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All Journal Widya Wacana : Jurnal Ilmiah Proceeding of International Conference on Teacher Training and Education PROCEEDING ICTESS (Internasional Conference on Technology, Education and Social Sciences) English Research Journal : Journal of Education, Language, Literature, Arts and Culture
Ch. Evy Tri Widyahening, Ch. Evy Tri
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Computer Science & IT Education Languange, Linguistic, Communication & Media Social Sciences Other

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AN ANALYSIS OF WOMEN REPRESENTATION IN “BLACK WIDOW” FILM BY CATE SHORTLAND: (A FEMINISM STUDY) Utami, Sheila Geneviene; Widyahening, Ch. Evy Tri
ENGLISH RESEARCH JOURNAL Vol 9 No 1 (2024): English Research Journal
Publisher : English Education Department Slamet Riyadi University Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33061/erj.v9i2.11324

Abstract

This research was aimed to analyze the women representation shown in the film as represented by Natasha Romanoff in Black Widow film.                  This research was conducted at Slamet Riyadi University Library in 2024. To analyze the problem formulation, the researcher used a feminist approach. The researcher used feminism and impact role of women as race or ethnicity, and sexuality theories. In conducting the study, the researcher used method Miles and Huberman in analysis of qualitative data. The primary data is the Black Widow film written and directed by Cate Shortland. Secondary data is article, journal, book, and other previous research linked that could support the primary data.                  The findings of this research indicate that women represntation that show in Natasha Romanoff throughout the film. Natasha's concept of race, ethnicity, and sexuality is based on her Russian background, and Natasha’s as women representaion associated with Russian women. The part also touched on cultural stereotypes of Russian Women. Natasha embodies Russian traits, as seen in Natasha's actions and behavior throughout the film.                  It can be concluded that Natasha has an amazing women representation. Natasha emerges as a complex character who navigates her past traumas and current challenges with courage, compassion, and determination. Natasha can prove that woman offers a nuanced exploration of gender dynamics, empowerment, and resilience, providing a refreshing perspective on women representation. Keywords : Black Widow, Feminism, Gender Equality, Film, and Women Representation.
NARSISTIK EKSTRAVERSI AGEN AMY DUNNE SEPERTI YANG TERLIHAT DALAM FILM "GONE GIRL" OLEH DAVID FINCHER Rifqi, Ahmad; Widyahening, Ch. Evy Tri
ENGLISH RESEARCH JOURNAL Vol 9 No 1 (2024): English Research Journal
Publisher : English Education Department Slamet Riyadi University Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33061/erj.v9i2.11448

Abstract

The objective of this research was to analyze the agentic extraversion narcissistic traits exhibited by the main character, Amy Dunne, as seen in the movie "Gone Girl," directed by David Fincher. The researcher used a descriptive-qualitative methodology. The data were collected through the use of documentation, including watching the movie, reading the script, and taking notes. In analyzing the data, the researcher used an interactive approach to data analysis, as defined by Miles and Huberman, which included the following stages: data collection, data reduction, data display, and drawing conclusion verification. This approach was used to ensure the validity of the research. Additionally, the researcher employed a triangulation of data and triangulation theory to enhance the rigor of the research. The findings of this research indicate that the agentic extraversion narcissistic traits exhibited by the main character, Amy Dunne's, are: achieved goals and influenced by fame, as seen in the movie Gone Girl. Keyword : Narcissistic, Gone Girl Movie, Descriptive Qualitative
FEMINIST PERSPECTIVES ON FILM “RAYA AND THE LAST DRAGON”: (A STUDY OF RELATIONAL EMPOWERMENT) Pramesniradjati, Mikhaella Gita; Widyahening, Ch. Evy Tri
ENGLISH RESEARCH JOURNAL Vol 10 No 1 (2025): English Research Journal
Publisher : English Education Department Slamet Riyadi University Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33061/erj.v10i1.12236

Abstract

Abstract: This study uses Jo Rowlands' idea of relational empowerment to examine feminist readings of Raya and the Last Dragon (2021). The film presents empowerment as a collaborative attempt focused on trust, cooperation, and leadership, in contrast with typical narratives of lone female heroes. This study focuses at significant circumstances that highlight decision-making, resistance of gender norms, collaboration and reconciliation using qualitative analysis and library research. The results show that Raya's leadership, determination, and intelligence challenge gender stereotypes, and that the Southeast Asian setting of the film emphasize a collective approach to empowerment in contrast to Western individualist feminism. Keywords: Feminism, Women Empowerment, Relational Empowerment, Raya and the Last Dragon Abstrak: Studi ini menggunakan konsep pemberdayaan relasional Jo Rowlands untuk menganalisis pembacaan feminis terhadap Raya and the Last Dragon (2021). Film ini menampilkan pemberdayaan sebagai upaya kolaboratif yang berfokus pada kepercayaan, kerja sama, dan kepemimpinan, berbeda dengan narasi khas pahlawan perempuan yang bertindak sendiri. Studi ini meneliti momen-momen penting yang menyoroti pengambilan keputusan, perlawanan terhadap norma gender, kerja sama, dan rekonsiliasi dengan menggunakan analisis kualitatif dan studi pustaka. Hasil penelitian menunjukkan bahwa kepemimpinan, keteguhan, dan kecerdasan Raya menantang stereotip gender, serta bahwa latar budaya Asia Tenggara dalam film ini menekankan pendekatan pemberdayaan yang kolektif, berbeda dengan feminisme individualis Barat. Kata kunci: Feminism, Pemberdayaan Perempuan, Pemberdayaan Relasional, Raya and The Last Dragon
Co-Authors Ahmad Rifqi Fernanda, Erikca Gardena Pramesniradjati, Mikhaella Gita Ramadhan, Muhammad Rizqi Utami, Sheila Geneviene Wulandari, Cahya Suci