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VIRTUALITAS TUBUH DALAM FILM HER (2013) Arif Rochman Hakim; Suma Riella Rusdiarti
PARAFRASE : Jurnal Kajian Kebahasaan & Kesastraan Vol 21 No 2 (2021): Parafrase Vol. 21 No. 2 (2021)
Publisher : Universitas 17 Agustus 1945 Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30996/parafrase.v21i2.5398

Abstrak Artikel ini mengkaji film Her (2013) yang mengindikasikan ide tentang realitas virtual yang terbentuk melalui interaksi manusia dan artificial intelligence (AI). Her dikaji sebagai sebuah teks dengan menggunakan pendekatan sinema yang memperhatikan aspek naratif dan sinematografis (Boggs & Petrie, 2008). Konsep tentang imaji afeksi dalam sinema yang dicetuskan oleh Gilles Deleuze digunakan untuk membaca pembentukan dimensi virtual yang dihadirkan dalam film Her. Struktur teks dan strategi dalam Her menunjukkan bahwa perempuan dan AI merupakan pembentuk subjektivitas Theodore. Pengulangan teknik Over-the-Shoulder shot dalam Her menunjukkan humanisasi AI melalui penggunaan pola yang sama antara perempuan dan AI. Aspek sinematografis dan naratif kemudian mengarahkan pemahaman penonton terhadap konstruksi tubuh yang dimiliki oleh Samantha. Virtualitas Her merupakan sebuah kesadaran tentang konstruksi tubuh. Tokoh Ai maupun manusia dalam teks memiliki kesadaran bahwa tubuh adalah tubuh biologis yang memiliki fungsi seksual. Munculnya subjektivitas dalam kesadaran akan tubuh menciptakan kesadaran spasial AI dalam Her yang menunjukkan wacana pembagian ruang yang fragmentatif dalam kehidupan manusia. Kata kunci: deleuze; tubuh; sinema; virtualitas. Abstract This article studies the movie Her (2013) which indicate the idea of virtuality from interaction between human and artificial intelligence (AI). Her studied as text using cinema studies approach that looks at both narrative and cinematographic aspects of a film (Boggs & Petrie, 2008). Affect-Image concept postulated by Gilles Deleuze is used to read the aspect of virtual dimension which appears throughout Her. Text structure and the narrative strategies employed in Her reveal Theodore’s subjectivity is constructed by women and AI. The repetition of Over-the-Shoulder shot and the similarity between scene in human characters and AI characters is used to reveal humanization of AI. The Cinematographic and narrative aspect is articulated to reveal the body image of Samantha in viewer’s imagination. Virtuality dimension in Her shown in consciousness of body construction. Both human and AI have consciousness about biological function and sexual function. Consciousness of body creating spatial consciousness in AI mind and reveal spatial discourse about fragmentary space in human everyday life. Keywords: Deleuze, body; Cinema; virtuality

Villain Figure’s Ambivalence in the Comic Gundala: Destiny Irish Hening; Suma Riella Rusdiarti
Jurnal Lingua Idea Vol 11 No 2 (2020): December 2020
Publisher : Faculty of Humanities, Universitas Jenderal Soedirman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20884/1.jli.2020.11.2.3451

In the comics with superhero genre, the reader will see a villain figure as the opponent of superhero. In September 2019, Bumilangit in collaboration with Gramedia Pustaka published the comic Gundala: Destiny as the complementary media adaptation to the movie Gundala: This Country Needs Patriots which was also published in the same year. This comic presents the figure of Sancaka against Pengkor. Unlike the movie, the main point of narration in the comic is from the perspective of Pengkor as the villain. The comic’s narrative shows the story of Pengkor's childhood until he became a mafia who is feared and respected by many people. With his power, Pengkor has both socially or politically dominance. His power also works with his 10 adopted children as the victims of his subordination. However, Pengkor’s actions to create power over his children were carried out without coercion and repression. In this way, his adopted children obeyed and glorified Pengkor with the nickname 'Father'. By using the structural theory of Tzvetan Todorov and the hegemony of power from Antonio Gramsci, this study aims to dismantle the ambivalent power attitude of Pengkor as the villain figure in the comic Gundala: Destiny.

