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All Journal JURNAL ILMU BUDAYA Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya
Farobi Fatkhurridho
Fakultas Ilmu Pengetahuan Budaya, Universitas Indonesia
Arts Humanities Education Languange, Linguistic, Communication & Media

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Ekofeminsime dalam Film Nona Kedi yang Tak Pernah Melihat Keajaiban (2013) Farobi Fatkhurridho; Suma Riella Rusdiarti
Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya Vol 5 No 3 (2022)
Publisher : Magister Pendidikan Bahasa dan Sastra Indonesia, Fakultas Keguruan dan Ilmu Pendidikan, Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (2096.449 KB) | DOI: 10.30872/diglosia.v5i3.471

Abstract

The exploitation of nature and discrimination against women have similarities in unequal power relations. From an anthropocentric point of view, the exploitation of nature has relevance to the issue of feminism. It refers to the terminology of dualism hierarchy in the realm of ecofeminism. Nature and women occupy the same position, namely as objects of the oppressed. In this case, regime, capitalism, and masculinity become the dominant force that has a position as the oppressor. A Lady Caddy Who Never Saw a Hole in One (2013) is a short film that presents a form of perpetuating the issue of dualism hierarchy. The result from this research shows how a lady caddy figure becomes a symbol of the product and represents the exploitation of nature in the eviction of land for golf and luxury hotels. The patterns and symbols presented through the narrative structure and cinematographic aspects depict the relationship between capitalism, regimes, women, and nature which refer to the perpetuation of dualism hierarchy.
PELANGGENGAN WACANA DOMINAN DALAM NOVEL ANAK GEMBALA YANG TERTIDUR PANJANG DI AKHIR ZAMAN (2019) Farobi Fatkhurridho
JURNAL ILMU BUDAYA Vol. 10 No. 2 (2022): Jurnal Ilmu Budaya
Publisher : Universitas Hasanuddin

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34050/jib.v10i2.20963

Abstract

People's attitudes toward national discourse do not grow without cause but are regulated and reproduced by the ruling authorities. Nationalism is never stable due to the reproduction of ideology.  This practice was later called The Regime of Truth by Michael Foucault. The regime regulates views and how people pay attention to the dichotomy of right and wrong, which later develops as a dominant discourse. Anak Gembala yang Tertidur Panjang di Akhir Zaman (2019) by A. Mustafa is a novel that describes how dominant discourse is perpetuated. The novel, set during the Orde Baru era, describes how the dominant power repressed and discriminated against the lives of Queer and Ahmadiyyah. Through the speech acts of the characters in the book, this study will try to break down how the dominant discourse keeps going in the cycle of truth regimes.
Co-Authors Suma Riella Rusdiarti