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Rita Istari
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Earth & Planetary Sciences Social Sciences

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KESENIAN WAYANG PADA MASA KLASIK DI JAWA Rita Istari
Berkala Arkeologi Vol. 23 No. 2 (2003)
Publisher : BRIN

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30883/jba.v23i2.875

Abstract

The name of wayang kulit only became known during the reign of Airlangga, as is found in Kakawin Arjunawiwaha. Then from Kakawin Bharatayudha it can be seen that the puppet show has been accompanied by gamelan and so on, although it is not as complete as it is now. From Kakawin Wrettasancaya, who was younger, it is known that the puppets at that time were already colored. This is also proven by the puppet reliefs on the temples, even though in fact the temples were younger than Arjunawiwaha, Wrettasancaya and Ghatokacasraya's kakawin, but of course the relief sculptors imitated the pattern of images of shadow puppet figures that were already known in previous times.
ARTI SIMBOLIS PAHATAN NAGA DI BAWAH CERAT YONI DARI SINGASARI Rita Istari
Berkala Arkeologi Vol. 23 No. 1 (2003)
Publisher : BRIN

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30883/jba.v23i1.860

Abstract

Yoni, which is made of andesite stone, also has different meanings. The stones for yoni from the production process can be classified into four types, namely: very young stones (bala), young stones (Yuya), middle stones (Madnya) and old stones (wreddha). In addition, it can also be classified into: male stones, female stones and neutral stones. Stone color also has its own meaning, namely: white symbolizes equality, red symbolizes glory, yellow symbolizes prosperity and black symbolizes fertility. Stone for yoni is usually a type of female stone. This fact is in accordance with the opinion that says that yoni is a female element. Most of the yoni is made of black andesite stones, this is in line with the meaning of yoni as a female symbol associated with fertility.
PELAKSANAAN UPACARA RITUAL DALAM TANTRAYANA Rita Istari
Berkala Arkeologi Vol. 22 No. 1 (2002)
Publisher : BRIN

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30883/jba.v22i1.848

Abstract

One of the characteristics of culture in Indonesia is the emergence of a process of assimilation or synthesis between local traditional elements and the culture that came from India. Likewise, the Tantrayana sect in Indonesia has had a lot of influence from local culture or local culture. The continuity of the Tantrayana school until now can be found in the arts and customs. For example: in Balinese art, there are stories of Calon Arang, Rangdha and Sarong related to witchcraft, as well as in intoxicating dances (Javanese: Tayuban). Meanwhile, in customs, you can find sacrificial ceremonies such as tabuh rah, metajen and mecaru. Apart from that, the ceremonies of worshiping ancestral spirits and invoking fertility by using opium as offerings can also be considered as remnants of elements of the Tantrayana tradition.
MEDIA KOMUNIKASI TRADISIONAL PADA MASYARAKAT JAWA Rita Istari
Berkala Arkeologi Vol. 21 No. 2 (2001)
Publisher : BRIN

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30883/jba.v21i2.840

Abstract

The Indonesian nation in general and the Javanese in particular have had various abilities as a frame of reference that lasted for generations. Thus the various capabilities that exist today are actually only products of the "local genius" of the past. Javanese people since ancient times have always emphasized the connection between the past, present and future.
SEKILAS TENTANG MANIK-MANIK KEMILING, PUNGGUNGHARDJO, LAMPUNG TENGAH Rita Istari
Berkala Arkeologi Vol. 16 No. 1 (1996)
Publisher : BRIN

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30883/jba.v16i1.743

Abstract

In this paper, the study will focus on the presence of beads, particularly those found in one of the mounds of land in Dukuh Kemiling, Punggungharjo Village. The number of bead finds and bead candidates on this site is interesting to study, in addition, bricks with the date 1325 AD were also found. The data found at the Kemiling site are very interesting because they are the first findings in Indonesia based on the number of beads and context which is thought to be a sacred place in the past. In this regard, this study is intended to reconstruct the role and function of beads, that these remains are not only used as grave provisions or for aesthetic purposes, but also related to the function of rituals.
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