SOLASTALGIA DAN PARADOKSAL UPAYA PENYELAMATAN LINGKUNGAN PADA TIGA CERPEN MERAYU LANGIT (2017) Farah Dibaj; Suma Riella Rusdiarti
JURNAL KONFIKS Vol 8, No 1 (2021): KONFIKS
Publisher : LEMBAGA PENELITIAN DAN PENGABDIAN PADA MASYARAKAT

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26618/konfiks.v8i1.6437

Pemikiran antroposentris mengakibatkan munculnya kerusakan lingkungan. Seringkali, teknologi menjadi instrumen ketamakan sekaligus pemusnahan manusia. Kerusakan sebuah tempat (place pathology) menghilangkan rasa nyaman (solace) seseorang dalam berumah (A. G. Albrecht, 2019). Solastalgia kemudian muncul untuk memperlihatkan hubungan antara lingkungan biofisik dan jiwa seseorang (psychoterratic). Ketiga cerpen dalam kumpulan cerpen (Mahendra, 2017) secara implisit mengandung kritik terhadap antroposentrisme dan modernisasi yang ditandai dengan kemajuan teknologi. Penelitian dengan metode kualitatif-dekstriptif ini bertujuan untuk memperlihatkan relasi antara manusia dan tempat (psychoterratic) dalam ketiga cerpen memunculkan solastalgia sebagai pendorong upaya penyelamatan lingkungan pada tokoh dalam cerpen. Dengan memakai teori solastalgia dari (G. Albrecht, 2019), penelitian menunjukkan bahwa tokoh dalam cerpen merasakan solastalgia yang muncul dari tempat tinggal yang mengalami kerusakan akibat radiasi nuklir, disebabkan karena mereka harus tetap tinggal di tanah tersebut. Lebih lanjut, tokoh Ibu memperlihatkan sikap paradoksalnya sebagai upaya penyelamatan lingkungan. Pada satu sisi, Ibu memberikan tanggung jawab berupa novel peringatan ke pada anaknya untuk menyelamatkan lingkungan, namun, di sisi lain, sang Ibu selalu mengelak jika sang anak bertanya mengenai apa yang Ibu dan Ayah bicarakan. Maka, dari penelitian ini, dapat disimpulkan bahwa solastalgia dapat hadir sebagai pendorong adanya upaya penyelamatan lingkungan

Ekofeminsime dalam Film Nona Kedi yang Tak Pernah Melihat Keajaiban (2013) Farobi Fatkhurridho; Suma Riella Rusdiarti
Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya Vol 5 No 3 (2022)
Publisher : Magister Pendidikan Bahasa dan Sastra Indonesia, Fakultas Keguruan dan Ilmu Pendidikan, Universitas Mulawarman

The exploitation of nature and discrimination against women have similarities in unequal power relations. From an anthropocentric point of view, the exploitation of nature has relevance to the issue of feminism. It refers to the terminology of dualism hierarchy in the realm of ecofeminism. Nature and women occupy the same position, namely as objects of the oppressed. In this case, regime, capitalism, and masculinity become the dominant force that has a position as the oppressor. A Lady Caddy Who Never Saw a Hole in One (2013) is a short film that presents a form of perpetuating the issue of dualism hierarchy. The result from this research shows how a lady caddy figure becomes a symbol of the product and represents the exploitation of nature in the eviction of land for golf and luxury hotels. The patterns and symbols presented through the narrative structure and cinematographic aspects depict the relationship between capitalism, regimes, women, and nature which refer to the perpetuation of dualism hierarchy.

