arti yoni sebagai lambing perempuan yang berhubungao dengan kesuburan.
Kesenian Wayang Pada Masa Klasik Di Jawa Rita Istari
Berkala Arkeologi Vol 23 No 2 (2003)
Publisher : Balai Arkeologi Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (2201.649 KB) | DOI: 10.30883/jba.v23i2.875

Abstract

Penyebutan tentang wayang kulit baru dikenal pada masa pemerintahan Airlangga, seperti yang terdapat dalarn Kakawin Arjunawiwaha. Kemudian dari Kakawin Bharatayudha dapat diketahui bahwa pertunjukan wayang tersebut sudah diiringi dengan gamelan dan sebagainya walaupun belum selengkap seperti sekarang. Kakawin Wrettasancaya, yang masanya lebih muda, diketahui bahwa wayang pada masa itu sudah memakai kelir. Hal ini diperkuat pula dengan melihat relief wayang pada candi, meskipun pada kenyataannya candi-candi tersebut lebih muda masanya dibanding dengan kakawin Arjunawiwaha, Wrettasancaya dan Ghatokacasraya, tetapi tentunya para pemahat relief-relief tersebut mencontoh pola gambar tokoh-tokoh wayang kulit yang sudah dikenal pada masa sebelumnya.
Tokoh Wanita Di Jawa Sekitar Abad VII - XIV Masehi Rita Istari
Berkala Arkeologi Vol 24 No 1 (2004)
Publisher : Balai Arkeologi Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1560.925 KB) | DOI: 10.30883/jba.v24i1.893

Abstract

Since the seventh century AD, when Indonesia was still a kingdom, especially on the island of Java, women have been considered able to rule and run the government. Their position as leaders has earned the trust of its people who have wholeheartedly obeyed the rules decided by their leaders. Similarly, a woman as the king's companion actively helps her husband in running the government with the various advantages he has. Historical evidence indirectly acknowledges to women that the position of women is not always subordinate to that of men. Their competence and ability in running the government with wise actions and decisions has proven it.
Pengaruh Hindu Dalam Mitos Padi Di Jawa Rita Istari
Berkala Arkeologi Vol 25 No 1 (2005)
Publisher : Balai Arkeologi Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (683.443 KB) | DOI: 10.30883/jba.v25i1.913

Abstract

The concept of Mother Goddess in agricultural culture, namely equating or identifying Mother Goddess with soil, plants needed by humans and considered to be born by Mother Goddess. As for the main reason for the worship of Mother Goddess, first of all was the emergence of a feeling of amazement, wonder and human ignorance of natural processes, namely about the secret of birth, the secret of the origin of human or animal life. Their way of thinking which is still very simple then looks for the sources of the cause, and in the end the choice falls to the female character or the mother, because it is based on the experience that it is the woman who gives birth.
Saphata dalam Beberapa Prasasti Rita Istari
Berkala Arkeologi Vol 27 No 1 (2007)
Publisher : Balai Arkeologi Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (881.87 KB) | DOI: 10.30883/jba.v27i1.942

Abstract

In writing the ancient history of Indonesia, it is necessary not only historical sources in the form of relics of the past / artifacts, but also in the form of written sources, one of which is inscriptions. In archaeological understanding, the inscription is the official royal charter carved in stone or metal pot, usually containing decisions regarding the designation of an area to be a sima / perdikan area. The determination of an area to be sima by a king or family is usually done if the area is considered meritorious and for the benefit of a sacred building. However, there are also inscriptions containing court decisions and laws. Apart from stone and metal, ancient writing can also be written on lontar, pottery, statues, and possibly other perishable objects such as bamboo and wood, so they are no longer found today.
SAPHATA DALAM BEBERAPA PRASASTI Rita Istari
Berkala Arkeologi Vol. 27 No. 1 (2007)
Publisher : BRIN

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30883/jba.v27i1.942

Abstract

In writing the ancient history of Indonesia, it is necessary not only historical sources in the form of relics of the past / artifacts, but also in the form of written sources, one of which is inscriptions. In archaeological understanding, the inscription is the official royal charter carved in stone or metal pot, usually containing decisions regarding the designation of an area to be a sima / perdikan area. The determination of an area to be sima by a king or family is usually done if the area is considered meritorious and for the benefit of a sacred building. However, there are also inscriptions containing court decisions and laws. Apart from stone and metal, ancient writing can also be written on lontar, pottery, statues, and possibly other perishable objects such as bamboo and wood, so they are no longer found today.
PENGARUH HINDU DALAM MITOS PADI DI JAWA Rita Istari
Berkala Arkeologi Vol. 25 No. 1 (2005)
Publisher : BRIN

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30883/jba.v25i1.913

Abstract

The concept of Mother Goddess in agricultural culture, namely equating or identifying Mother Goddess with soil, plants needed by humans and considered to be born by Mother Goddess. As for the main reason for the worship of Mother Goddess, first of all was the emergence of a feeling of amazement, wonder and human ignorance of natural processes, namely about the secret of birth, the secret of the origin of human or animal life. Their way of thinking which is still very simple then looks for the sources of the cause, and in the end the choice falls to the female character or the mother, because it is based on the experience that it is the woman who gives birth.
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