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All Journal KONTEMPLASI: JURNAL ILMU-ILMU USHULUDDIN Al-Isnad: Journal of Islamic Civilization History and Humanities
Risa Winanti
Universitas Sebelas Maret Surakarta
Religion Arts Humanities Education Law, Crime, Criminology & Criminal Justice Social Sciences

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Tari Glipang Probolinggo: Kesenian Akulturatif Islam, Simbol Perlawanan, Hingga Media Hiburan Hendra Afiyanto; Risa Winanti
Al-Isnad: Journal of Islamic Civilization History and Humanities Vol. 3 No. 1 (2022): Al-Isnad: Journal of Islamic Civilization History and Humanities
Publisher : UIN Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (504.94 KB) | DOI: 10.22515/isnad.v3i1.5369

Abstract

This study is to reconstruct the Probolinggo Glipang Dance during the Dutch colonialism. The long life span makes Glipang Dance live in several different periods of time. It is interesting to study why this Glipang Dance is able to exist through several changes in the times. Is the existence of Glipang Dance related to its ability to negotiate its functions against the times? Does Glipang Dance have a different function according to the needs of the community in each changing era? For analysis, Malinowski's theory of Functionalism was used in looking at the function of Glipang Dance in each period. Historical methods are also used to help analyze Glipang Dance in the past. There are 3 (three) findings in this study. First, the beginning of Glipang Dance's entry into Probolinggo was identified as Islamic-Culture or Islamic acculturative art. The people of Probolinggo, which is majority Islamic, make Glipang Dance have to adapt itself to the religious conditions of the community. Second, in the period of colonialism, Glipang Dance served as a medium for spreading the ideology of resistance. Third, the existence of Glipang Dance until now because of its ability to add to its function in society, namely as an entertainment medium. Key Words: Arts; Existence; Function Changes; Glipang  
ARENA OF PUBLIC DOMINANCE SEEING THE TRANSFORMATION OF THE SOCIAL FUNCTION OF ISLAMIC ART JEDORAN TULUNGAGUNG Risa Winanti; Hendra Afiyanto
Kontemplasi: Jurnal Ilmu-Ilmu Ushuluddin Vol 10 No 2 (2022): Jurnal Kontemplasi
Publisher : IAIN Tulungagung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21274/kontem.v10i2.7240

Abstract

This study aims to analyze the existence and sustainability of Jedoran art in Tulungagung, a city in East Java. Jedoran art was brought to Tulungagung by Sunan Kalijaga in the 16th century and has a long history. However, a big question arises: Does Jedoran art currently have the same social function as when it first appeared, or is this the result of adaptation of the old Jedoran art to fit in with new cultures and traditions? This research was conducted in Tulungagung because it is a Mataram Islam territory with a relationship to the Yogyakarta Sultanate. The researcher used historical and ethnographic methods as well as Foucault discourse analysis to understand how Jedoran art has developed according to the discourse that appears in every era. The results show that the sustainability of Jedoran art is not separated from the ability of Jedoran artists to read and adapt to the discourse that develops in accordance with changes in time. In addition, this adaptation is actualized through the transformation of the social function of Jedoran art according to the discourse that appears in every era.
Co-Authors Hendra Afiyanto