PEMBENTUKAN RASA BERUMAH DAN CULTURAL BELONGING TOKOH IMIGRAN PADA NOVEL TANAH SEBERANG (2018) Farah Dibaj; Suma Riella Rusdiarti
Dialektika: Jurnal Bahasa, Sastra, dan Pendidikan Bahasa dan Sastra Indonesia Vol 9, No 1 (2022)
Publisher : Department of Indonesia Language and Literature Teaching, UIN Syarif Hidayatullah Jakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15408/dialektika.v8i1.23804

In literary works, how immigrants build a sense of home and culture can be seen in the novel titled Tanah Seberang (2018) by Kurnia Gusti Sawiji. This research using qualitative-descriptive method aims to show how the process of feeling at home and cultural belonging is built by immigrant characters in the novel Tanah Seberang (2018). This study will use the concept of narratology proposed by Gérard Genette (1983) and the theory of Home and Belonging and “in-between” Identity proposed by John McLeod (2000). The results showed (1) one novel contains variable focalization that represents the children's point of view, (2) in the process of the characters in building a sense of home and cultural belonging, there is contestation between Malaysia, other countries, and Indonesia, other countries. origin of the immigrants. The contestation of the country of origin, namely Indonesia, and the migrant country, namely Malaysia, shows that Malaysia can provide a good life from a financial perspective, however, the cultural belonging and sense of home of the migrant population in the novel are still embedded in their country of origin, Indonesia.

Isu Lingkungan dan Perempuan dalam Serial Animasi Avatar: The Last Airbender Heri Samtani; Suma Riella Rusdiarti
Jurnal Pendidikan dan Konseling (JPDK) Vol. 4 No. 5 (2022): Jurnal Pendidikan dan Konseling
Publisher : Universitas Pahlawan Tuanku Tambusai

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31004/jpdk.v4i5.6820

Penelitian ini bertujuan untuk menjelaskan bagaimana tokoh perempuan mendekonstruksi kuasa patriarki atas lingkungan dan perempuan melalui perspektif ekofeminisme. Penelitian ini menggunakan metode kualitatif dengan pendekatan ekokritisisme. Avatar The Last Airbender melalui Episode The Painted Lady menunjukkan bagaimana etika ekofeminisme dapat melahirkan keseimbangan ekologis.Tokoh Katara digambarkan sebagai perempuan yang melakukan perlawanan terhadap dua dominasi kekuatan sekaligus, yaitu patriarki dan hegemoni kapitalisme. Melalui pengembangan karakter Tokoh Katara, ATLA menjadi sarana untuk mengkritik sistem patriarki dan pandangan antroposentris.

Rasisme dan Pendidikan di Amerika Serikat: Diskriminasi dalam Cerpen The Kind of Light that Shines on Texas Karya Reginald McKnight Ajeng Restiyani; Suma Riella Rusdiarti
Jurnal Bahasa dan Sastra Vol 11, No 1 (2023)
Publisher : Faculty of Languages and Arts, Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/jbs.v11i1.122530

Penelitian ini bertujuan untuk membongkar diskriminasi rasial dan dampaknya pada tokoh-tokoh anak ras kulit hitam Afrika-Amerika dalam cerpen The Kind of Light that Shines on Texas (1992) karya Reginald McKnight. Dalam konteks cerpen ini, diskriminasi terhadap anak-anak ras kulit hitam terjadi tidak hanya pada tatanan masyarakat umum, tapi juga di lingkungan pendidikan formal, yaitu sekolah. Penelitian ini membahas diskriminasi rasial yang terjadi di lingkungan sekolah Texas-Amerika dalam cerpen dengan menggunakan metode penelitian kualitatif dengan mengaplikasikan kritik poskolonial Frantz Fanon. Hasil penelitian menunjukkan adanya dampak diskriminasi rasial pada tokoh-tokoh anak ras kulit hitam meliputi internalisasi rasisme sebagai efek warisan kolonialisme dan terjadinya pengukuhan diskriminasi rasial di lingkungan sekolah sebagai praktik neokolonialisme. Kedua hal tersebut berdampak kuat pada kondisi psikologis tokoh-tokoh anak ras kulit hitam yang kemudian memunculkan resistensi terhadap diskriminasi. Bentuk-bentuk resistensi tokoh-tokoh anak ras kulit hitam meliputi kemampuan intelektual, usaha untuk setara, kekuatan fisik dan ketegasan sikap.

Transformasi Resistensi Perempuan dalam Novel Sitti Nurbaya Karya Marah Rusli ke Serial Musikal Nurbaya Ajeng Restiyani; Suma Riella Rusdiarti
Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya Vol 6 No 2 (2023)
Publisher : Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/diglosia.v6i2.685

This study aims to dismantle the strengthening of patriarchal culture and its impact on women’s position in the adaptation of the Sitti Nurbaya novel by Marah Rusli to the Nurbaya musical series directed by Naya Anindita and Venytha Yoshianthini and broadcast on Indonesia Kaya Youtube channel. The research method used is analytical descriptive by applying the concept of ecranisation, a feminist approach and aspects of musicality in musical theater, in addition to digital cinematography as readings of a film theater. The results show the transformation of the main female character’s resistance to patriarchal culture in novels and musical series. In the novel, resistance is targeted at criticism of domestic practices in the household. In contrast, in musical theater the resistance is extended to contemporary issues, namely dreams of freedom and ideals. In addition, the resistance of the main female character also shows her agency, which can influence other oppressed women to fight back. However, despite the transformation of resistance, the adaptation still reflects the strengthening of patriarchal culture. In the musical series, the patriarchal culture that occurs is not only carried out by male domination but by the involvement of women in strengthening patriarchal domination.

Marriage and Women's Subalternity in the Ecranisation of Layla Majnun’s Story Ahmad Syafa'at Junaidi; Suma Riella Rusdiarti
Buletin Al-Turas Vol 29, No 2 (2023): Buletin Al-Turas
Publisher : Fakultas Adab dan Humaniora, UIN Syarif Hidayatullah Jakarta, Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15408/bat.v29i2.33838

PurposeThis article aimed to explain the textual changes in adapting Layla Majnun's story to the film Layla Majnun (2021). In addition, this article questioned the textual ideology of both works con-cerning marriage and women's subalternity.MethodThis article was qualitative research using the literature method. The corpus of this article were the novel Layla Majnun by Nizami Ganjavi and the film Layla Majnun (2021) by Monty Tiwa. This article used Linda Hutcheon's adaptation theory, the concept of subaltern initiated by Ga-yatri C. Spivak, and feminist concepts related to marriage.Results/FindingsThe results of this article show significant changes in the form of the adaptation of the story of Layla Majnun to the film. The changes are in the form of narrative structure, the meaning of mar-riage, and women's voices. The story of Layla Majnun focuses more on the storytelling of male characters, while the film focuses more on the storytelling of female characters.ConclusionThe textual shift from novel to film influences changes in the ideology of the text concerning mar-riage and women's subalternity. In the Layla Majnun novel, women are unable to speak out (subaltern) against repression from men concerning marriage. At the same time, the film Layla Majnun attempts to bring out women's voices to articulate their will in marriage.

PEMBENTUKAN RASA BERUMAH DAN CULTURAL BELONGING TOKOH IMIGRAN PADA NOVEL TANAH SEBERANG (2018) Farah Dibaj; Suma Riella Rusdiarti
Dialektika: Jurnal Bahasa, Sastra, dan Pendidikan Bahasa dan Sastra Indonesia Vol 9, No 1 (2022)
Publisher : Department of Indonesia Language and Literature Teaching, UIN Syarif Hidayatullah Jakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15408/dialektika.v8i1.23804

In literary works, how immigrants build a sense of home and culture can be seen in the novel titled Tanah Seberang (2018) by Kurnia Gusti Sawiji. This research using qualitative-descriptive method aims to show how the process of feeling at home and cultural belonging is built by immigrant characters in the novel Tanah Seberang (2018). This study will use the concept of narratology proposed by Gérard Genette (1983) and the theory of Home and Belonging and “in-between” Identity proposed by John McLeod (2000). The results showed (1) one novel contains variable focalization that represents the children's point of view, (2) in the process of the characters in building a sense of home and cultural belonging, there is contestation between Malaysia, other countries, and Indonesia, other countries. origin of the immigrants. The contestation of the country of origin, namely Indonesia, and the migrant country, namely Malaysia, shows that Malaysia can provide a good life from a financial perspective, however, the cultural belonging and sense of home of the migrant population in the novel are still embedded in their country of origin, Indonesia.

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